Araştırma Makalesi
BibTex RIS Kaynak Göster

THE STUDY OF THE INSTANCES OF PHILOSOPHICAL THOUGHTS AND TECHNOLOGICAL DEVELOPMENTS IN THE WORKS OF CONTEMPORARY VISUAL ARTISTS

Yıl 2024, Cilt: 2 Sayı: 3, 1 - 57, 31.01.2024

Öz

This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.

Kaynakça

  • American Medical Colleges. (2023). The young family. Access date: 04.05.2023, https://journals.lww.com/academicmedicine/Fulltext/2016/09000/The_Young_Family.20.aspx
  • Artsy Net. (2023). Ghost ship i, 2011. Access date: 07.05.2023, https://www.artsy.net/artwork/dorothy-cross-ghost-ship-i
  • Artsy Net. (2023). Infinity nets. Access date: 07.05.2023, https://www.artsy.net/artist-series/yayoi-kusama-infinity-nets
  • Artsy Net. (2023). Medusae I, 2018. Access date: 05.05.2023, https://www.artsy.net/artwork/dorothy-cross-medusae-i
  • Artsy Net. (2023). Straight, 2008. Access date: 04.05.2023, https://www.artsy.net/artwork/ai-weiwei-straight-9
  • Barrett, D. (2011). Ai Weiwei: sunflower seeds. Art Monthly, (343), 24.
  • Basse, M. (2016). Light and space as experience: a study of the work of James Turrell, Olafur Eliasson, and perceptual phenomenology. (PhD thesis). Accessed from The University of Southern California ProQuest Dissertations Publishing's database. (https://www.proquest.com/docview/2158002511/previewPDF/B13BA6F2FFED497CPQ/1?accountid=15875)
  • Bell, D. (2010). The beautiful stars at night: the glittering artistic world Yayoi Kusama. New Zealand Journal of Asian Studies, 12(2), 81-106.
  • Bo, Z. (2012). From gongren to gongmin: a comparative analysis of Ai Weiwei's sunflower seeds and Nian. Journal of Visual Art Practice, 11(2-3), 117-133.
  • Borggreen, G. (2001). The myth of the mad artist: works and writings by Kusama Yayoi. The Copenhagen Journal of Asian Studies, 15(1), 10-46.
  • Borland, C. (2001). The spark of life. British Medical Journal, 322 (7293), 1069.
  • Brown, B. (2001). Pop art: a continuing history. Reference Reviews, 15(4), 35-36.
  • Bukdahl, E. M. (2015). Embodied creation and perception in Olafur Eliasson’s and Carsten Höller’s projects. The Journal of Somaesthetics, 1(1), 160-181.
  • Bull, A. E. (2017). To what extent has new media been a driver of change in art and society. (PhD thesis). Accessed from The University of York's database. (https://etheses.whiterose.ac.uk/21540/1/MA%20Thesis%20RSA%20Submission%20Adam%20Bull.pdf)
  • Busch, K. (2009). Artistic research and the poetics of knowledge. Art & Research: A Journal of Ideas, Contexts and Methods, 2(2), 1-7.
  • Carroll, N. (1999). Philosophy of art: a contemporary introduction; routledge contemporary introductions to philosophy. London: Psychology Press.
  • Carscoops. (2023). Project Graham is the perfect human (?) made to withstand car accidents. Access date: 05.05.2023, https://www.carscoops.com/2016/07/project-graham-is-perfect-human-made-to/
  • Cbc Arts. (2023). 12 places where you can find a Yayoi Kusama infinity mirror room right now. Access date: 07.05.2023, https://www.cbc.ca/arts/12-places-where-you-can-find-a-yayoi-kusama-infinity-mirror-room-right-now-1.4893108
  • Contemporary Art Museum at the University of South Florida. (2023). Student review, Mark Dion: troubleshooting. Access date: 05.05.2023, https://usfcam.wordpress.com/2012/03/05/student-view-mark-dion-troubleshooting/
  • Corris, M., & Hobbs, R. (2003). Reading black through white in the work of Kara Walker. Art History, 26(3), 422-441.
  • Cortes, N. A. R. (2022). Philosophy of post human art. Stefan Lorenz Sorgner, 2022, Schwabe Verlag. Journal of Ethics and Emerging Technologies, 32(1), 1-5.
  • Crawford, J. (2014). Integration of contemporary artworks into the curricula. (Master's thesis). Accessed from The University of Northern Colorado's database. (https://digscholarship.unco.edu/cgi/viewcontent.cgi?article=1086&context=theses)
  • Cross, D., Juncosa, E., & Kissane, S. (2005). Dorothy Cross. Dublin: Charta.
  • Daily Nous. (2023). Before we go forward (guest post by Alison Suen). Access date: 04.05.2023, https://dailynous.com/wp-content/uploads/2017/05/rauschenberg-erased-de-kooning-drawing.png
  • Design is This. (2023). Ganzfeld – a light and space exhibiton by James Turrell. Access date: 04.05.2023, https://www.designisthis.com/blog/en/post/james-turrell-ganzfeld
  • Dixon, I. (2009). Requiem on" the pysical impossibility of death in the mind of the living". Southwest Review, 94(2), 247-249.
  • Dorsett, C., & Stewart, M. (2012). Cast contemporaries: artists respond to the completion of the cast collection project. Edinburgh: Edinburgh College of Art.
  • Dutton, D. (2009). The art instinct: beauty, pleasure, & human evolution. Oxford: Oxford University Press.
  • Elstob, I. (2022). The ‘spinster’and her jellyfish: Dorothy’s Cross medusae (2003) and historiographical storytelling. Visual Studies, 37(5), 557-568.
  • Farrell, S. (2017). Art at the end of the world: bioart and posthuman ethics in the anthropocene. (Master's thesis). Accessed from The University of Texas at Arlington's database. (https://rc.library.uta.edu/uta-ir/handle/10106/26693)
  • Flickr. (2023). Kara Walker: a subtlety. Access date: 04.05.2023, https://www.flickr.com/photos/76807015@N03/15426126686
  • Folland, T. (2010). Robert Rauschenberg's queer modernism: the early combines and decoration. The Art Bulletin, 92(4), 348-365.
  • Gerald, L. F. (2018). Black gold: digitally-simulated environments and the material aesthetics of oil. Transformations, 32, 93-106.
  • Goriss‐Hunter, A. (2004). Slippery mutants perform and wink at maternal insurrections: Patricia Piccinini's monstrous cute. Continuum, 18(4), 541-553.
