TY - JOUR TT - THE TENSION BETWEEN THE PUBLIC AND PRIVATE SPACES IN JOSEPH CONRAD’S THE SECRET AGENT AU - Mardan, Cumhur Yılmaz PY - 2010 DA - December JF - Erciyes Üniversitesi Sosyal Bilimler Enstitüsü Dergisi JO - ERÜSOSBİLDER PB - Erciyes University WT - DergiPark SN - 1300-1582 SP - 141 EP - 150 VL - 1 IS - 29 KW - Mekan KW - Kamusal Mekan KW - Özel Mekan KW - Gizli Ajan KW - Kaos N2 - The present analysis is intended to shed light on Joseph Conrad’s sense of space and the intrinsic relationship between the public and private spaces in The Secret Agent. The characters who are alienated to the public spaces and who develop a fear of those spaces are confined to the private and domestic spaces which are mainly thought to provide some comfort and peace. As opposed to this common idea, domestic spaces never provide any refuge for the characters. They are caught between these two spaces. The dilemma between the public spaces and private spaces are so effective that it is possible to see its effects upon the characters. The Secret Agent certainly seems to be in the grip of Conrad’s ironic portrayal of the characters who are confined to the domestic spaces as a result of living a double life like secret agents. The public spaces intrude upon the domestic spaces with adverse effect. The characters develop double lives in their relationships with others. Conrad’s extremely ironic tone emphasizes and reveals the chaos present in each character’s relationships. The novel is based upon the tension between the public and the private, domestic spaces. Conrad’s perspective is reflective of a society suffering from the tension between the two spaces. The domestic spaces mirror the public spaces CR - Conrad, Joseph, The Secret Agent, Penguin Books, London, 1994. CR - Bloom, Harold, Modern Critical Views: Joseph Conrad, Chelsea House, New York, 1986. CR - Foucault, Michel, “Of Other Spaces” in A Reader in Cultural Studies. A Selection of Classic Texts on Humanity and its Cultures, Ed. Haase, Fee- Alexandra, www.gutenberg.org, 1967. CR - Hagan, John, “The Design of Conrad’s The Secret Agent”, ELH, Vol. 22 No. 2 (Jun., 1955), pp. 148-164. CR - Holland, Norman N, “Style as Character: The Secret Agent”, in Joseph Conrad: Modern Critical Views, Ed. Harold Bloom, Chelsea House, New York, 1986. CR - Horkheimer, Max, Adorno, Theodor W., Dialectic of Enlightenment, Stanford University Press, Stanford, 2002. CR - Jameson, Fredrick, Postmodernism or, and the Cultural Logic of Late Capitalism, Verso, London, 1991. CR - Jean-Aubry, G., Joseph Conrad: Life and Letters, Doubleday, New York, 1927. CR - Kaplan, Carola M., Conrad in the Twenty-first Century : Contemporary Approaches and Perspectives, Routledge, New York, 2005. CR - Mooney, Louise,“The Secret Agent: Joseph Conrad's Doomsday Book”, http:/thenovelclub.org/papers/secret_agent0303.doc., 2003. CR - Roberts, Andrew M., Conrad and Masculinity, St. Martin’s Press, New York, 2000. UR - https://dergipark.org.tr/en/pub/erusosbilder/issue//253286 L1 - https://dergipark.org.tr/en/download/article-file/219539 ER -