TY  - JOUR
T1  - The Endless Story of Giving Voice to the Other: Translating Poets Cyprian Norwid and Barbara Sadowska
TT  - Sessizleştirilmiş Öteki’ne Ses Verme Çabası: Cyprian Norwid and Barbara Sadowska Çevirisi Üzerine
AU  - Niemirycz, Aleksandra
PY  - 2018
DA  - December
JF  - Cankaya University Journal of Humanities and Social Sciences
JO  - CUJHSS
PB  - Cankaya University
WT  - DergiPark
SN  - 1309-6761
SP  - 49
EP  - 66
VL  - 12
IS  - 1-2
LA  - en
AB  - Exploiting the findings of hermeneutics, particularly PaulRicoeur’s concept of “the domain of word,” the present study aims to investigatethe role of translating poetry, which constitutes a task as creative as writingpoems in one’s own language, though even more difficult, in understanding theOther. The author of this essay focuses her attention on just a few examples ofpoets and translators who either are eminent figures of Polish literature orhave some connection with it, like Seamus Heaney, Sylvia Plath, Jakub Wujek,Jan Kochanowski, Czesław Miłosz, Cyprian Norwid and Barbara Sadowska. Theauthor also shares some of her experience gained through struggling withdifficulties she has encountered in her work on translations of poems byCyprian Norwid, the nineteenth century Polish classic poet, and Barbara Sadowska,the poet who—like once neglected and forgotten Norwid who ultimately gained thestrong posthumous recognition—should be saved from oblivion to which thecommunist censors consigned her as a writer. Thus, giving special attention toBarbara Sadowska, the great Polish poet who needs to be granted a place in thehistory of literature, the paper claims that translating Sadowska’s poetry maysignificantly contribute to understanding the reasons for silencing the Other andto placing her poetry in the main corpse of the Polish and world’s literaryheritage by giving voice to her work.
KW  - Poetry translation
KW  - silencing
KW  - the Other
KW  - Paul Ricoeur
KW  - Seamus Heaney
KW  - Cyprian Norwid
KW  - Barbara Sadowska
N2  - Buçalışmanın amacı, hermenötiğin (yorumbilim) bulgularından, özellikle de PaulRicoeur’ün “sözün etki alanı” kavramından yola çıkarak, anadilde şiir yazmaktançok daha zor ancak aynı düzeyde yaratıcılık gerektiren bir iş olan şiirçevirisinin, Öteki’ni anlamamızda üstlendiği rolü araştırmaktır. Bu makaledeyazar, yalnızca SeamusHeaney, Sylvia Plath, Jakub Wujek, Jan Kochanowski, Czesław Miłosz, CyprianNorwid ve Barbara Sadowskagibi Polonya edebiyatının önde gelen veya Polonya edebiyatına bir şekilde katkıdabulunmuş şair ve çevirmenler üzerinde yoğunlaşmıştır. Bunun yanı sıra yazar,Cyprian Norwid ve Barbara Sadowska’nın şiirlerini çevirirken karşılaştığızorlukların kendisine kazandırdığı tecrübeleri paylaşmaktadır. Ondokuzuncuyüzyıl klasik Polonya edebiyatı şairlerinden olan Cyprian Norwid ve birdönemler hak ettiği ilgiyi göremeyip unutulan Norwid gibi hak ettiği ilgiyiancak ölümünün ardından görebilen Barbara Sadowska da benzer şekilde komünistdönemdeki sansürlerin karanlığından çekip çıkarılmalıdır. Bu nedenle makalede,edebiyat tarihinin el üstünde tutulması gereken kıymetli şairlerinden BarbaraSadowska’ye özel bir yer ayrılmıştır. Bu makale, Öteki’nin nedensessizleştirildiğini Sadowska çevirisi sayesinde anlayabileceğimizi veçevirinin şaire ses vererek eserlerini Polonya ve Dünya edebiyatında ön planaçıkaracağını ileri sürmektedir.
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UR  - https://dergipark.org.tr/en/pub/cankujhss/article/508033
L1  - https://dergipark.org.tr/en/download/article-file/618581
ER  -