  • Grande, J. K. (2018). Mark Dion: theatre of the natural world. Espace, 120, 93-94.
  • Gregory, A. (2017). Anicka Yi is inventing a new kind of conceptual art. T Magazine, 14, 163-166.
  • Gunnarsson, A. (2007). Sidetrack–Robert Rauschenberg. Konsthistorisk tidskrift/Journal of Art History, 76(1-2), 60-71.
  • Guo, Z. (2021). The art of Patricia Piccinini. Frontiers in Art Research, 3(2), 65-69.
  • Hannan, J. L. K. (2017). Art after aura. on the integration of technological reproducibility into contemporary artistic practice: a Benjaminian reading of the oeuvres of Ai Weiwei and Jeff Koons. (Bachelor's thesis). Accessed from The Utrecht Universities database. (https://studenttheses.uu.nl/bitstream/handle/20.500.12932/26084/Hannan%20James%20Bachelor%20Thesis.pdf?sequence=1&isAllowed=y)
  • Harvard's Scalar Service. (2023). The physical impossibility of death in the mind of someone living by Damien Hirst, contributed by Sophia Blyth (2019). Access date: 04.05.2023, https://scalar.fas.harvard.edu/resources-for-loss/the-physical-impossibility-of-death-in-the-mind-of-someone-living-by-damien-hirst-contributed-by-so
  • Henderson, L. D. (2018). The fourth dimension and non-euclidean geometry in modern art. Cambridge: Mit Press.
  • Hirst, D. (2012). Damien Hirst. London: Tate.
  • Hirst, D., & Bracewell, M. (2012). Damien Hirst: the complete spot paintings, 1986-2011. New York: Gagosian Gallery.
  • Hornby, L. (2017). Appropriating the weather: Olafur Eliasson and climate control. Environmental Humanities, 9(1), 60-83.
  • Hughes, G. (2006). Power's script: or, Jenny Holzer's art after ‘art after philosophy’. Oxford Art Journal, 29(3), 419-440.
  • Jankowski, M. (2016). James Turrell: the level of ilumination. apreciating art and nature. Amsterdam: University of Amsterdam.
  • Johnson, J. H. (2020). Hiding in the open: religious art after abstraction with Joseph Beuys, Yves Klein, and Andy Warhol. Literature & Aesthetics, 30(1), 163-180.
  • Johnson, J. M. (1983). The theory of relativity in modern literature: an overview and "the sound and the fury. Journal of Modern Literature, 10 (2), 217-230.
  • Kantola, A. (2016). Ai Weiwei and the art of political dissidence in the digital age. Nordicom: University of Gothenburg.
  • Keyser, C. (2014). The sweet tooth of slavery: Django Unchained and Kara Walker's a subtlety. Transition, 115(1), 143-153.
  • Killen, M., & Smetana, J. (2007). The biology of morality. Human Development, 50(5), 241-243.
  • Kim, S. (2019). Anicka Yi’s ironic scheme of art. The Journal of Multicultural Society, 9(1), 34-58.
  • Klein, B. A. (2022). Wax, wings, and swarms: insects and their products as art media. Annual Review of Entomology, 67(1), 281-303.
  • Kosky, J. L. (2013). Contemplative recovery: the artwork of James Turrell. Cross Currents, 63(1), 44-61.
  • Kusama, Y. (2021). Infinity net: the autobiography of Yayoi Kusama. Mustang: Tate Enterprises Ltd.
  • Lamarque, P. and Olsen, S. H. (2018). Aesthetics and the philosophy of art; the analytic tradition, an anthology. Hoboken: Wiley.
  • Laporte, P. M. (1966). Cubism and relativity: with a letter of Albert Einstein. Art Journal, 25(3), 246-248.
  • Lee, R. (2019). Metabolic aesthetics: on the feminist scentscapes of Anicka Yi. Food, Culture and Society, 22(5), 692-712.
  • Little Artnecdotes. (2023). Le vide 1958. Access date: 05.05.2023, https://www.littleartnecdotes.com/le-vide-1958/
  • Lydenberg, R. (2004). Contemporary Irish art on the move: at home and abroad with Dorothy Cross. Eire-Ireland, 39(3), 144-166.
  • Marshall, J. (2010). Five ways to integrate: using strategies from contemporary art. Art Education, 63(3), 13-19.
  • Martin, C. (2011). The art of being human. British Medical Journal. 342, 1-2. https://doi.org/10.1136/bmj.d3595
  • Meskimmon, M. (2000). Jenny Holzer's lustmord and the project of resonant criticism. Loughborough: Loughborough University.
  • Michna, N. A. (2020). More-than-human world? a posthumanist critique of anthropocentrism in the art of Olga Tokarczuk and Patricia Piccinini. Technoetic Arts: a Journal of Speculative Research, 18(2-3), 145-158.
  • Mironenko, S. (2021). Protest art and revolt in the light of Ai Weiwei's artworks and Albert Camus's writings. (Bachelor's thesis). Accessed from The Charles Universities database. (https://dspace.cuni.cz/bitstream/handle/20.500.11956/149226/130317321.pdf?sequence=1)
  • Mohammadi-Zarghan, S., & Afhami, R. (2019). Memento mori: the influence of personality and individual differences on aesthetic appreciation of death-related artworks by Damien Hirst. Mortality, 24(4), 467-485.
  • Moi, R. (2014). Art in Ireland since 1910. Nordic Irish Studies, 13(2), 178-181. Montero, K., & Kelly, P. (2021). Young people and the human-car-machine-assemblage: aesthetics, erotics and other lessons for school-based health education. Discourse: Studies in the Cultural Politics of Education, 42(6), 840-853.
  • Morales, R. (2012). Mark Dion: South Florida wildlife rescue unit. Npr. (2023). Painting 100 million sunflower seeds: a futile art endeavor. Access date: 04.05.2023, https://www.npr.org/sections/pictureshow/2010/10/15/130587297/sunflwoer-seeds
  • Office Magazine LLC. (2023). Anicka Yi’s life is cheap. Access date: 07.05.2023, http://officemagazine.net/sites/default/files/marc-exposition.jpeg
  • Olafur Eliasson Net. (2023). The weather project, 2003. Access date: 04.05.2023, https://olafureliasson.net/artwork/the-weather-project-2003/
  • Olafur Eliasson Net. (2023). Your uncertain shadow (colour), 2010. Access date: 06.05.2023, https://olafureliasson.net/artwork/your-uncertain-shadow-colour-2010/
