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Binary Oppositions, Otherness, and Borders in David Greig's Europe

Year 2020, Cumhuriyet Armağan Sayısı, 237 - 247, 28.10.2020
https://doi.org/10.18026/cbayarsos.669875

Abstract

David Greig is a playwright from Scotland who has opened up to the world and has dealt with social, political and economic problems related to globalization, an issue of central focus and interest in his plays. The characters of Europe can be categorized under binary oppositions, and the main setting of the play, the train station, is representative of Europe as a continent. The existing system at this station parallels the social and economic structures seen in today's Europe. The train station, on the other hand, is the "in-between" space that connects the two poles, referring to a metaphor that corresponds to the in-betweenness in a society. The purpose of this study, putting this in-between space in the centre, is to interpret the concepts "the other" and "border" and to examine, define and describe the binary oppositions such as Europeans vs immigrants, self vs the other, solidarity vs mobility, a running system vs a collapsing system, cleanliness vs dirt and structure vs restructure within the framework of this analysis and interpretation.

References

  • References Bhabha, Homi K. (2004). Introduction. The location of culture. London: Routledge. Buckley, W. (1967). Sociology and Modern Systems Theory. Englewood Cliffs, NJ.: Prentice -Hall Derrida, J.( 1992). The Other Heading : Reflections on Today's Europe. Bloomington :Indiana University Press. Fanon, F. (1967)Black Skin, White Masks, trans. Charles Lam Markmann. New York: Grove Press Fusillo, M. (2011), “The Railway Station as Heterotopia: between Sacredness and Sexuality”, Spaces of Desire -Spaces of Transition: Space and Emotions in Modern Literature, (Eds.) Gertrud Lehnert and Stephanie Siewert, Frankfurt: Peter Lang Publication. Greig, D. (2009). Plays:1 Europe, the architect, the cosmonaut’s last message to the woman he once loved in the Soviet Union. London: Bloomsbury Methuen Drama.. Güvenç, S, Ş. (2018): “Biz de, Kendi Çapımızda Avrupayız': Küreselleşme Işığında David Greig'in Avrupa Adlı Oyunu.” DTCF Dergisi, 58.1 187-202. DOI: 10.33171/dtcfjournal.2018.58.1.10 Heidegger, M.(1971).Poetry, Language, Thought. New York: Harper & Row,. Print http://www.wwf.gr/images/pdfs/pe/katoikein/Filosofia_Building%20Dwelling%20Thinking.pdf İnan, D, and Sönmez, A (2015). L. T. A. Spatial Interpretation of David Greig’s Europe. Eskişehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi. Haziran, 16(1), 49-61. İnan, D. (2019).David Greig‟s Europe: Staging Globalization, Mobility and Refugehood, Gaziantep University Journal of Social Sciences. 18(4), p.1261. Morales, V. R. (2016). Globalisation in David Greig’s Europe Space, Ethics and the Spectator. Barcelona U, PhD dissertation. http://diposit.ub.edu/dspace/bitstream/2445/107953/1/VRM_PhD_THESIS.pdf Levi-Strauss, C. (1967). Structural Anthropology. Garden City, N,Y.: Anchor ____________ (1952). Race and History. Published by UNESCO, Paris Morrison, T., and Carolyn C. D. (2008).What Moves at the Margin: Selected Nonfiction. Jackson: University Press of Mississippi. Rauch, L., Sherman, D. and W. F. G. Hegel. (1999).Hegel's Phenomenology of Self-Consciousness: Text and Commentary. New York: State University of New York Press. Ritzer, G. (2011). Sociological Theory. The McGraw-Hill Companies, Inc. Sönmez, L. (2017). Politics Of Location: Spatial Images And Imaginings In David Greig’s Plays.. İstanbul Aydın U, PhD dissertation. https://acikarsiv.aydin.edu.tr/bitstream/11547/2188/1/473454.pdf

David Greig’in Avrupa’sında İkili Karşıtlıklar, Öteki ve Sınırlar

Year 2020, Cumhuriyet Armağan Sayısı, 237 - 247, 28.10.2020
https://doi.org/10.18026/cbayarsos.669875

