Çeviribilim ve Uygulamaları Dergisi

2687-2846

Hacettepe University

10.37599/ceviri.513996

The Transfer of Mind Style into the Turkish Translation of William Faulkner’s The Sound and The Fury

William Faulkner’ın The Sound and The Fury Eserinde Düşünce Biçeminin Türkçeye Aktarılması

https://orcid.org/0000-0003-2790-0415

Erkazancı Durmuş

Hilal

02 22 2019

25 51 70 04 15 2018 11 30 2018

1991

This study seeks to analyse how Benjamin’s mind style was transferred into the Turkish translationof The Sound and The Fury, considering the fact that the translation came out in 1965, when thestylistic features of the Western modernist novel were yet to be imported to the Turkish novel. Thestudy focuses on Geoffrey Leech and Mick Short’s (1981) stylistic checklist in order to carry out theanalysis. The study also sheds light on the paratextual information on the Turkish translation, since itprovides insight into whether the translator’s stylistic choices were influenced by the context of theTurkish literary field. Ultimately, the study shows that the source-text stylistic features (e.g. thosestemming from Benjamin’s synaesthesia) which deviate from the grammatical structure and punctuation rules of Turkish were ironed out in the translation, whereas the other stylistic features that donot distort the readability of the translation were reproduced by the translator.

Bu çalışmada, modernist romanın biçemsel özelliklerinin Batı tarzı modernist romanlarda görüldüğüşekliyle Türkiye’de henüz ön plana çıkmamış olduğu 1965 yılında Türkçeye kazandırılan TheSound and The Fury eserindeki Benjamin karakterinin anlatısında geçen ve karakterin bilişsel düzeyiniyansıtan düşünce biçeminin Türkçeye nasıl aktarıldığı incelenmektedir. İnceleme için Geoffrey Leechve Mick Short (1981) tarafından biçemsel özellikler için oluşturulan kontrol listesi kullanılmaktadır.Çevirmenin biçemsel tercihlerine ışık tutması bakımından, çeviriye yanmetin ögeleri olarak eklenenön söz ve çevirmen notu da incelenerek, çevirinin yapıldığı dönemde çeviriye ve çevirmene ilişkintoplumsal beklentilerin Benjamin’in düşünce biçeminin Türkçeye aktarılmasında bir etkisinin olupolmadığına bakılmaktadır. Sonuç olarak, ölçünlü Türkçenin yapısına, noktalama işaretlerine uymayanve anlatım bozukluğuna yol açan dil kullanımlarının ve Benjamin’in sinestezik algı şeklinin düşüncebiçemine yansıması nedeniyle kaynak metinde anlam bütünlüğünü bozan ifadelerin çeviride Türkçeanlatım kurallarına uygun olarak düzeltildiği durumların dışında, biçemsel özelliklerin çeviriyeaktarıldığı tespit edilmiştir.

modernist roman düşünce biçemi çeviri yanmetin

modernist novel mind style translation paratext

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