TY - JOUR TT - A COMPARATIVE STUDY OF THE SOCIAL CLASS CONCEPT IN ANTON CHEKHOV’S THE CHERRY ORCHARD AND JOHN OSBORNE’S LOOK BACK IN ANGER AU - Öğünç, Ömer PY - 2017 DA - March DO - 10.17498/kdeniz.297873 JF - Karadeniz Uluslararası Bilimsel Dergi JO - Karadeniz | Black Sea | чёрное море PB - Hayrettin İVGİN WT - DergiPark SN - 1308-6200 SP - 39 EP - 54 VL - 33 IS - 33 KW - Anton Pavlovich Chekhov KW - John Osborne KW - The Cherry Orchard KW - Look Back in Anger KW - alt sınıf KW - orta sınıf KW - sosyal çatışma KW - değişim N2 - Anton PavlovichChekhov’s The Cherry Orchard (1904)depicting the lives of lower, middle and upper class Russian people at the verybeginning of the twentieth century reflects the clash that takes place betweenthese quite different social communities. About forty years after theemancipation of the serfs, Russian nobility represented by Madame Ranevsky haslost its financial power; so that, the last symbol of the glorious past, inthis case the cherry orchard, is to be bought by the newly arising middle classidentified with Lopahin. During the harsh struggle between these two classes,the lower class resuming the old values is left behind just as the old man Firsis forgotten at the end of the play. The result is the dawn of a new era withits dramatic changes for everyone.Turning back toJohn Osborne’s Look Back in Anger (1956),the theme of struggle within the society focuses on lower and middle classes.Despite his great love for his wife Alison, Jimmy cannot cope with his innerconflicts resulting from the inability to reconcile his lower class backgroundwith that upper middle class of his wife. Therefore his anger never seems tocalm down. That is also why he wishes Alison’s baby to die and has anintercourse with Alison’s close friend Helena. While the middle class peopleare responsible for all evil in this life, Cliff contributes to that with hisignorance and idleness sitting in the room. For Jimmy, all the desirablequalities and values are situated in the working class. Jimmy’s anger stemmingfrom his obsession in the past and the responsibility he carries in himself tomake up for the mistakes of the previous generations prevent him from lookingforward. However, Alison’s return at the end of the play and the beginning ofthe love game between the couple once again shows that there is still hope forthe future.  CR - BAEHR Stephen: (1999). “The Machine in Chekhov’s Garden: Progress and Pastoral in the Cherry Orchard”, The Slavic and East European Journal, 43, pp. 99–121. CR - BARRICELLI Jean-Pierre: (1981). “Counterpoint of the Snapping String: Chekhov’s The Cherry Orchard”, Chekhov’s Great Plays: A Critical Anthology, New York: New York University Press. CR - BECKERMAN Bernard: (1971). “Dramatic Analysis and Literary Interpretation: The Cherry Orchard as Exemplum”, New Literary History, 2, pp. 391–406. CR - BRAUN Edward: (2003). “The Cherry Orchard”, The Cambridge Companion to Chekhov, Cambridge, Cambridge University Press. CR - CHEKHOV Anton Pavlovich: (1964). Chekhov: The Major Plays. Translated by Ann Dunnigan. New York, Signet Classics. CR - DEER Irving: (1958). “Speech as Action in Chekhov’s ‘The Cherry Orchard’”, Educational Theatre Journal, 10, pp. 30–34. CR - DYSON A. E.: (1968). “General Editor’s Comments,” John Osborne, Look Back in Anger: A Casebook, London, Macmillan. CR - EVDOKIMOVA Svetlana: (2000). “What’s so Funny about Losing One’s Estate, or Infantilism in ‘The Cherry Orchard’”, The Slavic and East European Journal, 44, pp. 623–648. CR - FERGUSSON Francis: (1967). “The Cherry Orchard: A Theater Poem of the Suffering of Change”, Chekhov: A Collection of Critical Essays, New York: Prentice-Hall. CR - GOLDSTONE, Herbert: (1982). Coping With Vulnerability: The Achievement of John Osborne, New York: University Press of America. CR - HAHN Beverly: (1979). Chekhov: A Study of the Major Stories and Plays, Cambridge: Cambridge University Press. CR - OSBORNE John: (1966). Look Back in Anger: A Play in Three Acts, London: Faber and Faber. CR - ÖZTÜRK Emel: (1993). “Class Hate into Sexual Hate in Look Back in Anger”, MA Dissertation, Bilkent University. CR - QUIGLEY Austin E.: (1997). “The Personal, The Political and The Postmodern in Osborne’s Look Back in Anger and Déjavu”, John Osborne: A Casebook, New York, Garland Publishing. CR - TAYLOR John Russell: (1968). John Osborne, Look Back in Anger: A Casebook, London, Macmillan. CR - TRUSSLER Simon: (1969). The Plays of John Osborne: An Assessment, London, Victor Gollancz. CR - VALENCY Maurice: (1966). The Breaking String: The Plays of Anton Chekhov, New York, Oxford University Press. UR - https://doi.org/10.17498/kdeniz.297873 L1 - https://dergipark.org.tr/en/download/article-file/283430 ER -