Youssef Chahine sinemasında renk kodlarının görsel anlatım diline etkisi

Year 2025, Issue: 13, 25 - 51, 27.02.2025

Mariam Mahrous , Alev Parsa , Elçin As

https://doi.org/10.46372/arts.1538835

Abstract

Bu çalışma, Mısırlı yönetmen Youssef Chahine’in tarihsel, dini ve kültürel faktörlerden etkilenerek filmlerinin anlatısında renkleri nasıl kullandığını araştırmayı amaçlamaktadır. Çalışmanın temel amacı, izleyicinin duyguları ve film algısı üzerindeki etkisinin yanı sıra sinemasal görüntülerin estetiğini zenginleştirme kabiliyeti nedeniyle renklerin ve sembolizmin bir sinema eserindeki önemine ışık tutmaktır. Bu bağlamda, Chahine’in farklı dönemlerde çekilmiş iki farklı filmi, Al Nasser Salah Al-din (Muzaffer Selahaddin, 1963) ve Al-Massir (Kader, 1997) filmleri örneklem olarak seçilmiştir. Çalışmada, Roland Barthes’ın göstergebilimsel yaklaşımı, seçilen filmlerdeki rengin düzanlamsal ve yananlamsal anlamlarını analiz etmek için kullanılmıştır. Bu analiz, Chahine’nin filmlerinde rengin önemini ve renk sembolizminin yönetmenin fikirlerini aktarmak ve kendine özgü görsel tarzını tasvir etmek için nasıl kullanıldığını ortaya koymaktadır.

Keywords

sinema, mısır sineması, youssef chahine, renk, göstergebilim, görsel anlatı

The effect of visual narrative language of color codes in Youssef Chahine’s cinema

Abstract

This study explore the ways in which Egyptian director Youssef Chahine employed colors within the narrative of his films, influenced by historical, religious, and cultural factors. The main purpose of the study is to shed light on the significance of colors and their symbolism in any cinematic work, due to its impact on the viewer’s emotions and perception of a film, as well as its ability to enhance the aesthetics of the cinematic imagery. In this context, two different films of Chahine, Al Nasser Salah Al-din (Saladin the Victorious, 1963) and Al-Massir (Destiny, 1997), which were shot in different periods, were selected. In study uses Roland Barthes’ semiological approach as a to analyze the denotational and connotational meanings of color in selected films. This analysis reveals the significance of color in Chahine’s films and how color symbolism is employed to convey the director’s ideas and depict their distinctive visual style.

Keywords

cinema, egyptian cinema, youssef chahine, color, semiotics, visual narrative

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