  • Oyebode, F. (2012). Infinity net: the autobiography of Yayoi Kusama by Yayoi Kusama. Tate Publishing. The British Journal of Psychiatry, 201(3), 249-250.
  • Pelowski, M., Leder, H., Mitschke, V., Specker, E., Gerger, G., & Tinio, P. P. & Husslein-Arco, A. (2018). Capturing aesthetic experiences with installation art: an empirical assessment of emotion, evaluations, and mobile eye tracking in Olafur Eliasson's Baroque, Baroque. Frontiers in Psychology, 9, 1255.
  • Pepperell, R. (2005). The posthuman manifesto. Kritikos, 2, 10-11.
  • Piotrowska, M. (2016). Commentary on the young family. Academic Medicine, 91(9), 1233.
  • Poroy, A. (2014). Sanat ve bilimin kesişiminde bir yerleştirme sanatçısı: James Turrell. Sanat ve Tasarım Dergisi, 6(6), 212-223.
  • Prodger, P. (2009). Darwin's camera: art and photography in the theory of evolution. Oxford: Oxford University Press.
  • Rabon, M. (2013). The work of art does not exist: reflections on the ontological openness of Damien Hirst’s the physical impossibility of death in the mind of someone living. Chrestomathy, 12, 1-16.
  • Raymond, Y. (2007). Maladies of power: a Kara Walker lexicon. Perspectives in Biology and Medicine, 50(1), 104-123. R eardon, V. (1999). Exhibitions: trace. Art Monthly, 231, 34.
  • Richardson, C., & Borland, C. (2015). Talking about a Christine Borland sculpture: effective empathy in contemporary anatomy art (and an emerging counterpart in medical training?). Journal of Visual Art Practice, 14(2), 146-161.
  • Ross, S. D. (1982). A theory of art; inexhaustibility by contrast. New York: State University of New York Press. Rottschaefer, W. A., & Andrew, R. W. (1998). The biology and psychology of moral agency. Cambridge: Cambridge University Press.
  • Samblog. (2023). Object of the week: the survival series. Access date: 04.05.2023, https://samblog.seattleartmuseum.org/2021/08/holzer-survival-series/
  • Schechter, M. (2008). Semiotics and art theory; between autonomism and contextualism. Würzburg: Königshausen & Neumann.
  • Schiebler, R. (2002). Giorgio de Chirico and the theory of relativity. Metafisica, 9(12), 211-222.
  • Shamami, A. H. (2020). Meaning creators: the communicative power of language and conceptual art via fashion phenomena. International Journal of Applied Arts Studies, 5(3), 7-14.
  • Shaw, D. B. (2009). Technology, death and the cultural imagination. Science as Culture, 18(3), 251-260.
  • Shepherd, B. (2012). Mishka Henner’s feedlots: a new perspective on the ecocritical “Landscape”. Render, 8, 1-15.
  • Si, M., Toro, S., & Hum, Y. (2020). The atmosphere of infinity mirrored room (a work of Yayoi Kusama) as the branding of museum Macan in Jakarta. Asian Research Journal of Arts and Social Sciences, 10(2), 37-42.
  • Sky News. (2023). Damien Hirst - the currency: is setting fire to millions of pounds worth of art a good idea. Access date: 06.05.2023, https://news.sky.com/story/damien-hirst-the-currency-is-setting-fire-to-millions-of-pounds-worth-of-art-a-good-idea-12702712
  • Solnit, R. (2005). Yves Klein and the blue of distance. New England Review (1990-), 26(2), 176-182.
  • Study Corgi. (2023). For the love of god, sculpture by Damien Hirst. Access date: 06.05.2023, https://studycorgi.com/for-the-love-of-god-sculpture-by-damien-hirst/
  • Suhler, C., Churchland, P. (2011). The neurobiological basis of morality. Illes, J., Sahakian, B. J. (Ed.). The oxford handbook of neuroethics (1th Edition, pp. 33-58). Oxford: OUP Oxford.
  • Tanya Bonakdar Gallery. (2023). Eukom vivarium, olympic sculpture park. Access date: 06.05.2023, https://www.tanyabonakdargallery.com/artists/34-mark-dion/works/9577-mark-dion-neukom-vivarium-olympic-sculpture-park-seattle-2006/
  • Tate Org. (2023). Sow farm (near libbey, Oklahoma) 2009. Access date: 07.05.2023, https://www.tate.org.uk/art/artworks/gerrard-sow-farm-near-libbey-oklahoma-2009-t14279
  • Tate Org. (2023). 5 ways Jenny Holzer brought art to the streets. Access date: 04.05.2023, https://www.tate.org.uk/art/artists/jenny-holzer-1307/5-ways-jenny-holzer-brought-art-streets
  • The New York Times Company. (2023). A rarely seen side of a Rauschenberg shift. Access date: 04.05.2023, https://www.nytimes.com/2007/03/08/arts/design/08raus.html
  • Thibault, J. (2007). The role of art in memory: case study of Joseph Beuys and Kara Walker. (PhD thesis). Accessed from The Boston College Universities database. (https://core.ac.uk/download/pdf/151481932.pdf)
  • Thomas, M. (2020). Life's form and formlessness: translating Yayoi Kusama's infinity net. (Master's thesis). Accessed from The Elizabethtown College's database. (https://jayscholar.etown.edu/cgi/viewcontent.cgi?article=1005&context=modlangstu)
  • Thomas, T. (2018). Sugar babies: confections of American childhood in Vik Muniz's" sugar children" and Kara Walker's" marvelous sugar baby". American Studies, 57(3), 121-141.
  • ThoughtCo. (2023). Robert Rauschenberg's combines. Access date: 04.05.2023, https://www.thoughtco.com/robert-rauschenberg-combines-4123111
  • Tullett, W., Leemans, I., Hsu, H., Weismann, S., Bembibre, C., Kiechle, M. A., ... & Bradley, M. (2022). Smell, history, and heritage. The American Historical Review, 127(1), 261-309.
  • Turner, L. (2013). Hors d'oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), 3-11.
  • Tzanelli, R. (2018). Schematising hospitality: Ai Weiwei’s activist artwork as a form of dark travel. Mobilities, 13(4), 520-534.
  • University of Texas. (2023). A skyspace by James Turrell. Access date: 04.05.2023, https://turrell.utexas.edu/#carousel-bootstrap
  • Wilson, E. O. (1998). The biological basis of morality. The Atlantic Monthly, 281(4), 53-70.

