BibTex RIS Kaynak Göster

THE IMAGE OF THE BULLFIGHT AND BULLFIGHTER IN 20TH CENTURY SPANISH POETRY: LORCA'S ELEGY LAMENT FOR IGNACIO SÁNCHEZ MEJIAS / 20. YÜZYIL İSPANYOL ŞİİRİNDE BOĞA GÜREŞİ VE MATADOR İMGESİ: LORCA'NIN IGNACIO SÁNCHEZ MEJIAS'A AĞIT ÖRNEĞİ

Yıl 2015, Sayı: 34, 171 - 192, 30.12.2015

Öz

The Spanish people worship bulls with the characteristics like aggressiveness, power and fearlessness, and also worship the bullfighters that fight a dual with bulls. The tradition of bullfight defines the basic character of a nation which perceive life as becoming continuously face to face with death. This character makes the Spaniards consider bullfights as a form of art and the possibility of death becomes an inspiration of this deadly art. The famous Spanish poet Federico García Lorca calls as duende, the muse that comes up at the time when the bullfighter come face to face with death. In this study it's aimed to indicate the roots of the Spaniard's affection for bullfighting. As in 20th century Spanish poetry bullfights theme and image of death is cultivated rather frequently, we'll take Lorca's poem Lament for Ignacio Sánchez Mejías as the study object and we'll intend to analyze this elegy in the aspects of Ignacio's bullfighter figure, the expression of death and mourning and also the symbolical images drawn by Lorca. 

Kaynakça

  • BENITO LOBO, José Antonio (2000). Literatura para la vida, Madrid: Edinumen.
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  • GARCIA LORCA, Federico (1942). "Teoría y juego del duende", Obras Completas, 7, Buenos Aires: Losada.
  • GARCÍA LORCA, Federico. ''Lament for Ignacio Sánchez Mejíllas'', (Traduced by A.S.Kline), http://www.poetryintranslation.com/PITBR/Spanish/FiveintheafternoonLorc a.htm(25.10.2015).
  • HONIG, Edwin (1941). ''The Poetry of Federico García Lorca'', New Mexico Quarterly Review, No: 4, November, Volume XI, pp. 389-413.
  • LÓPEZ IZQUIERDO, Francisco (1972). Torosen Segovia, Segovia: Publicaciones de la Cajade Ahorros de Segovia.
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  • RÍOS RUIZ, Manuel (1990). Aproximación a la Tauromaquía, Madrid: Istmo.
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  • TORO BUIZA, Luis (1969). “Posiblesorígenes del arte del toreo”, Los TorosenEspaña, Tomo 1, Dir. Carlos Orellana, Madrid: Editorial Ore.
  • TRUJILLO, Jose Antonio (1981). Los torosen la literatura, A. Santiago Orozco, lidiadoren las ondas y maestro de la críticataurina, Madrid: Impreso de España.
  • YENER GÖKŞENLİ, Ebru (2011). İç Savaş Sonrası İspanyol Romanına Yansıyan Tarihsel, Toplumsal ve Sosyal Çeşitliliğin İncelenmesi, (Analysis of thehistorical and social variety reflected on the Spanish Post-War Novel), Istanbul: University of Istanbul, Institute of Social Sciences, (Published PHD Thesis).
Toplam 19 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Ebru Gökşenli Bu kişi benim

Yayımlanma Tarihi 30 Aralık 2015
Gönderilme Tarihi 13 Şubat 2016
Yayımlandığı Sayı Yıl 2015 Sayı: 34

Kaynak Göster

APA Gökşenli, E. (2015). THE IMAGE OF THE BULLFIGHT AND BULLFIGHTER IN 20TH CENTURY SPANISH POETRY: LORCA’S ELEGY LAMENT FOR IGNACIO SÁNCHEZ MEJIAS / 20. YÜZYIL İSPANYOL ŞİİRİNDE BOĞA GÜREŞİ VE MATADOR İMGESİ: LORCA’NIN IGNACIO SÁNCHEZ MEJIAS’A AĞIT ÖRNEĞİ. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi(34), 171-192. https://doi.org/10.21497/sefad.54060

Selcuk Üniversitesi Edebiyat Fakültesi Dergisi, 2025 sayıları için makale kabulüne Dergipark üzerinden 15 Eylül 2024 tarihi itibariyle başlayacaktır.