Araştırma Makalesi
BibTex RIS Kaynak Göster

STRANGERS IN THE SAME COUNTRY: THE COMPLEXITY OF SISTERLY SOLIDARITY IN CATHERINE FILLOUX’S THE BEAUTY INSIDE

Yıl 2017, Sayı: 37, 153 - 164, 22.06.2017
https://doi.org/10.21497/sefad.328401

Öz

Through the depiction of a sisterly solidarity and the
priority of our responsibility for the other, French-American playwright
Catherine Filloux’s play The Beauty
Inside
makes its audience bear witness not only to the tragedy of honor
killings in Turkey but also to an amity that flourishes between a Westernized
lawyer Devrim and a rape survivor Yalova introducing a form of familial bond
that stems from our shared ethical space. With the help of its unique
characters and stress on compassion, The
Beauty Inside
exemplifies an outstanding play that enhances the publicity
of the theatre genre itself. This paper argues that through its rendering of
two noteworthy characters from two conflicting sub-cultures of Turkey and their
attempts to acknowledge their responsibility for the other, the play portrays a
complex sisterhood that justifies the uplifting impact of face-to-face
interaction and proposes a novel approach to humanitarianism in human rights
theatre. Moreover, it accentuates travel, both as a physical expedition and a
mental exploration, in its attempt to encounter the other and “the
non-intentionality of consciousness” – to quote from Emmanuel Levinas. Divided
in two major sections, this paper first discusses the theoretical perspectives
surrounding travel theory and the concept of witnessing vulnerability and
atrocities by referring to human rights theorists as well as Levinas’s concept
of “face-to-face interaction”  and then
includes a close reading of The Beauty
Inside
as a distinguished play that aptly utilizes the theatre genre to
serve a dual function: to publicize violations and to deliver an eye-opening
alternative to our fear of the other by curtailing the proximity to the
vulnerable.

Kaynakça

  • BEAH, Ishmael (2007). A Long Way Gone: Memoirs of a Boy Soldier. New York: Farrar, Straus and Giroux.
  • BECKER, Florian; HERNANDEZ, Paula, and WERTH, Brenda (2013). “Introduction”. Imagining Human Rights in Twenty-First Century Theater: Global Perspectives. eds. Florian Becker et al. New York: Palgrave Macmillan. 1-23.
  • BLUNT, Alison (1994). Travel, Gender and Imperialism: Mary Kingsley and West Africa. New York: Guilford Press.
  • CULLER, Jonathan (1989). Framing the Sign: Criticism and Its Institutions. Norman: University of Oklahoma Press.
  • DAU, John Bul (2008). God Grew Tired of Us. Washington, D.C.: National Geographic.
  • DORFMAN, Ariel (2004). Manifesto for Another World. New York: Seven Stories Press.
  • DUFF GORDON, Lucy (1969). Letters from Egypt (1862-1869). New York: Frederick Praeger.
  • ERINCIN, Serap (2009). “East Meets West”. Silence of God and Other Plays. New York: Seagull Books. 56-60.
  • EVANS, Christine (2012). “Trojan Barbie”. War Plays. New York: NoPassport Press. 18-98.
  • FILLOUX, Catherine (2009). “Eyes of the Heart”. Silence of God and Other Plays. New York: Seagull Books. 115-171.
  • FILLOUX, Catherine (2009). “Silence of God”. Silence of God and Other Plays. New York: Seagull Books. 173-233.
  • FILLOUX, Catherine (2009). “The Beauty Inside”. Silence of God and Other Plays. New York: Seagull Books. 53-113.
  • FILLOUX, Catherine (2011). “Killing the Boss”. Dog and Wolf & Killing the Boss. South Gate: NoPassport Press. 107-210.
  • GREHAN, Helena (2009). Theatre and Ethics and Grehan’s Performance, Ethics, and Spectatorship in a Global Age. New York: Palgrave Macmillan.
  • HOLLAND, Patrick and HUGGAN, Graham (1998). Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor: The University of Michigan Press.
  • KAPLAN, Caren (1996). Questions of Travel: Postmodern Discourses of Displacement. Durham: Duke University Press.
  • KINGSLEY, Mary (2006). Travels in West Africa. Charleston: BiblioBazzar.
  • KOGACIOGLU, Dicle (2004). “The Tradition Effect: Framing Honor Crimes in Turkey”. differences: A Journal of Feminist Cultural Studies 15 (2): 119-151.
  • LEVINAS, Emmanuel (2009). The Levinas Reader. ed. Sean Hand. Oxford: Blackwell.
  • LINDEN, Sonja (2005). Crocodile Seeking Refuge London: Aurora Metro Press.
  • MALPEDE, Karen (1996). “Theatre of Witness: Passage into a New Millenium”. New Theatre Quarterly 12 (47): 266-278.
  • MILLS, Sara (1991). Discourses of Difference: An Analysis of Women’s Travel Writing and Colonialism. New York: Routledge.
  • MUTUA, Makau (2001). “Savages, Victims, and Saviors: The Metaphor of Human Rights”. Harvard International Law Journal 42 (1): 201-245.
  • OLIVER, Kelly (2001). Witnessing: Beyond Recognition. Minneapolis: University of Minnesota Press.
  • PARDOE, Julia (2007). The City of the Sultan and Domestic Manners of the Turks. London: Kessinger.
  • RIDOUT, Nicholas (2009). Theatre and Ethics. New York: Palgrave Macmillan.
  • SOK, Chivy (2009). “Justice After the Khmer Rouge Killing Fields?” Silence of God and Other Plays. London: Seagull Books. 176-181.
  • SOUEIF, Ahdaf (1992). In the Eye of the Sun. New York: Anchor.
  • TURNER, Bryan (2006). Vulnerability and Human Rights. University Park: Penn State University Press.
  • WILLIS, Emma (2014). Theatricality, Dark Tourism, and Ethical Spectatorship. New York: Palgrave Macmillan.

