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REPRESENTATION OF MIGRATION AND DISPLACEMENT IN CONTEMPORARY ART: SUITCASE, LUGGAGE AND BAG

Year 2024, Issue: 37, 112 - 143, 25.10.2024
https://doi.org/10.15182/diclesosbed.1451415

Abstract

The representation of migration, mobility, and displacement in contemporary art can take various forms. Contemporary artists often use elements such as maps, suitcases, luggage, and bags when they want to visually express concepts of displacement and relocation. This study aims to reveal how objects such as suitcases, luggage, and bags are used in contemporary art as representations of migration and displacement themes. This study is based on literature review approach. It focuses on the artworks of Vlassis Caniaris, Barthélémy Toguo, Dan Halter, Zoe Leonard, Mohamad Hafez, Mona Hatoum and Handan Börüteçene, which utilize suitcases, luggage, and bags as representations of migration and displacement. In light of the examined artworks, it has been observed that suitcases, luggage, and bags are often utilized to raise new questions about mobility and the migrant experience, which are typically associated with modernity and progress. These objects are considered expressions of crossing borders and alienation. The inability of the mobile individual to reach their desired destination, the endeavor to establish a new world, the search for belonging, nostalgia, memory, and exclusion are seen as metaphors symbolized by these objects. Additionally, these objects serve as powerful tools to deeply understand and express the emotional and physical experiences of migrants and refugees.

References

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  • Burrell, K. (2008). Materialising the border: Spaces of mobility and material culture in migration from post‐socialist Poland. Mobilities, 3(3), 353-373. https://doi.org/10.1080/17450100802376779
  • Centre Pompidou. (t.y.). Meeting with Rayyane Tabet [20 February 2014], [Sergi]. Paris, Fransa. https://www.centrepompidou.fr/en/program/calendar/event/cRRBaEn (Erişim Tarihi: 25.02.2024).
  • Cheng, Y. (2018). The bag is my home: Recycling “China Bags” in contemporary African art. African Arts, 51(2), 18-31. https://doi.org/10.1162/afar_a_00400
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  • Demos, T. J. (2013). The exiles of Marcel Duchamp. The Mit Press.
  • Diop, B. M. (2023). The notion of mobility in Barthélémy Toguo’s work: Reflection on decolonial artistic practice. İçinde M. Ott ve B. M. Diop (Eds.). Decolonial aesthetics I: Tangled humanism in the Afro-European context (ss. 95-112). J. B. Metzler.
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  • Hafez, M. (2019, 3 Nisan). Unpacking “Unpacked” with Mohamed Hafez [Interview]. Yale Law School. https://law.yale.edu/yls-today/news/unpacking-unpacked-mohamed-hafez (Erişim Tarihi: 03.12.2023).
  • Hafez, M. (t.y.). Baggage Series [Installations]. Official web cite of Mohamad Hafez. https://www.mohamadhafez.com/Baggage-Series (Erişim Tarihi: 05.02.2024).
  • Halter, D. (t.y). Transnational blocks [Installations]. Official web cite of Dan Halter. http://danhalter.com/transnational-blocks/ (Erişim Tarihi: 03.12.2023).
  • Handan Börüteçene: Bellek yittiğinde her güne sıfırdan başlarsınız. (2023, 19 Aralık). Dünya Gazetesi. https://www.dunya.com/kultur-sanat/handan-borutecene-bellek-yittiginde-her-gune-sifirdan-baslarsiniz-haberi-714038 (Erişim Tarihi: 08.02.2024).
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  • International Rescue Committee. (2015, 4 Eylül). What’s in my bag?: What refugees bring when they run for their lives. Medium. https://medium.com/uprooted/what-s-in-my-bag-758d435f6e62 (Erişim Tarihi: 03.12.2023).
  • İstanbul Modern Sanat Müzesi. (t.y.). Handan Börüteçene, 1957/ Bana Kendini Getir, 2009 [Sergi]. İstanbul, Türkiye. https://www.istanbulmodern.org/koleksiyon/bana-kendini-getir (Erişim Tarihi: 05.02.2024).
  • Josenhans, F. V. (2017). (Re)Defining the “I” in exile. İçinde F. V. Josenhans (Ed.). Artists in exile: Expressions of loss and hope (ss. 185-207). Yale University Press.
  • Judovitz, D. (2005). Duchamp’s luggage physics: Art on the move. Postmodern Culture, 16(1).
  • Kılıç, Y. (2012). Geçmişle gelecek arasında insan. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi (19), 77-90.
  • Leonard, Z. (1961). 1961 [Installation]. Guggenheim Museum, New York, ABD. https://www.guggenheim.org/artwork/33792 (Erişim Tarihi: 03.12.2023).
  • Levey, C. (2023). Valijas militantes: Activist suitcases and memories of exile across the Spanish-speaking world. İçinde C. Giuliani ve K. Hodgson (Eds.). Memory, mobility, and material culture. Routledge.
  • Libeskind, R. (2015, 10 Haziran). Multi-Media artist Rachel Libeskind reveals the art of packing in ‘The Traveling Bag’ [Interview]. Forbes. https://www.forbes.com/sites/adamlehrer/2015/06/10/multi-media-artist-rachel-libeskind-reveals-art-of-packing-in-new-performance-the-traveling-bag/?sh=463f3a7c5bcc (Erişim Tarihi: 01.02.2024).
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ÇAĞDAŞ SANATTA GÖÇ VE YERİNDEN EDİLME TEMASININ TEMSİLİ OLARAK BAVUL, VALİZ VE ÇANTA