Abstract

David Greig İskoçya’dan dünyaya açılmış ve oyunlarının merkezine yerleştirdiği küreselleşme konusuna ilişkin toplumsal, siyasal ve ekonomik meselelerle ilgilenmiş bir oyun yazarıdır. Europe oyununun karakterleri genel olarak ikili karşıtlıklar altında kategorize edilebileceği gibi, oyundaki ana mekân olan tren istasyonu da Avrupa kıtasını temsil eden bir yerdir. Bu istasyonda var olan sistem, günümüz Avrupa’sında görülen sosyal ve ekonomik yapıyla paralellik arz etmektedir. Öte yandan tren istasyonu, bir toplumdaki arada kalmışlığa karşılık gelen bir eğretilemeye atfen iki kutbu birbirine bağlayan “aradaki” alandır. Bu çalışmanın amacı, bu aradaki alanı merkeze alarak, “öteki” ve “sınır” kavramlarını yorumlamak ve bu analiz ve yorum çerçevesinde Avrupalılar/göçmenler, benlik/öteki, birlik/hareketlilik, işleyen bir sistem/çökmüş bir sistem, temizlik/kirlilik, yapı/yapı bozumu vb. ikili karşıtlıkları incelemek, tanımlamak ve ortaya koymaktır.

References

  • References Bhabha, Homi K. (2004). Introduction. The location of culture. London: Routledge. Buckley, W. (1967). Sociology and Modern Systems Theory. Englewood Cliffs, NJ.: Prentice -Hall Derrida, J.( 1992). The Other Heading : Reflections on Today's Europe. Bloomington :Indiana University Press. Fanon, F. (1967)Black Skin, White Masks, trans. Charles Lam Markmann. New York: Grove Press Fusillo, M. (2011), “The Railway Station as Heterotopia: between Sacredness and Sexuality”, Spaces of Desire -Spaces of Transition: Space and Emotions in Modern Literature, (Eds.) Gertrud Lehnert and Stephanie Siewert, Frankfurt: Peter Lang Publication. Greig, D. (2009). Plays:1 Europe, the architect, the cosmonaut’s last message to the woman he once loved in the Soviet Union. London: Bloomsbury Methuen Drama.. Güvenç, S, Ş. (2018): “Biz de, Kendi Çapımızda Avrupayız': Küreselleşme Işığında David Greig'in Avrupa Adlı Oyunu.” DTCF Dergisi, 58.1 187-202. DOI: 10.33171/dtcfjournal.2018.58.1.10 Heidegger, M.(1971).Poetry, Language, Thought. New York: Harper & Row,. Print http://www.wwf.gr/images/pdfs/pe/katoikein/Filosofia_Building%20Dwelling%20Thinking.pdf İnan, D, and Sönmez, A (2015). L. T. A. Spatial Interpretation of David Greig’s Europe. Eskişehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi. Haziran, 16(1), 49-61. İnan, D. (2019).David Greig‟s Europe: Staging Globalization, Mobility and Refugehood, Gaziantep University Journal of Social Sciences. 18(4), p.1261. Morales, V. R. (2016). Globalisation in David Greig’s Europe Space, Ethics and the Spectator. Barcelona U, PhD dissertation. http://diposit.ub.edu/dspace/bitstream/2445/107953/1/VRM_PhD_THESIS.pdf Levi-Strauss, C. (1967). Structural Anthropology. Garden City, N,Y.: Anchor ____________ (1952). Race and History. Published by UNESCO, Paris Morrison, T., and Carolyn C. D. (2008).What Moves at the Margin: Selected Nonfiction. Jackson: University Press of Mississippi. Rauch, L., Sherman, D. and W. F. G. Hegel. (1999).Hegel's Phenomenology of Self-Consciousness: Text and Commentary. New York: State University of New York Press. Ritzer, G. (2011). Sociological Theory. The McGraw-Hill Companies, Inc. Sönmez, L. (2017). Politics Of Location: Spatial Images And Imaginings In David Greig’s Plays.. İstanbul Aydın U, PhD dissertation. https://acikarsiv.aydin.edu.tr/bitstream/11547/2188/1/473454.pdf
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Primary Language English
Journal Section Articles
Authors

Cüneyt Özata 0000-0002-9179-9537

Publication Date October 28, 2020
Published in Issue Year 2020 Cumhuriyet Armağan Sayısı

Cite

APA Özata, C. (2020). Binary Oppositions, Otherness, and Borders in David Greig’s Europe. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, 18(Armağan Sayısı), 237-247. https://doi.org/10.18026/cbayarsos.669875