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The Effect of National and International Culture on Logo Design of Iran’s Graphic Art

Year 2015, Volume: 5 Issue: 3, 282 - 303, 16.12.2015
https://doi.org/10.18039/ajesi.08146

Abstract

Art is an intellectual accumulation, which is unique to the society where it exists, and it is shaped by that land’s culture. In the other words, art is not an element, which can be taken from other cultures directly and applied to a society. On the other hand, communication instruments play a significant role in transferring the cultural and artistic heritage, which are the basis of a country. Furthermore, graphic design is a language which conveys a message, it is an identification of the cultures and it is unique to the countries. However there are several factors that influence the graphic design of a country such as historiy of the country, believes, political structures and cultures.

This study aims to focus particularly on Iran’s ancient and rich culture, Its principles of graphic arts, and development of it in this cultural at different periods such as when the culture was under the influence of religion In addition, the social and cultural factors which affect the graphic design were studied with theiradvantages and disadvantages.

In conclusion, the historical process of Iranian graphic art throughout history was studied by taking the development of Iranian graphic art into consideration with respect to socio-cultural perspective.

References

  • Goshayesh, F. (1999). History of Iran and World Art. Tehran: Efaf Publishing House.
  • Jafari, M. T. (1999). Beauty and Art in terms of Islam. Tehran: Allameh Jafari Publishing House.
  • Ahmadi Baghbadrani, S. (2009) Art and Religion. Monthly Art Book, 133, 24-28.
  • Dabiri, A. (2005). Lithography and the Reasons for Spreading in Iran. Magazine Book, 62, 59-66.
  • Hoseini, Sh. (2012). Iran Graphic before Revolution (1956-1978). Monthly Art Book, 169, 58-65.
  • Jabari Rad, H. (2008). The First Schools of Art in Iran. Art Magazine, 12, 40-49.
  • Katuziyan, M. A. H. (2010). Creatures of We Iranians. Mehrnameh, 2, 45-46.
  • Molaei Nia, R. (2008). Introduction of Modern and Contemporary Graphic Factors. Negareh Magazine, 7, 51-63.
  • Momayez, M. (1996). Regeneration in Iran Art. Speech Magazine, 10, 31-40.
  • Pirhushyar, S., Marasi, M. (2012). The Position of Iranian Art in Four Distinguished Book of World Art History. Monthly Art Book, 172, 36-43.
  • Summarized History of Graphic and Poster in Iran (1982, 8 Mayıs). Cihat, 31, 42-44.
  • Ebrahimi, F., (2009). Tact-e Jamshid the most symbolic icon of Norouz ceremony, Retrieved at January 18, 2014 from: http://iranshahr.org/
  • Hoseinpur Hajar, A., (2010). Matching Iranian logos and symbols of ancient Iranian art, Retrieved at March 8, 2014 from: http://persiangfx.com/
  • Keramati Moghadam, M., (2013).The first human drawings, Retrieved at March 19, 2014 from: http://avalinnaghashi.blog.ir/
  • Kooroshli, A., (2011). History of graphic art in Iran, Retrieved at February 6, 2014 from: http://alikooroshli2.persianblog.ir/
  • Raeeka, (2011). Man praying, Retrieved at May 2, 2015 from: https://raeeka.wordpress.com/
  • Rafat, A., (2013). The 30 Best-Looking Airlines Logos in The World, Retrieved at April 12, 2014 from: http://skift.com/2013/10/23/the-30-best-looking-airlines-logos-in-the-world/
  • Report Informatics Center of Tehran University, (2005). History of Tehran University, Retrieved at January 14, 2014 from: https://puyeshga.ipower.com/ES.ETC/history-of-Tehran-University.htm
  • Sadeghi, M., (2006). The third annual book of students' graphic (Neshaneh): Fredrik Talberg, Retrieved at March 12, 2014 from: http://www.rasm.ir/
  • Zeka, Y. (2008). Arts & Humanities Journal: Mirza Abul Hassan Sani ol-Molk Ghaffari, the founder of the first school of painting in Iran, Retrieved at February 18, 2014 from: http://www.noormags.com/
Year 2015, Volume: 5 Issue: 3, 282 - 303, 16.12.2015
https://doi.org/10.18039/ajesi.08146

