TY  - JOUR
T1  - OVERTHROWING THE STATUS QUO: INTERPRETING WOLE SOYINKA`S THE BACCHAE OF EURIPIDES FROM A MARXIST PERSPECTIVE
AU  - Eze, Norbert Oyibo
PY  - 2015
DA  - December
DO  - 10.18769/ijasos.71428
JF  - IJASOS- International E-journal of Advances in Social Sciences
JO  - IJASOS
PB  - OCERINT International Organization Center of Academic Research
WT  - DergiPark
SN  - 2411-183X
SP  - 338
EP  - 344
VL  - 1
IS  - 3
LA  - en
AB  - Certain critics of contemporary Nigerian drama represented by Abiola Irele, for example, seem to place the plays of Wole Soyinka, the 1986 Nobel laureate on literature, squarely within the confines of ritual aesthetics, in terms of dramatic taxonomy. Although ritual, especially Ogunism, exerts a huge influence and, no doubt, constitutes a major master code for interpreting a play like The Bacchae of Euripides, this paper argues that the religious elements in this transnational play merely serve as a camouflage for the exploration of class struggle. Class consciousness, though expressed through religious symbolism, is given much force and weight in the play from its beginning to the end that it seems to be the principal theme of this play. In the text, the masses knowledge of their position as not given, constrains them to remain steadfast and pushful until they overthrow the status quo through mass revolution, thereby securing unfettered freedom for themselves. In the light of the foregoing, this paper will attempt to interpret The Bacchae from Marxist perspective in order to show that not all Soyinka`s plays lack solid class ideology.Keywords: Overthrowing, Bacchae, Marxist, Soyinka
KW  - Overthrowing
KW  - Bacchae
KW  - Marxist
KW  - Soyinka
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UR  - https://doi.org/10.18769/ijasos.71428
L1  - https://dergipark.org.tr/en/download/article-file/159033
ER  -