ÇAĞDAŞ GÖRSEL SANATÇILARIN ESERLERINDE FELSEFI DÜŞÜNCELERIN VE TEKNOLOJIK GELIŞMELERIN ÖRNEKLERININ İNCELENMESI

Yıl 2024, Cilt: 2 Sayı: 3, 1 - 57, 31.01.2024

Öz

Felsefe, bilim ve sanat arasındaki karmaşık ilişki, yüzyıllardır bilimsel inceleme ve tartışmaların konusu olmuştur. Sanatsal evrimin ayrılmaz bir parçası olan felsefe, sanatsal ifade üzerinde önemli bir etkiye sahip olmuştur. Sanatçılar, felsefi kavramları eserlerine yansıtarak dünyaya ve insanlığa dair perspektiflerini iletmekte kullanmışlardır. Aynı şekilde, bilim de sanatsal ifade üzerinde önemli bir etkiye sahip olmuş, sanatçıları yenilikçi formlar ve teknikler denemeye teşvik etmiştir. Günümüzde, çağdaş sanatta felsefe ile bilim arasındaki sınırlar giderek belirsizleşmiştir ve birçok sanatçı, bu disiplinler arasındaki kesişimi keşfetmektedir. Makale, on beş uluslararası tanınmış çağdaş görsel sanatçının eserlerini inceleyerek, felsefi ve bilimsel kavramları nasıl entegre ettiklerini anlamayı hedeflemektedir. Bu amaç doğrultusunda, nitel analiz, literatür taraması, sanatçı beyanları, röportajlar ve eleştirel alımlar gibi yöntemler kullanılmaktadır. Araştırmanın sonucunda, felsefe, bilim ve sanat arasındaki karmaşık etkileşimin derinlemesine anlaşılması ve bu disiplinlerin birleşiminin nasıl gerçekleştiğinin açıklığa kavuşturulması amaçlanmıştır. Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard ve Christine Borland gibi sanatçılar, felsefi ve bilimsel kavramları sanatsal çabalarına kusursuz bir şekilde entegre ederek bu birleşimi örneklemektedir. Algı, gerçeklik, ekoloji, kimlik, matematik ve diğer alanlar gibi çeşitli alanları keşfederek, zihinsel düşünme ve etkileyici duyusal deneyimlere zemin hazırlayan çok disiplinli bir yaklaşım benimserler. Felsefe ve bilimin uyumlu bir şekilde birleştirilmesiyle, bu sanatçılar kurumsallaşmış kurallara meydan okuyarak dünyanın genel anlamda anlayışını genişletip ve zenginleştirmişler.