Abstract

References

  • Goshayesh, F. (1999). History of Iran and World Art. Tehran: Efaf Publishing House.
  • Jafari, M. T. (1999). Beauty and Art in terms of Islam. Tehran: Allameh Jafari Publishing House.
  • Ahmadi Baghbadrani, S. (2009) Art and Religion. Monthly Art Book, 133, 24-28.
  • Dabiri, A. (2005). Lithography and the Reasons for Spreading in Iran. Magazine Book, 62, 59-66.
  • Hoseini, Sh. (2012). Iran Graphic before Revolution (1956-1978). Monthly Art Book, 169, 58-65.
  • Jabari Rad, H. (2008). The First Schools of Art in Iran. Art Magazine, 12, 40-49.
  • Katuziyan, M. A. H. (2010). Creatures of We Iranians. Mehrnameh, 2, 45-46.
  • Molaei Nia, R. (2008). Introduction of Modern and Contemporary Graphic Factors. Negareh Magazine, 7, 51-63.
  • Momayez, M. (1996). Regeneration in Iran Art. Speech Magazine, 10, 31-40.
  • Pirhushyar, S., Marasi, M. (2012). The Position of Iranian Art in Four Distinguished Book of World Art History. Monthly Art Book, 172, 36-43.
  • Summarized History of Graphic and Poster in Iran (1982, 8 Mayıs). Cihat, 31, 42-44.
  • Ebrahimi, F., (2009). Tact-e Jamshid the most symbolic icon of Norouz ceremony, Retrieved at January 18, 2014 from: http://iranshahr.org/
  • Hoseinpur Hajar, A., (2010). Matching Iranian logos and symbols of ancient Iranian art, Retrieved at March 8, 2014 from: http://persiangfx.com/
  • Keramati Moghadam, M., (2013).The first human drawings, Retrieved at March 19, 2014 from: http://avalinnaghashi.blog.ir/
  • Kooroshli, A., (2011). History of graphic art in Iran, Retrieved at February 6, 2014 from: http://alikooroshli2.persianblog.ir/
  • Raeeka, (2011). Man praying, Retrieved at May 2, 2015 from: https://raeeka.wordpress.com/
  • Rafat, A., (2013). The 30 Best-Looking Airlines Logos in The World, Retrieved at April 12, 2014 from: http://skift.com/2013/10/23/the-30-best-looking-airlines-logos-in-the-world/
  • Report Informatics Center of Tehran University, (2005). History of Tehran University, Retrieved at January 14, 2014 from: https://puyeshga.ipower.com/ES.ETC/history-of-Tehran-University.htm
  • Sadeghi, M., (2006). The third annual book of students' graphic (Neshaneh): Fredrik Talberg, Retrieved at March 12, 2014 from: http://www.rasm.ir/
  • Zeka, Y. (2008). Arts & Humanities Journal: Mirza Abul Hassan Sani ol-Molk Ghaffari, the founder of the first school of painting in Iran, Retrieved at February 18, 2014 from: http://www.noormags.com/
There are 20 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Maryam Monirifar This is me

Publication Date December 16, 2015
Submission Date December 16, 2015
Published in Issue Year 2015 Volume: 5 Issue: 3

Cite

APA Monirifar, M. (2015). The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. Anadolu Journal of Educational Sciences International, 5(3), 282-303. https://doi.org/10.18039/ajesi.08146
AMA Monirifar M. The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. AJESI. December 2015;5(3):282-303. doi:10.18039/ajesi.08146
Chicago Monirifar, Maryam. “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”. Anadolu Journal of Educational Sciences International 5, no. 3 (December 2015): 282-303. https://doi.org/10.18039/ajesi.08146.
EndNote Monirifar M (December 1, 2015) The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. Anadolu Journal of Educational Sciences International 5 3 282–303.
IEEE M. Monirifar, “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”, AJESI, vol. 5, no. 3, pp. 282–303, 2015, doi: 10.18039/ajesi.08146.
ISNAD Monirifar, Maryam. “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”. Anadolu Journal of Educational Sciences International 5/3 (December 2015), 282-303. https://doi.org/10.18039/ajesi.08146.
JAMA Monirifar M. The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. AJESI. 2015;5:282–303.
MLA Monirifar, Maryam. “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”. Anadolu Journal of Educational Sciences International, vol. 5, no. 3, 2015, pp. 282-03, doi:10.18039/ajesi.08146.
Vancouver Monirifar M. The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. AJESI. 2015;5(3):282-303.