TY  - JOUR
T1  - Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing*
TT  - Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing*
AU  - Haworth, Ben
PY  - 2021
DA  - June
DO  - 10.26650/jtcd.861023
JF  - Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi
JO  - T.E.D. Dergi
PB  - Istanbul University
WT  - DergiPark
SN  - 1303-8605
SP  - 115
EP  - 124
IS  - 32
LA  - en
AB  - This essay argues that Shakespeare’s natural fools, clowns, rustics, and buffoons provide far more than light comic relief. Using the example of Dogberry, from Much Ado About Nothing, I demonstrate that in allowing his fools to usurp their position of clownish caricature, to move outside of their normal social spheres, Shakespeare exposes the folly within societal institutions. Though an examination of language, namely the use of malapropisms, and the manipulation of traditional licence extended to natural fools, I contend that such theatrical depictions of folly opened the way for social commentary, parody and inversions of hierarchies of power on the stage.
KW  - Shakespeare
KW  - Subversion
KW  - Folly
KW  - Malapropism
KW  - Dogberry
N2  - This essay argues that Shakespeare’s natural fools, clowns, rustics, and buffoons provide far more than light comic relief. Using the example of Dogberry, from Much Ado About Nothing, I demonstrate that in allowing his fools to usurp their position of clownish caricature, to move outside of their normal social spheres, Shakespeare exposes the folly within societal institutions. Though an examination of language, namely the use of malapropisms, and the manipulation of traditional licence extended to natural fools, I contend that such theatrical depictions of folly opened the way for social commentary, parody and inversions of hierarchies of power on the stage.
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UR  - https://doi.org/10.26650/jtcd.861023
L1  - https://dergipark.org.tr/en/download/article-file/1509470
ER  -