TY  - JOUR
T1  - POSTMODERN ELEMENTS IN TOM STOPPARD’S THE REAL INSPECTOR HOUND AND FERHAN ŞENSOY’S FİŞNE PAHÇESU: A COMPARISON
TT  - TOM STOPPARD’IN GERÇEK MÜFETTİŞ HOUND’UNDA VE FERHAN ŞENSOY’UN FİŞNE PAHÇESU’NDE POSTMODERN ELEMENTLER: BİR MUKAYESE
AU  - Koçak, Kenan
AU  - Cihan Demir, Hanife Zeynep
PY  - 2023
DA  - December
DO  - 10.54282/inijoss.1358464
JF  - İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi
JO  - INIJOSS
PB  - Inonu University
WT  - DergiPark
SN  - 2147-0936
SP  - 257
EP  - 274
VL  - 12
IS  - 2
LA  - en
AB  - Postmodernism is a stream of thought that consists of a complex, multi-layered and multifaceted collection of phenomena, behaviours, and products. Postmodernism, which has different definitions by many academics, still exists as a concept that is not clearly defined today. It is possible to say it is an era of new thinking about literature and theatre. Postmodern drama emerged in the second half of the twentieth century when postmodernism began to prevail. It includes the self-awareness and self-consciousness of the society that changed with the conditions of the period. In this context, Tom Stoppard and Ferhan Şensoy, two successful playwrights who used postmodern features in their plays, have gained respect in our country and the world. This study is based on the idea that there is a close relationship between the styles of both playwrights. Thus, the postmodern techniques used by the two authors in their plays under consideration are examined. Accordingly, this article aims to define postmodern drama and the methods used in the theatre to show how postmodern elements such as metadrama, parody, cultural reference, wordplay, and absurdity in Tom Stoppard's The Real Inspector Hound and Ferhan Şensoy's Fişne Pahçesu.
KW  - Postmodern Drama
KW  - Tom Stoppard
KW  - Ferhan Şensoy
KW  - The Real Inspector Hound
KW  - Fişne Pahçesu
N2  - Postmodernizm, karmaşık, çok katmanlı ve çok yönlü bir olgular, davranışlar ve ürünler bütününden oluşan bir düşünce akımıdır. Birçok akademisyen tarafından farklı tanımları yapılan postmodernizm, günümüzde hala net olarak tanımlanamayan bir kavram olarak varlığını sürdürmektedir. Postmodernizmin edebiyat ve tiyatroya yönelik yeni bir düşünce çağı olduğunu söylemek mümkündür. Postmodern tiyatro, postmodernizmin hüküm sürmeye başladığı yirminci yüzyılın ikinci yarısında ortaya çıkmıştır. Dönemin koşullarıyla birlikte değişen toplumun öz farkındalığını ve öz bilincini içerir. Bu bağlamda oyunlarında postmodern özellikleri kullanan iki başarılı oyun yazarı Tom Stoppard ve Ferhan Şensoy ülkemizde ve dünyada saygınlık kazanmışlardır. Bu çalışma, her iki oyun yazarının üslupları arasında yakın bir ilişki olduğu düşüncesine dayanmaktadır. Böylece iki yazarın oyunlarında kullandıkları postmodern teknikler incelenmiştir. Bu doğrultuda makale, postmodern tiyatroyu ve tiyatroda kullanılan yöntemleri tanımlayarak Tom Stoppard'ın The Real Inspector Hound ve Ferhan Şensoy'un Fişne Pahçesu oyunlarında metadrama, parodi, kültürel gönderme, kelime oyunu ve absürdite gibi postmodern unsurların nasıl kullanıldığını göstermeyi amaçlamaktadır.
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UR  - https://doi.org/10.54282/inijoss.1358464
L1  - https://dergipark.org.tr/en/download/article-file/3399768
ER  -