Year 2024, Issue: 37, 112 - 143, 25.10.2024
https://doi.org/10.15182/diclesosbed.1451415

Abstract

Göç, hareketlilik ve yerinden edilme konuları, sanatçılar tarafından farklı şekillerde ele alınabilir. Çağdaş sanatçılar, yerinden edilme ve yer değiştirme kavramlarını görsel olarak ifade etmek istediklerinde genellikle harita, bavul, valiz ve çanta gibi öğelere başvururlar. Bu çalışmada, bavul, valiz ve çanta gibi nesnelerin çağdaş sanatta göç ve yerinden edilme temalarının temsili olarak nasıl kullanıldığını ortaya çıkarmak amaçlanmıştır. Bu çalışma, konuyla ilgili literatür taraması yöntemine dayanmaktadır. Çalışma göç ve yerinden edilme temasının temsili olarak bavul, valiz ve çantaları kullanan: Vlassis Caniaris, Barthélémy Toguo, Dan Halter, Zoe Leonard, Mohamad Hafez, Mona Hatoum ve Handan Börüteçene’nin eserleri ile sınırlandırılmıştır. İncelenen eserler ışığında, bavulların, valizlerin ve çantaların genellikle modernlik ve ilerleme ile ilişkilendirilen hareketlilik ve göçmenlik deneyimi hakkında yeni sorular sormak için kullanıldığı görülmüştür. Bu nesneler, sınır ötesine geçiş ve yabancılaşmanın ifadesi olarak kabul edilir. Hareket halindeki bireyin istediği varış noktasına ulaşamaması, yeni bir dünya kurma çabası, aidiyet arayışı, nostalji, bellek ve dışlanma gibi kavramların bir metaforu olarak görülür. Ayrıca bu nesneler, göçmenlerin ve mültecilerin yaşadığı duygusal ve fiziksel deneyimi derinlemesine anlamak ve ifade etmek için güçlü birer araç olarak hizmet eder.