Etik Beyan

Bu çalışmanın, özgün bir çalışma olduğunu; çalışmanın hazırlık, veri toplama, analiz ve bilgilerin sunumu olmak üzere tüm aşamalarından bilimsel etik ilke ve kurallarına uygun davrandığımı beyan ederim.

Kaynakça

  • American Medical Colleges. (2023). The young family. Access date: 04.05.2023, https://journals.lww.com/academicmedicine/Fulltext/2016/09000/The_Young_Family.20.aspx
  • Artsy Net. (2023). Ghost ship i, 2011. Access date: 07.05.2023, https://www.artsy.net/artwork/dorothy-cross-ghost-ship-i
  • Artsy Net. (2023). Infinity nets. Access date: 07.05.2023, https://www.artsy.net/artist-series/yayoi-kusama-infinity-nets
  • Artsy Net. (2023). Medusae I, 2018. Access date: 05.05.2023, https://www.artsy.net/artwork/dorothy-cross-medusae-i
  • Artsy Net. (2023). Straight, 2008. Access date: 04.05.2023, https://www.artsy.net/artwork/ai-weiwei-straight-9
  • Barrett, D. (2011). Ai Weiwei: sunflower seeds. Art Monthly, (343), 24.
  • Basse, M. (2016). Light and space as experience: a study of the work of James Turrell, Olafur Eliasson, and perceptual phenomenology. (PhD thesis). Accessed from The University of Southern California ProQuest Dissertations Publishing's database. (https://www.proquest.com/docview/2158002511/previewPDF/B13BA6F2FFED497CPQ/1?accountid=15875)
  • Bell, D. (2010). The beautiful stars at night: the glittering artistic world Yayoi Kusama. New Zealand Journal of Asian Studies, 12(2), 81-106.
  • Bo, Z. (2012). From gongren to gongmin: a comparative analysis of Ai Weiwei's sunflower seeds and Nian. Journal of Visual Art Practice, 11(2-3), 117-133.
  • Borggreen, G. (2001). The myth of the mad artist: works and writings by Kusama Yayoi. The Copenhagen Journal of Asian Studies, 15(1), 10-46.
  • Borland, C. (2001). The spark of life. British Medical Journal, 322 (7293), 1069.
  • Brown, B. (2001). Pop art: a continuing history. Reference Reviews, 15(4), 35-36.
  • Bukdahl, E. M. (2015). Embodied creation and perception in Olafur Eliasson’s and Carsten Höller’s projects. The Journal of Somaesthetics, 1(1), 160-181.
  • Bull, A. E. (2017). To what extent has new media been a driver of change in art and society. (PhD thesis). Accessed from The University of York's database. (https://etheses.whiterose.ac.uk/21540/1/MA%20Thesis%20RSA%20Submission%20Adam%20Bull.pdf)
  • Busch, K. (2009). Artistic research and the poetics of knowledge. Art & Research: A Journal of Ideas, Contexts and Methods, 2(2), 1-7.
  • Carroll, N. (1999). Philosophy of art: a contemporary introduction; routledge contemporary introductions to philosophy. London: Psychology Press.
  • Carscoops. (2023). Project Graham is the perfect human (?) made to withstand car accidents. Access date: 05.05.2023, https://www.carscoops.com/2016/07/project-graham-is-perfect-human-made-to/
  • Cbc Arts. (2023). 12 places where you can find a Yayoi Kusama infinity mirror room right now. Access date: 07.05.2023, https://www.cbc.ca/arts/12-places-where-you-can-find-a-yayoi-kusama-infinity-mirror-room-right-now-1.4893108
  • Contemporary Art Museum at the University of South Florida. (2023). Student review, Mark Dion: troubleshooting. Access date: 05.05.2023, https://usfcam.wordpress.com/2012/03/05/student-view-mark-dion-troubleshooting/
  • Corris, M., & Hobbs, R. (2003). Reading black through white in the work of Kara Walker. Art History, 26(3), 422-441.
  • Cortes, N. A. R. (2022). Philosophy of post human art. Stefan Lorenz Sorgner, 2022, Schwabe Verlag. Journal of Ethics and Emerging Technologies, 32(1), 1-5.
  • Crawford, J. (2014). Integration of contemporary artworks into the curricula. (Master's thesis). Accessed from The University of Northern Colorado's database. (https://digscholarship.unco.edu/cgi/viewcontent.cgi?article=1086&context=theses)
  • Cross, D., Juncosa, E., & Kissane, S. (2005). Dorothy Cross. Dublin: Charta.
  • Daily Nous. (2023). Before we go forward (guest post by Alison Suen). Access date: 04.05.2023, https://dailynous.com/wp-content/uploads/2017/05/rauschenberg-erased-de-kooning-drawing.png
  • Design is This. (2023). Ganzfeld – a light and space exhibiton by James Turrell. Access date: 04.05.2023, https://www.designisthis.com/blog/en/post/james-turrell-ganzfeld
  • Dixon, I. (2009). Requiem on" the pysical impossibility of death in the mind of the living". Southwest Review, 94(2), 247-249.
