TY - JOUR TT - INTERACTIVE COMMUNICATION STRATEGIES AS TOOLS FOR UNDERSTANDING THE ART WORLD IN THE POST-LITERACY ERA AU - Rubtsova, Elena PY - 2017 DA - December DO - 10.18769/ijasos.367304 JF - IJASOS- International E-journal of Advances in Social Sciences JO - IJASOS PB - OCERINT International Organization Center of Academic Research WT - DergiPark SN - 2411-183X SP - 932 EP - 935 VL - 3 IS - 9 KW - Art world KW - artwork KW - communication strategy KW - art agents N2 - The paper argues the ways in which artworkrepresentation to its agents (artists, critics, curators, and audience) in thenew sociocultural post-literacy situation revises traditional art communicativesystems. Relying on an understanding of art as a public communication, the new"art communication" or "communication in the art world"concept is presented in the forms of manifestos and special types of commentsfrom the perspective of modern aesthetics. However, this characteristic doesnot represent an attempt to understand the traditional artist’s set sense in hiscommunication, or at least this is not the agents’ first question, but a way ofasking how, for example, ready-made or performances have become art. Theproblem the paper explores are the opportunities art gives for interactionand/or resistance in the global social sphere that give participants a new typeof literacy (even we can speak about post-literacy). In other words,contemporary practice in modern art propounds the impossibility to speak of aconcise, exhaustive standard definition that will help agents grant art statusto new objects. As a result, it can be concluded that the artist’s newcommunicative strategies are many, not only one as in the past, and at the sametime, they do not follow one another. This implies that to understand thestrategies we should think in terms of a new post-literacy situation wherethere is not only one "alphabet". The paper concludes that theproblem of Aesthetics as a science is not an expansion of its borders as seenand thought in art practice during the XX century. CR - Bourrias, N. (2002). Relational aesthetics. Les press du reel. Carroll, N. (2003). Beyond Aesthetics: Phylosophical Essays. Cambrige University Press. Groys, B. (2008). Art power. Critical Reflections. The MIT Press. Gudova, M. (2013). Multiple Forms of Art Dialog in the Modern Reading. In: 19th International Congress of Aesthetics. Aesthetics in action. Krakow, Poland. Book of abstracts. Pp.115. Holmogorova, O.V. (2002). Kuratorskie strategii 1990-ih. Hudozhestvennaya kultura 20 veka: razvitie plasticheskih iskusstv: sb. st. – M.: Rus. Slovo, 2002. – S. 335-351. Robillard, J. (2005). Philosophy of Communication: What Does It Have to Do With Philosophy of Social Sciences. Cosmos and History: The Journal of Natural and Social Philosophy, vol. 1, no. 2. 2005. Pp. 245-260. UR - https://doi.org/10.18769/ijasos.367304 L1 - https://dergipark.org.tr/en/download/article-file/384802 ER -