References

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  • Blume, E. (t.y.). Essay: Joseph Beuys- Amtlich, Um 1984/85, Ketterer Kunst. https://www.kettererkunst.com/details-e.php (Erişim Tarihi: 01.02.2024).
  • Börüteçene, H. (t.y.). Bana Kendini Getir [Yerleştirme]. Handan Börüteçene resmi web sitesi. https://handanborutecene.com/portfolio-item/bana-kendini-getir/ (Erişim Tarihi: 05.02.2024).
  • Bräunlein, P. J. (2022). Introduction. İçinde F. Yi-Neumann, A. Lauser, A. Fuhse ve P. J. Bräunlein (Eds.). Material culture and (forced) migration (ss. 159-170). UCL Press.
  • Brooks, K. (2013, 26 Ocak). Migration is beautiful documentary: Artist Favianna Rodriguez talks immigrant rights and art’s role in politics (video). Huffpost. http://www.huffingtonpost.com/2013/01/26/migration-is-beautiful-artist-favianna-rodriguez-documentary_n_2535690.html (Erişim Tarihi: 02.01.2024).
  • Burrell, K. (2008). Materialising the border: Spaces of mobility and material culture in migration from post‐socialist Poland. Mobilities, 3(3), 353-373. https://doi.org/10.1080/17450100802376779
  • Centre Pompidou. (t.y.). Meeting with Rayyane Tabet [20 February 2014], [Sergi]. Paris, Fransa. https://www.centrepompidou.fr/en/program/calendar/event/cRRBaEn (Erişim Tarihi: 25.02.2024).
  • Cheng, Y. (2018). The bag is my home: Recycling “China Bags” in contemporary African art. African Arts, 51(2), 18-31. https://doi.org/10.1162/afar_a_00400
  • Crooke, E. (2014). The migrant and the museum: Place and representation in Ireland. İçinde L. Gouriévidis (Ed.). Museums and migration: History, memory and politics (ss. 189- 201). Routledge.
  • Demos, T. J. (2013). The exiles of Marcel Duchamp. The Mit Press.
  • Diop, B. M. (2023). The notion of mobility in Barthélémy Toguo’s work: Reflection on decolonial artistic practice. İçinde M. Ott ve B. M. Diop (Eds.). Decolonial aesthetics I: Tangled humanism in the Afro-European context (ss. 95-112). J. B. Metzler.
  • Dogramaci, B., & Mersmann, B. (2019). Art and global migration. Theories, practices, and challenges: Editorial introduction. İçinde B. Dogramaci ve B. Mersmann (Eds.). Handbook of art and global migration: Theories, practices, and challenges (ss. 1-13). De Gruyter.
  • Dorléac, L. B. (2022, 21 Eylül). Barthélémy Toguo, the pillar of the missing migrants [12 October 2022-23 January 2022], [Sergi]. Louvre Museum, Paris, France. https://www.louvre.fr/en/what-s-on/life-at-the-museum/barthelemy-toguo-the-pillar-of-the-missing-migrants (Erişim Tarihi: 11.12.2023).
  • Duchamp, M. (1973). Salt seller: The writings of Marcel Duchamp. İçinde M. Sanouillet ve E. Peterson (Eds.). Oxford University Press.
  • Dudley, S. H. (2010). Materialising exile: Material culture and embodied experience among Karenni refugees in Thailand. Berghahn Books.
  • Galerie Lelong&Co. (t.y.). Barthélémy Toguo biography. Paris, Fransa. https://www.galerielelong.com/artists/barthelemy-toguo/slideshow?view=slider (Erişim Tarihi: 11.12.2023).
  • Gandhi, E. L. E., & Nguyen, V. (2023). Introduction. İçinde E. L. E. Gandhi ve V. Nguyen (Eds.). The Routledge handbook of refugee narratives. Routledge.
  • Girgin, F. (2023). Çağdaş sanatta yerinden edilme temasının temsili olarak harita. İçinde A. Tilbe ve M. C. Atalay (Eds.). Göç ve sanat: Eleştirel incelemeler (ss. 151-184). Hiperyayın.
  • Gouriévidis, L. (2014). Representing migration in museums: History, diversity and the politics of memory. İçinde L. Gouriévidis (Ed.). Museums and migration: History, memory and politics (ss. 1-24). Routledge.