  • Dorsett, C., & Stewart, M. (2012). Cast contemporaries: artists respond to the completion of the cast collection project. Edinburgh: Edinburgh College of Art.
  • Dutton, D. (2009). The art instinct: beauty, pleasure, & human evolution. Oxford: Oxford University Press.
  • Elstob, I. (2022). The ‘spinster’and her jellyfish: Dorothy’s Cross medusae (2003) and historiographical storytelling. Visual Studies, 37(5), 557-568.
  • Farrell, S. (2017). Art at the end of the world: bioart and posthuman ethics in the anthropocene. (Master's thesis). Accessed from The University of Texas at Arlington's database. (https://rc.library.uta.edu/uta-ir/handle/10106/26693)
  • Flickr. (2023). Kara Walker: a subtlety. Access date: 04.05.2023, https://www.flickr.com/photos/76807015@N03/15426126686
  • Folland, T. (2010). Robert Rauschenberg's queer modernism: the early combines and decoration. The Art Bulletin, 92(4), 348-365.
  • Gerald, L. F. (2018). Black gold: digitally-simulated environments and the material aesthetics of oil. Transformations, 32, 93-106.
  • Goriss‐Hunter, A. (2004). Slippery mutants perform and wink at maternal insurrections: Patricia Piccinini's monstrous cute. Continuum, 18(4), 541-553.
  • Grande, J. K. (2018). Mark Dion: theatre of the natural world. Espace, 120, 93-94.
  • Gregory, A. (2017). Anicka Yi is inventing a new kind of conceptual art. T Magazine, 14, 163-166.
  • Gunnarsson, A. (2007). Sidetrack–Robert Rauschenberg. Konsthistorisk tidskrift/Journal of Art History, 76(1-2), 60-71.
  • Guo, Z. (2021). The art of Patricia Piccinini. Frontiers in Art Research, 3(2), 65-69.
  • Hannan, J. L. K. (2017). Art after aura. on the integration of technological reproducibility into contemporary artistic practice: a Benjaminian reading of the oeuvres of Ai Weiwei and Jeff Koons. (Bachelor's thesis). Accessed from The Utrecht Universities database. (https://studenttheses.uu.nl/bitstream/handle/20.500.12932/26084/Hannan%20James%20Bachelor%20Thesis.pdf?sequence=1&isAllowed=y)
  • Harvard's Scalar Service. (2023). The physical impossibility of death in the mind of someone living by Damien Hirst, contributed by Sophia Blyth (2019). Access date: 04.05.2023, https://scalar.fas.harvard.edu/resources-for-loss/the-physical-impossibility-of-death-in-the-mind-of-someone-living-by-damien-hirst-contributed-by-so
  • Henderson, L. D. (2018). The fourth dimension and non-euclidean geometry in modern art. Cambridge: Mit Press.
  • Hirst, D. (2012). Damien Hirst. London: Tate.
  • Hirst, D., & Bracewell, M. (2012). Damien Hirst: the complete spot paintings, 1986-2011. New York: Gagosian Gallery.
  • Hornby, L. (2017). Appropriating the weather: Olafur Eliasson and climate control. Environmental Humanities, 9(1), 60-83.
  • Hughes, G. (2006). Power's script: or, Jenny Holzer's art after ‘art after philosophy’. Oxford Art Journal, 29(3), 419-440.
  • Jankowski, M. (2016). James Turrell: the level of ilumination. apreciating art and nature. Amsterdam: University of Amsterdam.
  • Johnson, J. H. (2020). Hiding in the open: religious art after abstraction with Joseph Beuys, Yves Klein, and Andy Warhol. Literature & Aesthetics, 30(1), 163-180.
  • Johnson, J. M. (1983). The theory of relativity in modern literature: an overview and "the sound and the fury. Journal of Modern Literature, 10 (2), 217-230.
  • Kantola, A. (2016). Ai Weiwei and the art of political dissidence in the digital age. Nordicom: University of Gothenburg.
  • Keyser, C. (2014). The sweet tooth of slavery: Django Unchained and Kara Walker's a subtlety. Transition, 115(1), 143-153.
  • Killen, M., & Smetana, J. (2007). The biology of morality. Human Development, 50(5), 241-243.
  • Kim, S. (2019). Anicka Yi’s ironic scheme of art. The Journal of Multicultural Society, 9(1), 34-58.
  • Klein, B. A. (2022). Wax, wings, and swarms: insects and their products as art media. Annual Review of Entomology, 67(1), 281-303.
  • Kosky, J. L. (2013). Contemplative recovery: the artwork of James Turrell. Cross Currents, 63(1), 44-61.
  • Kusama, Y. (2021). Infinity net: the autobiography of Yayoi Kusama. Mustang: Tate Enterprises Ltd.
  • Lamarque, P. and Olsen, S. H. (2018). Aesthetics and the philosophy of art; the analytic tradition, an anthology. Hoboken: Wiley.
  • Laporte, P. M. (1966). Cubism and relativity: with a letter of Albert Einstein. Art Journal, 25(3), 246-248.
