TY - JOUR TT - MALEFICENT: REIMAGINING “THE SLEEPING BEAUTY” WITH A POST-MODERNIST PERSPECTIVE AU - Khan, Mehwish Ali PY - 2017 DA - August DO - 10.18769/ijasos.337159 JF - IJASOS- International E-journal of Advances in Social Sciences JO - IJASOS PB - OCERINT International Organization Center of Academic Research WT - DergiPark SN - 2411-183X SP - 616 EP - 624 VL - 3 IS - 8 KW - Intertextuality KW - Postmodernism KW - Fairytales N2 - The goal of the present project is tohighlight the postmodernist perspectiveof the fairy tale themes in the movie Maleficent(2014) through Intertextuality. The present study aims to highlight therejection of authority by the Contemporary American Fairy Tale movie makers. Postmodernismis an era where “Meta-Narratives” arechallenged and everything is being observed through a lens different from the past. Movie creators of postmodern erahave reinterpreted the original fairy talesin ways that fit contemporary norms and circumstances. Movie creators representthe old texts of fairy tales but have changed the title, plot and role ofcharacters, e.g. in Maleficent, theantagonist of “Sleeping Beauty” now owns the title of the story, and she alsoshares her part of the story, which was previously unknown.The researcher used the eight elements that Kevin Paul Smithhas mentioned in his book Post ModernFairy tales, Folk Loric Intertexts in ContemporaryFiction. The fifth element particularly, i.e. “revision”, makes the claimof the researcher valid that Postmodernists have rejected totality and grandnarratives, they have opened new dimensions to the old stories. The story hereis given a new spin and the changes made in the story of “Sleeping Beauty” are accordingto the norms of today, e.g. the women in the movie i.e. “Aurora”, the Princess andMaleficent the Witch are given a prominent position and a voice to speak theirpoint of view, previously they were known through the eyes of other charactersonly. These results show a change in perspectives and in the way things are nowbeing looked at. Fairy tales are the movies that are easily accessible to ourchildren, further study on this theme can help understand the society of today,the postmodernist society. CR - Allen, G. (2000). Intertextuality. London and New York: Routledge Bacchilega, C.(1999). Postmodern Fairy Tales: Gender and Narrative Strategies.Philadelphia: University of Pennsylvania press. Baer, E. R. (2005) A Postmodern fairy tale of the Holocaust: Jane Yolen's "Briar Rose”. Studies in American Jewish Literature, 24.145-152 Retrieved 24-10-2014 http://www.jstor.org/stable/41206033?origin=JSTOR-pdf Barry, P.(2008). Beginning Theory: An Introduction to Literary and Cultural Theory. New Delhi: Viva Books Barthes, R. (1977). Image-Music-Text. Translated by Stephen Heath. London: Fontana Benson, S.(2008.)Contemporary Fiction And The Fairy Tale. Michigan: Wayne State University Press. Crews, B.(1999). "Postmodernist narrative: In search of an alternative." Alicante Journal of English Studies.12 19-36. Cuddon, J A.(1999). The Penguin Dictionary of Literary Terms and Literary Theory. England: Penguin Books. Cuddon, J A.(2000).The Penguin Dictionary of Literary Terms and Literary Theory. England: Penguin Books. Joe, R. (Producer) & Robert, S (Director). (2014). Maleficent. [ Motion Picture]. USA: Walt Disney Pictures Jorgenson, J. (2007). "A wave of the magic wand: Fairy Godmothers in Contemporary American Media." Marvels & Tales, 21(2) 216-227 Kristeva, J,(1986).Word, Dialogue, and Novel., In Moi, Toril, ed, The Kristeva Reader. ,34-37. Lane, A.(2014,Nov 4) Tales Retold. The NewYorker Times. Retrieved from http://www.newyorker.com/magazine/2014/06/09/tales-retold Lyotard, J. F.(1984) "Answering the Question: What is Postmodernism” Tran. Geoff Bennington and Brian Massumi. The Postmodern Condition: A Report on Knowledge Pokrivcak, A, and Silvia P. (2006). Understanding Literature. Brno: MSD. Print Sharma, R., and Preety, C. (2011) "Common themes and techniques of Postmodern."International Journal of Educational Planning & Administration. 1(2) 189-198. Smith, K.P. (2007) The Postmodern Fairy Tale: Folkloric Intertexts in Contemporary Fiction. NewYork: Palgrave Macmillan Tatar, M. (2002). The Annotated Classic Fairy Tales. New York: Norton. The Sleeping Beauty. (1873). The Sleeping Beauty. The Aldine, 6(9), 184–185. Retrieved from http://www.jstor.org/stable/20636611 Yaqoob, M. & Saira, S. (2012). Kamila Shamsie's Burnt Shadows as an intertextual re-writing of Forster's Passage to India. Academic Research International, 2 (1) 478 Zipes, J.(2013) Fairy Tale as Myth/Myth as Fairy Tale. Lexington: The University Press of Kentucky UR - https://doi.org/10.18769/ijasos.337159 L1 - https://dergipark.org.tr/en/download/article-file/339556 ER -