  • Gross, D. A. (2014, 9 Mayıs). The history of the humble suitcase. Smithsonian Magazine. https://www.smithsonianmag.com/history/history-humble-suitcase-180951376/#rzPgBLHAwZl4R3WG.99 (Erişim Tarihi: 18.01.2024).
  • Hafez, M. (2019, 3 Nisan). Unpacking “Unpacked” with Mohamed Hafez [Interview]. Yale Law School. https://law.yale.edu/yls-today/news/unpacking-unpacked-mohamed-hafez (Erişim Tarihi: 03.12.2023).
  • Hafez, M. (t.y.). Baggage Series [Installations]. Official web cite of Mohamad Hafez. https://www.mohamadhafez.com/Baggage-Series (Erişim Tarihi: 05.02.2024).
  • Halter, D. (t.y). Transnational blocks [Installations]. Official web cite of Dan Halter. http://danhalter.com/transnational-blocks/ (Erişim Tarihi: 03.12.2023).
  • Handan Börüteçene: Bellek yittiğinde her güne sıfırdan başlarsınız. (2023, 19 Aralık). Dünya Gazetesi. https://www.dunya.com/kultur-sanat/handan-borutecene-bellek-yittiginde-her-gune-sifirdan-baslarsiniz-haberi-714038 (Erişim Tarihi: 08.02.2024).
  • International Institute of New England. (2019, 22 Ekim). Suitcase stories featured at Institute of Contemporary Art. https://iine.org/suitcase-stories-featured-at-institute-of-contemporary-art/ (Erişim Tarihi: 03.12.2023).
  • International Rescue Committee. (2015, 4 Eylül). What’s in my bag?: What refugees bring when they run for their lives. Medium. https://medium.com/uprooted/what-s-in-my-bag-758d435f6e62 (Erişim Tarihi: 03.12.2023).
  • İstanbul Modern Sanat Müzesi. (t.y.). Handan Börüteçene, 1957/ Bana Kendini Getir, 2009 [Sergi]. İstanbul, Türkiye. https://www.istanbulmodern.org/koleksiyon/bana-kendini-getir (Erişim Tarihi: 05.02.2024).
  • Josenhans, F. V. (2017). (Re)Defining the “I” in exile. İçinde F. V. Josenhans (Ed.). Artists in exile: Expressions of loss and hope (ss. 185-207). Yale University Press.
  • Judovitz, D. (2005). Duchamp’s luggage physics: Art on the move. Postmodern Culture, 16(1).
  • Kılıç, Y. (2012). Geçmişle gelecek arasında insan. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi (19), 77-90.
  • Leonard, Z. (1961). 1961 [Installation]. Guggenheim Museum, New York, ABD. https://www.guggenheim.org/artwork/33792 (Erişim Tarihi: 03.12.2023).
  • Levey, C. (2023). Valijas militantes: Activist suitcases and memories of exile across the Spanish-speaking world. İçinde C. Giuliani ve K. Hodgson (Eds.). Memory, mobility, and material culture. Routledge.
  • Libeskind, R. (2015, 10 Haziran). Multi-Media artist Rachel Libeskind reveals the art of packing in ‘The Traveling Bag’ [Interview]. Forbes. https://www.forbes.com/sites/adamlehrer/2015/06/10/multi-media-artist-rachel-libeskind-reveals-art-of-packing-in-new-performance-the-traveling-bag/?sh=463f3a7c5bcc (Erişim Tarihi: 01.02.2024).
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There are 61 citations in total.

Details

Primary Language Turkish
Subjects Migrant Cultural Studies, Arts and Cultural Policy, Migration Sociology
Journal Section Research Articles
Authors

Figen Girgin 0000-0002-5747-6769

Early Pub Date October 17, 2024
Publication Date October 25, 2024
Submission Date March 12, 2024
Acceptance Date June 25, 2024
Published in Issue Year 2024 Issue: 37

Cite

APA Girgin, F. (2024). ÇAĞDAŞ SANATTA GÖÇ VE YERİNDEN EDİLME TEMASININ TEMSİLİ OLARAK BAVUL, VALİZ VE ÇANTA. Dicle Üniversitesi Sosyal Bilimler Enstitüsü Dergisi(37), 112-143. https://doi.org/10.15182/diclesosbed.1451415

Dicle University
Journal of Social Sciences Institute (DUSBED)