AYNI ÜLKEDE YABANCI OLMAK: CATHERINE FILLOUX’NUN İÇTEKİ GÜZELLİK OYUNUNDA KIZ KARDEŞLİĞİN KARMAŞASI

Yıl 2017, Sayı: 37, 153 - 164, 22.06.2017
https://doi.org/10.21497/sefad.328401

Öz

Fransız Amerikalı oyun yazarı Catherine Filloux’nun
“İçteki Güzellik” adlı oyunu, sahnelediği kız kardeşlik teması ve vurguladığı
ötekine olan sorumluluğumuz kavramlarıyla iki önemli amaç ortaya koymaktadır:
Seyircisini Türkiye’deki namus cinayetleri hakkında bilgilendirmek ve onlara
Batılı bir avukat olan Devrim’le tecavüz mağduru Yalova arasında filizlenen
arkadaşlığı göstererek ortak bir etik alanının olduğunun altını çizmek. Özgün
karakterleri ve merhamet kavramına verdiği önemle, “İçteki Güzellik” tiyatronun
halkla iç içe bir sanat olduğunu da gösteren seçkin bir oyundur. Bu makalede
tartışılan nokta şudur: Türkiye’nin iki farklı alt-kültüründen gelen iki
karakter ve onların ötekini anlama çabaları sonucu, bu oyun “yüz yüze
etkileşimi” haklı gösteren ve insan hakları tiyatrosunda hümanitarizm kavramına
yeni bir alternatif sunan kardeşce bir dayanışma ortaya koyar. Dahası, hem
fiziksel hem de mental bir arayış olan seyahat kavramına ve onun ötekiyle
karşılaşma arzusuna, ya da Emmanuel Levinas’in deyimiyle “bilincin
niyetsizliğine”, dikkat çeker. İki bölümden oluşan bu makalenin ilk bölümünde
seyahat teorisi çerçevesinde ve insan hakları ihlallerine şahit olma kavramı
kapsamında insan hakları teorisyenlerinden ve Levinas’in “yüz yüze etkileşim”
kavramından faydalanılmaktadır. İkinci bölümde ise, “İçteki Güzellik” oyununun
detaylı bir okuması, bu oyundaki iki önemli kavramın (1-ihlalleri duyurma ve
2-ötekiyle olan mesafeyi kısaltarak yeni bir alternatif sunma) altı çizilerek
yapılmaktadır.

