TY  - JOUR
TT  - Realism and Reception Aesthetics in Literature
AU  - Yüce, Sefa
PY  - 2016
DA  - December
Y2  - 2016
DO  - 10.29110/soylemdergi.255282
JF  - Söylem Filoloji Dergisi
JO  - Söylem
PB  - Yusuf ÇETİN
WT  - DergiPark
SN  - 2548-0502
SP  - 105
EP  - 117
VL  - 1
IS  - 2
KW  - Edebiyatta gerçekçilik
KW  - üst dil
KW  - okur
KW  - realizm
KW  - pozitivizm
N2  - The human existence is a complex structure. Theemotional and intuitional dimensions of this structure penetrate to literature.It is higher than daily language. Thus, the literary text is fictive. Itexpresses the existence. The man of letters transforms a part of life or astory, in the world of art by maintaining its integrity; so she/he reconstructsand rewrites it. Like in all other art pieces, the literary pieces also havemore than a single meaning. The value and importance of a literary text is notrelated to its loyalty to the reality, but its language and style. In fact, theliterary text is the means of the creating and fictionalizing the life.What described and expressed in art andliterature is the various conditions of humanity. People considering art as atool of reflection are the persons who act from the reality of life. Accordingto them, the direction and face of the art always look to the life. Tounderstand art means somehow to understand human. The artist reflects the souland features of its own era to his/her art. The parameters for this reflectionchange depending on the culture and time. With the Age of Enlightenment, thedevelopment of philosophy deeply has influenced the arts, as well. Since thisera, the philosophical depth and perception have been prominently seen inliterary theories and pieces. The formations such as life and reality, socialrealism are the results of this perception. The reception aesthetics is also apart of this point of view. The reception aesthetics is a contemporary literarytheory. It is the reader who scrutinizes and tries to understand the text. Eachreader approaches to a text with her/his own unique knowledge and expectations.The literary work is a text that is reinterpreted and reassessed by eachreader. Thus, each comment is the expression of a free activity. The emergence of positivism in 19thcentury and its common acceptance have provided a basis for the birth ofrealism in the art. The realism is the essence of the art. All arts andespecially literature reflect the "social and historical” realities. Anart work tells its own reality. In that sense, the art work is the product ofthe conditions which it is in. Each era and period survive with its ideas andfeelings by means of its own art. Besides, the reality is not a concept that isfully identified with all its parts. The realism is the imitation of thereality in terms of certain aspects. It is some kind of the "mimesis” oflife. The matter of the reality of a text is still an ambiguous subject,because "the condition of reality” can change depending on the author,reader and era. The discourses can differ in every society. The literarytheories can also change according to the consequences of socio-culturalknowledge. The artists have been influenced by the realism with the developmentof social and political events.In this context, the soul and the way ofthinking of the period also play important roles. In fact, we observe thatthere is an internal and external struggle between the theories and literarymovements in the West. In a sense, it is the clash of material and moral valuesin the context of philosophy and art.
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UR  - https://doi.org/10.29110/soylemdergi.255282
L1  - https://dergipark.org.tr/en/download/article-file/221621
ER  -