TY  - JOUR
T1  - The Place of Dengbéjî in Modern Singing Techniques
TT  - The Place of Dengbéjî in Modern Singing Techniques
AU  - Cebe, Rohat
AU  - Cebe, Rohat
PY  - 2020
DA  - August
DO  - 10.21600/ijoks.734656
JF  - International Journal of Kurdish Studies
JO  - Kurdish Studies
PB  - Hasan KARACAN
WT  - DergiPark
SN  - 2149-2751
SP  - 175
EP  - 186
VL  - 6
IS  - 2
LA  - tr
AB  - The dengbêji bards who usually sing unaccompanied are the cornerstone of Kurdish traditional classical performance. They have sought to preserve the purity of their singing style and technique from the past to the present; and, they have maintained an existence that has been independent of modernization or foreign interchange. On the other hand, in the West especially from the start of the 20th century, classical music has changed in character reflecting cultural, political and technological developments. Opera singers, performance artists who undergo classical voice training have benefited by these technological developments, and are held in high esteem especially in regard to their voice production. Surprisingly, their modern singing techniques have a great deal in common with the age-old techniques of the Kurdish dengbêji. The present study examines both the commonalities and the differences.
KW  - Modern Singing Techniques
KW  - Dengbêj Tradition
KW  - Opera
KW  - Traditional Kurdish Music
N2  - The dengbêji bards who usually sing usually unaccompanied are the cornerstone of Kurdish traditional classical performance. They have sought to preserve the purity of their singing style and technique from the past to the present; and, they have maintained an existence that has been independent of modernization or foreign interchange. On the other hand, in the West especially from the start of the 20th century, classical music has changed in character reflecting cultural, political and technological developments. Opera singers, performance artists who undergo classical voice training have benefited by these technological developments, and are held in high esteem especially in regard to their voice production. Surprisingly, their modern singing techniques have a great deal in common with the age-old techniques of the Kurdish dengbêji. The present study examines both the commonalities and the differences.
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UR  - https://doi.org/10.21600/ijoks.734656
L1  - https://dergipark.org.tr/en/download/article-file/1156605
ER  -