TY  - JOUR
T1  - Fin-de-Siècle and Motion Sickness in Florence Marryat’s The Blood of the Vampire
TT  - Florence Marryat’ın The Blood of the Vampire Romanında Baş Döndürücü Bir Yüzyıl Sonu
AU  - Bulamur Baypınar, Ayşe Naz
PY  - 2019
DA  - December
Y2  - 2019
DO  - 10.21547/jss.593965
JF  - Gaziantep Üniversitesi Sosyal Bilimler Dergisi
JO  - GAUN-JSS
PB  - Gaziantep University
WT  - DergiPark
SN  - 1303-0094
SP  - 60
EP  - 70
VL  - 18
LA  - en
AB  - In Florence Marryat’s The Blood of the Vampire (1897), the nineteen-year-old orphaned heiress, Harriet Brandt,embodies the social turbulence of the fin de siècle with her shifting identity as a human and vampire, British andJamaican, a former convent girl with dubious sexual orientation, and nurturer and killer of her loved ones. Thewhite upper-class guests of Hotel Lion d’Or, a seaside resort in Belgium, feel motion sickness due to her multiethnic and interspecies identity that shakes patriarchy, scientific authority, and Orientalist cultural distinctions.They feel nausea because they are disturbed with her “unrefined” blood, unexplainable psychic powers, andsexual decadence that contaminates the hotel. The people Harriet cares for at the hotel—a baby girl and her husband Anthony—die due to her uncontrollable ability to drain the life energy of those close to her. Harriet’s lovedones gradually die because they are not “fit” to survive in fin-de-siècle Europe, where racial and gender categories were becoming unstable. Her suicide after unwittingly killing her newlywed husband suggests that she herself cannot embrace her liminal identity. In the novel, sickness serves as a metaphor for the social disorientationof the fin de siècle that takes the lives of Victorians, who cannot adapt to changing sociopolitical conditions.
KW  - Florence Marryat
KW  - The Blood of the Vampire
KW  - sickness
KW  - vampire
KW  - poscolonial theory
N2  - Florence Marryat’ın The Blood of theVampire (1897) romanında on dokuz yaşındaki Harriet Brandt, vampir veinsan, İngiliz ve Jamaikalı, seven ve öldüren ve gizemli cinsel kimliğiyle ondokuzuncu yüzyıl sonu Avrupa’sındaki kültürel değişim ve türbülansı temsiletmektedir. Belçika’nınsahilinde Hotel Lion d’Or’da konaklayan zengin Avrupalılar Harriet’ın ataerkildüzeni, bilimin üstünlüğünü ve ırkçı söylemleri altüst eden çok kültürlükimliği karşısında adeta hastalanır. Harriet’ın oteli kirlettiğine inandıklarımelez kanı, doğa üstü güçleri ve cinsel özgürlüğü karşısında başları döner vemideleri bulanır. Sevdiklerinin hayat enerjisini istemsiz bir şekilde içineçekmesi yüzünden otelde sevip okşadığı bir bebek ve kocası Anthony yavaş yavaşhastalanır ve ölür. Harriet’ın yakınları, on dokuzuncu yüzyıl sonunda tür, ırkve cinsiyet kategorilerini sarsan çalkantıya uyum sağlayamadıkları için ölür.Kontrol edemediği ruhani güçleri yüzünden balayında kocasını öldürdükten sonraintihar eder çünkü tabuları kıran, değişken ve arada derede kimliğini kendi dekabul edememiştir. Bu makale, romanda hastalığın yüzyıl sonunun baş döndürücüetkisini vurgulayan bir metafor olduğunu ve Victoria İngiltere’sinin değişensosyal ve politik atmosferine ayak uyduramayanları öldürdüğünü savunur.
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UR  - https://doi.org/10.21547/jss.593965
L1  - https://dergipark.org.tr/en/download/article-file/916783
ER  -