  • Lee, R. (2019). Metabolic aesthetics: on the feminist scentscapes of Anicka Yi. Food, Culture and Society, 22(5), 692-712.
  • Little Artnecdotes. (2023). Le vide 1958. Access date: 05.05.2023, https://www.littleartnecdotes.com/le-vide-1958/
  • Lydenberg, R. (2004). Contemporary Irish art on the move: at home and abroad with Dorothy Cross. Eire-Ireland, 39(3), 144-166.
  • Marshall, J. (2010). Five ways to integrate: using strategies from contemporary art. Art Education, 63(3), 13-19.
  • Martin, C. (2011). The art of being human. British Medical Journal. 342, 1-2. https://doi.org/10.1136/bmj.d3595
  • Meskimmon, M. (2000). Jenny Holzer's lustmord and the project of resonant criticism. Loughborough: Loughborough University.
  • Michna, N. A. (2020). More-than-human world? a posthumanist critique of anthropocentrism in the art of Olga Tokarczuk and Patricia Piccinini. Technoetic Arts: a Journal of Speculative Research, 18(2-3), 145-158.
  • Mironenko, S. (2021). Protest art and revolt in the light of Ai Weiwei's artworks and Albert Camus's writings. (Bachelor's thesis). Accessed from The Charles Universities database. (https://dspace.cuni.cz/bitstream/handle/20.500.11956/149226/130317321.pdf?sequence=1)
  • Mohammadi-Zarghan, S., & Afhami, R. (2019). Memento mori: the influence of personality and individual differences on aesthetic appreciation of death-related artworks by Damien Hirst. Mortality, 24(4), 467-485.
  • Moi, R. (2014). Art in Ireland since 1910. Nordic Irish Studies, 13(2), 178-181. Montero, K., & Kelly, P. (2021). Young people and the human-car-machine-assemblage: aesthetics, erotics and other lessons for school-based health education. Discourse: Studies in the Cultural Politics of Education, 42(6), 840-853.
  • Morales, R. (2012). Mark Dion: South Florida wildlife rescue unit. Npr. (2023). Painting 100 million sunflower seeds: a futile art endeavor. Access date: 04.05.2023, https://www.npr.org/sections/pictureshow/2010/10/15/130587297/sunflwoer-seeds
  • Office Magazine LLC. (2023). Anicka Yi’s life is cheap. Access date: 07.05.2023, http://officemagazine.net/sites/default/files/marc-exposition.jpeg
  • Olafur Eliasson Net. (2023). The weather project, 2003. Access date: 04.05.2023, https://olafureliasson.net/artwork/the-weather-project-2003/
  • Olafur Eliasson Net. (2023). Your uncertain shadow (colour), 2010. Access date: 06.05.2023, https://olafureliasson.net/artwork/your-uncertain-shadow-colour-2010/
  • Oyebode, F. (2012). Infinity net: the autobiography of Yayoi Kusama by Yayoi Kusama. Tate Publishing. The British Journal of Psychiatry, 201(3), 249-250.
  • Pelowski, M., Leder, H., Mitschke, V., Specker, E., Gerger, G., & Tinio, P. P. & Husslein-Arco, A. (2018). Capturing aesthetic experiences with installation art: an empirical assessment of emotion, evaluations, and mobile eye tracking in Olafur Eliasson's Baroque, Baroque. Frontiers in Psychology, 9, 1255.
  • Pepperell, R. (2005). The posthuman manifesto. Kritikos, 2, 10-11.
  • Piotrowska, M. (2016). Commentary on the young family. Academic Medicine, 91(9), 1233.
  • Poroy, A. (2014). Sanat ve bilimin kesişiminde bir yerleştirme sanatçısı: James Turrell. Sanat ve Tasarım Dergisi, 6(6), 212-223.
  • Prodger, P. (2009). Darwin's camera: art and photography in the theory of evolution. Oxford: Oxford University Press.
  • Rabon, M. (2013). The work of art does not exist: reflections on the ontological openness of Damien Hirst’s the physical impossibility of death in the mind of someone living. Chrestomathy, 12, 1-16.
  • Raymond, Y. (2007). Maladies of power: a Kara Walker lexicon. Perspectives in Biology and Medicine, 50(1), 104-123. R eardon, V. (1999). Exhibitions: trace. Art Monthly, 231, 34.
  • Richardson, C., & Borland, C. (2015). Talking about a Christine Borland sculpture: effective empathy in contemporary anatomy art (and an emerging counterpart in medical training?). Journal of Visual Art Practice, 14(2), 146-161.
  • Ross, S. D. (1982). A theory of art; inexhaustibility by contrast. New York: State University of New York Press. Rottschaefer, W. A., & Andrew, R. W. (1998). The biology and psychology of moral agency. Cambridge: Cambridge University Press.
  • Samblog. (2023). Object of the week: the survival series. Access date: 04.05.2023, https://samblog.seattleartmuseum.org/2021/08/holzer-survival-series/
