@article{article_238176, title={A STUDY ON WOMEN’S PERCEPTION OF THE LEVANTINES THROUGH THE KANTO}, journal={Online Journal of Music Sciences}, volume={1}, pages={28–43}, year={2016}, author={Esin, Funda and Sazak, Nilgün}, keywords={kanto,Levantine music,Levantine women’s music culture,woman}, abstract={<p class="zet"> <span style="font-family:’Arial Unicode MS’, ’sans-serif’;">The
geography of Ottoman Empire the Near East and European origin living resident foreigns
are concentrated in cities such as İstanbul-İzmir the Levantine are usually
music, it is important in terms of 
socials and commercial life. Greating on interaction in Levantine
cultural is also empazised. </span> </p> <p> </p> <p class="zet"> <span style="font-family:’Arial Unicode MS’, ’sans-serif’;">Music
has very important place in the culture of the Ottoman Empire. 15th century
onward, the Tanzimat, the Republic and later periods of the Ottoman-Turkish
culture took place in a variety of areas and institution the Levantines and
their contribution tour culture also has a significance Levantines in music,
education, observer, performer, teoristand as a consumer. İn addition to
affects of our culture of Levantine to their own culture, they are also
important . The Ottoman state in the woman’s voice and stage appearance  number of women have a place in any time
period up to the art of Muslim women the right to the middle of the 20th
century. The social structure in the Levantine women trainers, Mslim women can
not enter the performer and composer of music it has an important place in the
field. </span> </p> <p> </p> <p class="zet"> </p> <p class="zet"> <span style="font-family:’Arial Unicode MS’, ’sans-serif’;">İn this
study of Levantine culture, musical position in the context of the female image
will be analyzed. The musical life of women in Ottoman and Republican periods
Levantine be illustrated. Emerging after Tanzimat, the located words of the
Kanto Music will form the data of study. </span> </p> <p> </p>}, number={1}, publisher={Nilgün SAZAK}