Kaynakça

  • BEAH, Ishmael (2007). A Long Way Gone: Memoirs of a Boy Soldier. New York: Farrar, Straus and Giroux.
  • BECKER, Florian; HERNANDEZ, Paula, and WERTH, Brenda (2013). “Introduction”. Imagining Human Rights in Twenty-First Century Theater: Global Perspectives. eds. Florian Becker et al. New York: Palgrave Macmillan. 1-23.
  • BLUNT, Alison (1994). Travel, Gender and Imperialism: Mary Kingsley and West Africa. New York: Guilford Press.
  • CULLER, Jonathan (1989). Framing the Sign: Criticism and Its Institutions. Norman: University of Oklahoma Press.
  • DAU, John Bul (2008). God Grew Tired of Us. Washington, D.C.: National Geographic.
  • DORFMAN, Ariel (2004). Manifesto for Another World. New York: Seven Stories Press.
  • DUFF GORDON, Lucy (1969). Letters from Egypt (1862-1869). New York: Frederick Praeger.
  • ERINCIN, Serap (2009). “East Meets West”. Silence of God and Other Plays. New York: Seagull Books. 56-60.
  • EVANS, Christine (2012). “Trojan Barbie”. War Plays. New York: NoPassport Press. 18-98.
  • FILLOUX, Catherine (2009). “Eyes of the Heart”. Silence of God and Other Plays. New York: Seagull Books. 115-171.
  • FILLOUX, Catherine (2009). “Silence of God”. Silence of God and Other Plays. New York: Seagull Books. 173-233.
  • FILLOUX, Catherine (2009). “The Beauty Inside”. Silence of God and Other Plays. New York: Seagull Books. 53-113.
  • FILLOUX, Catherine (2011). “Killing the Boss”. Dog and Wolf & Killing the Boss. South Gate: NoPassport Press. 107-210.
  • GREHAN, Helena (2009). Theatre and Ethics and Grehan’s Performance, Ethics, and Spectatorship in a Global Age. New York: Palgrave Macmillan.
  • HOLLAND, Patrick and HUGGAN, Graham (1998). Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor: The University of Michigan Press.
  • KAPLAN, Caren (1996). Questions of Travel: Postmodern Discourses of Displacement. Durham: Duke University Press.
  • KINGSLEY, Mary (2006). Travels in West Africa. Charleston: BiblioBazzar.
  • KOGACIOGLU, Dicle (2004). “The Tradition Effect: Framing Honor Crimes in Turkey”. differences: A Journal of Feminist Cultural Studies 15 (2): 119-151.
  • LEVINAS, Emmanuel (2009). The Levinas Reader. ed. Sean Hand. Oxford: Blackwell.
  • LINDEN, Sonja (2005). Crocodile Seeking Refuge London: Aurora Metro Press.
  • MALPEDE, Karen (1996). “Theatre of Witness: Passage into a New Millenium”. New Theatre Quarterly 12 (47): 266-278.
  • MILLS, Sara (1991). Discourses of Difference: An Analysis of Women’s Travel Writing and Colonialism. New York: Routledge.
  • MUTUA, Makau (2001). “Savages, Victims, and Saviors: The Metaphor of Human Rights”. Harvard International Law Journal 42 (1): 201-245.
  • OLIVER, Kelly (2001). Witnessing: Beyond Recognition. Minneapolis: University of Minnesota Press.
  • PARDOE, Julia (2007). The City of the Sultan and Domestic Manners of the Turks. London: Kessinger.
  • RIDOUT, Nicholas (2009). Theatre and Ethics. New York: Palgrave Macmillan.
  • SOK, Chivy (2009). “Justice After the Khmer Rouge Killing Fields?” Silence of God and Other Plays. London: Seagull Books. 176-181.
  • SOUEIF, Ahdaf (1992). In the Eye of the Sun. New York: Anchor.
  • TURNER, Bryan (2006). Vulnerability and Human Rights. University Park: Penn State University Press.
  • WILLIS, Emma (2014). Theatricality, Dark Tourism, and Ethical Spectatorship. New York: Palgrave Macmillan.
Toplam 30 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Eda Dedebaş Dündar Bu kişi benim

Yayımlanma Tarihi 22 Haziran 2017
Gönderilme Tarihi 23 Şubat 2017
Yayımlandığı Sayı Yıl 2017 Sayı: 37

Kaynak Göster

APA Dedebaş Dündar, E. (2017). STRANGERS IN THE SAME COUNTRY: THE COMPLEXITY OF SISTERLY SOLIDARITY IN CATHERINE FILLOUX’S THE BEAUTY INSIDE. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi(37), 153-164. https://doi.org/10.21497/sefad.328401

Selcuk Üniversitesi Edebiyat Fakültesi Dergisi, 2024 sayıları için makale kabülüne Dergipark üzerinden 15 Ağustos 2023 tarihi itibariyle başlayacaktır.