TY - JOUR T1 - Street-Style Siter Playing and Regional Urban Identity TT - Street-Style Siter Playing and Regional Urban Identity AU - Iyer, Rohan PY - 2020 DA - October JF - Etnomüzikoloji Dergisi JO - ethnomus PB - Etnomüzikoloji Derneği WT - DergiPark SN - 2619-9572 SP - 244 EP - 261 VL - 3 IS - 2 LA - en AB - This is a study of Central Javanese street-style siteran music (ensemble formedaround a central zither) performed by ngamen (buskers). I transcribeand analyse an excerpt of an interpretation of a classic piece of Central Javaneseart music to illustrate the musical differences between gamelan siterplaying and street-style siter playing. I then discuss how musical specificitiesof, and repertoire choice by, ngamen are connected to issues of urbanisationand regionalisation in Central Java. This study demonstrates howgamelan musicians and ngamen operate within different interpretative frameworksbased on performance context. I argue that this results in aninexhaustible variety of music making outside gamelan circles where ngamenare allowed to express their regionalised urban musical identity. Thispaper contributes to the scholarship on a genre of Central Javanese musicmarginalised by the gamelan, by using techniques of transcription andanalysis to address pertinent sociocultural topics. KW - siteran KW - nyemar KW - transcription KW - urbanizaiton N2 - This is a study of Central Javanese street-style siteran music (ensemble formedaround a central zither) performed by ngamen (buskers). I transcribeand analyse an excerpt of an interpretation of a classic piece of Central Javaneseart music to illustrate the musical differences between gamelan siterplaying and street-style siter playing. I then discuss how musical specificitiesof, and repertoire choice by, ngamen are connected to issues of urbanisationand regionalisation in Central Java. This study demonstrates howgamelan musicians and ngamen operate within different interpretative frameworksbased on performance context. I argue that this results in aninexhaustible variety of music making outside gamelan circles where ngamenare allowed to express their regionalised urban musical identity. Thispaper contributes to the scholarship on a genre of Central Javanese musicmarginalised by the gamelan, by using techniques of transcription andanalysis to address pertinent sociocultural topics. CR - Referans 1 Beck, Gina Carol. (1990). The Javanese Gender Panerus: An Analysis of the Performance of Pak Minarno (PhD Thesis). University of Maryland, College Park. CR - Referans 2 Gibbings, Sheri Lynn. (2016). Street Vending as Ethical Citizenship in Urban Indonesia. Anthropologica, 58 (1), 77-94. CR - Gibbings, Sheri Lynn, Elan Lazuardi and Khidir Marsanto Prawirosusan. (2017). Mobilizing the Masses: Street Vendors, Political Contracts, and the Role of Mediators in Yogyakarta, Indonesia. Bijdragen tot de Taal-, Land- en Volkenkunde, 173, 242-72. CR - Harmony, Annissa Rizky. (2012). Teknik dan Cengok Siteran Jawa pada Ketawang Puspowarno Laras Slendro Pathet Menyuro (Bachelor’s Dissertation). Universitas Negeri Jakarta, East Jakarta. CR - Hughes, David W. (1997). The Siter on the Streets of Java. Seleh Notes, 4 (2-3), 6-7 & 14-5. CR - ----. (2004). When Can We Improvise? The place of Creativity in Academic World Music Performance. In Ted Solís (ed.), Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (pp. 261-82). Berkeley, Los Angeles and London: University of California Press. CR - Marsono and Sri Hendarto. (1983). Clempungan/Siteran. Yogyakarta: Akademi Seni Tari Indonesia. CR - Morat, Daniel. (2013). Sounding Out Urban Space: Berlin Street Music Around 1900. Colloquia Germanica, 46 (4), 331-42. CR - Perlman, Marc. (2004). Unplayed Melodies: Javanese Gamelan and the Genesis of Music Theory. Berkeley: University of California Press. CR - Richter, Max M. (2012). Musical Worlds in Yogyakarta. Leiden: KITLV Press. CR - Steptoe, Simon. (1995). An Introduction to the Siter and Playing the Siter.Seleh Notes, 2 (1), 6-8. CR - Sumarsam. (1995). Gamelan: Cultural Interaction and Musical Development in Central Java. Illinois: University of Chicago Press. CR - Supanggah, Rahayu. (2003). Campur Sari: A Reflection. Asian Music, 34 (2), 1-20. CR - Sutton, R. Anderson. (1993). Variation in Central Javanese Gamelan Music: Dynamics of a Steady State. Illinois: Northern Illinois University Press. CR - Tenzer, Michael. (1997). Review – The Life in Gendhing: Current Approaches to Javanese Gamelan. Indonesia, 63, 169-86. CR - Vetter, Roger. (1981). Flexibility in the Performance Practice of Central Javanese Music. Ethnomusicology, 25 (2), 199-214. CR - Discography Transcription is Track 1 (0:27-2:38) from:Central Java Musicians. (1976). Ketawang Puspawarna, Slendro Pathet Manyura [Recorded by Mark Nelson and Roger Vetter]. On Street Music of Central Java [Remastered CD]. New York City: Lyrichord Stereo LLST7310. CR - Webography Boston Village Gamelan. (n.d.) Ketawang Puspawarna, laras sléndro pathet manyura. On Gendhing Jawi – Javanese Gamelan Notation. Retrieved March 29, 2020, from http://www.gamelanbvg.com/gendhing/pdf/sm/Puspawarna.pdf. UR - https://dergipark.org.tr/en/pub/etnomuzikoloji/issue//817832 L1 - https://dergipark.org.tr/en/download/article-file/1368991 ER -