  • Schechter, M. (2008). Semiotics and art theory; between autonomism and contextualism. Würzburg: Königshausen & Neumann.
  • Schiebler, R. (2002). Giorgio de Chirico and the theory of relativity. Metafisica, 9(12), 211-222.
  • Shamami, A. H. (2020). Meaning creators: the communicative power of language and conceptual art via fashion phenomena. International Journal of Applied Arts Studies, 5(3), 7-14.
  • Shaw, D. B. (2009). Technology, death and the cultural imagination. Science as Culture, 18(3), 251-260.
  • Shepherd, B. (2012). Mishka Henner’s feedlots: a new perspective on the ecocritical “Landscape”. Render, 8, 1-15.
  • Si, M., Toro, S., & Hum, Y. (2020). The atmosphere of infinity mirrored room (a work of Yayoi Kusama) as the branding of museum Macan in Jakarta. Asian Research Journal of Arts and Social Sciences, 10(2), 37-42.
  • Sky News. (2023). Damien Hirst - the currency: is setting fire to millions of pounds worth of art a good idea. Access date: 06.05.2023, https://news.sky.com/story/damien-hirst-the-currency-is-setting-fire-to-millions-of-pounds-worth-of-art-a-good-idea-12702712
  • Solnit, R. (2005). Yves Klein and the blue of distance. New England Review (1990-), 26(2), 176-182.
  • Study Corgi. (2023). For the love of god, sculpture by Damien Hirst. Access date: 06.05.2023, https://studycorgi.com/for-the-love-of-god-sculpture-by-damien-hirst/
  • Suhler, C., Churchland, P. (2011). The neurobiological basis of morality. Illes, J., Sahakian, B. J. (Ed.). The oxford handbook of neuroethics (1th Edition, pp. 33-58). Oxford: OUP Oxford.
  • Tanya Bonakdar Gallery. (2023). Eukom vivarium, olympic sculpture park. Access date: 06.05.2023, https://www.tanyabonakdargallery.com/artists/34-mark-dion/works/9577-mark-dion-neukom-vivarium-olympic-sculpture-park-seattle-2006/
  • Tate Org. (2023). Sow farm (near libbey, Oklahoma) 2009. Access date: 07.05.2023, https://www.tate.org.uk/art/artworks/gerrard-sow-farm-near-libbey-oklahoma-2009-t14279
  • Tate Org. (2023). 5 ways Jenny Holzer brought art to the streets. Access date: 04.05.2023, https://www.tate.org.uk/art/artists/jenny-holzer-1307/5-ways-jenny-holzer-brought-art-streets
  • The New York Times Company. (2023). A rarely seen side of a Rauschenberg shift. Access date: 04.05.2023, https://www.nytimes.com/2007/03/08/arts/design/08raus.html
  • Thibault, J. (2007). The role of art in memory: case study of Joseph Beuys and Kara Walker. (PhD thesis). Accessed from The Boston College Universities database. (https://core.ac.uk/download/pdf/151481932.pdf)
  • Thomas, M. (2020). Life's form and formlessness: translating Yayoi Kusama's infinity net. (Master's thesis). Accessed from The Elizabethtown College's database. (https://jayscholar.etown.edu/cgi/viewcontent.cgi?article=1005&context=modlangstu)
  • Thomas, T. (2018). Sugar babies: confections of American childhood in Vik Muniz's" sugar children" and Kara Walker's" marvelous sugar baby". American Studies, 57(3), 121-141.
  • ThoughtCo. (2023). Robert Rauschenberg's combines. Access date: 04.05.2023, https://www.thoughtco.com/robert-rauschenberg-combines-4123111
  • Tullett, W., Leemans, I., Hsu, H., Weismann, S., Bembibre, C., Kiechle, M. A., ... & Bradley, M. (2022). Smell, history, and heritage. The American Historical Review, 127(1), 261-309.
  • Turner, L. (2013). Hors d'oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), 3-11.
  • Tzanelli, R. (2018). Schematising hospitality: Ai Weiwei’s activist artwork as a form of dark travel. Mobilities, 13(4), 520-534.
  • University of Texas. (2023). A skyspace by James Turrell. Access date: 04.05.2023, https://turrell.utexas.edu/#carousel-bootstrap
  • Wilson, E. O. (1998). The biological basis of morality. The Atlantic Monthly, 281(4), 53-70.
Toplam 105 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Görsel Sanatlar (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Kamran Sokhanpardaz 0000-0002-5247-1731

Parisa Sahafıasl 0000-0002-9762-8755

Yayımlanma Tarihi 31 Ocak 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 2 Sayı: 3

Kaynak Göster

APA Sokhanpardaz, K., & Sahafıasl, P. (2024). THE STUDY OF THE INSTANCES OF PHILOSOPHICAL THOUGHTS AND TECHNOLOGICAL DEVELOPMENTS IN THE WORKS OF CONTEMPORARY VISUAL ARTISTS. Baçini Sanat Dergisi, 2(3), 1-57.