TY  - JOUR
T1  - Zur Diskursivität klassischer Märchen in aktuellen TV-Produktionen und im Gegenwartskino. Narrative Transformationsleistungen und filmästhetische Aneignungen am Beispiel von E. Kitsis’ / A. Horowitz’ Once upon a time und Guillermo del Toros Pans Labyrinth
TT  - Popularisierungen, Tradierungen, Medialität. Grenzauflösungen, Transgressionen
AU  - Geilert / Voorgang, Sabrina / Juliane
PY  - 2014
DA  - January
JF  - Studien zur deutschen Sprache und Literatur
PB  - Istanbul University
WT  - DergiPark
SN  - 2619-9890
SP  - 165
EP  - 199
VL  - 2
IS  - 30
LA  - de
AB  - On the discursitivity of classical fairy tales in contemporary TV- and filmproductions. Narrative transformations and filmaesthetical adoptionsexplaining E. Kitsis’ / A. Horowitz’ Once upon a time and Guillermo delToro’s Pan’s Labyrinth. Movie adaptions of fairy-tales and mere elements of fairy-tales are currentlyvery popular. In regards of the discursive elements of popculture and a growingmediatization due to cinematic approaches of description, current TV and movie productions contain cultutral reminiscences of the traditional structure of classicfairy-tales. Dissolving limitations and with techniques of hybristic transformationsof ancient fairy-tale knowledge, current movies based on fairy tales establish a genuine, postmodern, and unique narrative category by recoding discursivenetworks due to their narrative and cinematic aesthetics.
KW  - Grenzauflösungen
KW  - Transgressionen
KW  - Popularisierungen
KW  - Tradierungen
KW  - Medialität
N2  - On the discursitivity of classical fairy tales in contemporary TV- and film productions. Narrative transformations and filmaesthetical adoptions explaining E. Kitsis’ / A. Horowitz’ Once upon a time and Guillermo del Toro’s Pan’s Labyrinth.Movie adaptions of fairy-tales and mere elements of fairy-tales are currently very popular. In regards of the discursive elements of popculture and a growing mediatization due to cinematic approaches of description, current TV and movie productions contain cultutral reminiscences of the traditional structure of classic fairy-tales. Dissolving limitations and with techniques of hybristic transformations of ancient fairy-tale knowledge, current movies based on fairy tales establish a genuine, postmodern, and unique narrative category by recoding discursive networks due to their narrative and cinematic aesthetics.
UR  - https://dergipark.org.tr/en/pub/iuaded/issue//11988
L1  - https://dergipark.org.tr/en/download/article-file/11094
ER  -