TY  - JOUR
T1  - ART AND ARCHAEOLOGY  CLOSE ENCOUNTERS OF THE THIRD KIND
TT  - SANAT VE ARKEOLOJİ: ÜÇÜNCÜ TÜRDEN YAKINLAŞMALAR
AU  - Muşkara, Üftade
AU  - Tunçelli, Oylum
AU  - Şahin, Serpil
PY  - 2021
DA  - April
Y2  - 2021
JF  - Turkish Online Journal of Design Art and Communication
JO  - TOJDAC
PB  - Deniz YENGİN
WT  - DergiPark
SN  - 2146-5193
SP  - 732
EP  - 749
VL  - 11
IS  - 2
LA  - en
AB  - Art and archaeology have an increasing interaction, which is expressed mainly in displaying the material culture of ancient civilizations. The technology-driven exhibition techniques applied in the “Curious Case of Çatalhöyük” exhibition and Göbeklitepe archaeological site to increase the perception of visitors constitute the essence of the study. Archaeological interpretations using post-modern rhetoric in Çatalhöyük and Göbeklitepe, which we usually observe in conceptual artworks, suggest new directions in the analysis of visual reconstructions of past societies. As post-modernity indicates that art is for everyone, archaeologists seem to favor the idea that the narratives of archaeology are supposed to be everyone to understand and enjoy. Thus, many museum displays consist of contemporary design features by employing the concepts of digital art. This paper examines the backgrounds of the relation between two disciplines by “digging” up the history of archaeological theories and analyzing main art movements corresponding to a period from Dadaism to contemporary art
KW  - Art and Archaeology
KW  - Digital Art
KW  - Çatakhöyük
KW  - Göbeklitepe
N2  - Art and archaeology have an increasing interaction, which is expressed mainly in displaying the material culture of ancient civilizations. The technology-driven exhibition techniques applied in the “Curious Case of Çatalhöyük” exhibition and Göbeklitepe archaeological site to increase the perception of visitors constitute the essence of the study. Archaeological interpretations using post-modern rhetoric in Çatalhöyük and Göbeklitepe, which we usually observe in conceptual artworks, suggest new directions in the analysis of visual reconstructions of past societies. As post-modernity indicates that art is for everyone, archaeologists seem to favor the idea that the narratives of archaeology are supposed to be everyone to understand and enjoy. Thus, many museum displays consist of contemporary design features by employing the concepts of digital art. This paper examines the backgrounds of the relation between two disciplines by “digging” up the history of archaeological theories and analyzing main art movements corresponding to a period from Dadaism to contemporary art
CR  - Arnold B and Wicker NL (2001) Gender and the Archaeology of Death. New York: Rowman Altamira
UR  - https://dergipark.org.tr/en/pub/tojdac/issue//858631
L1  - https://dergipark.org.tr/en/download/article-file/1503002
ER  -