Öz
Kaynakça
- Austin, J L. (1962). How to Do Things with Words: The William James Lectures Delivered at Harvard University in 1955. Oxford University Press.
- Danto, A. (2013). What art is. Yale University Press.
- Eco, U. (1989). The Open Work. Harvard University Press.
- Ingarden, R. (1973). The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Literature (G. G. Grabowicz, Trans.). Northwestern University Press.
- ———. (1985). On So-Called Truth in Literature. In Peter J McCormick (Ed.), Selected Papers in Aesthetics (pp. 133–62). The Catholic University of America Press.
- Iser, W. (1980). The Act of Reading: A Theory of Aesthetic Response. The Johns Hopkins University Press.
- ———. (2007). How to Do Theory. Blackwell Publishing.
- Plato. (1997). Republic. G.M.A. Grube (Trans.). C.D.C. Revee (Rev.).In John M. Cooper (Ed.). Complete Works. Hackett Publishing Company.
- Schwab, G. (2000). ‘If Only I Were Not Obliged to Manifest’: Iser’s Aesthetics of Negativity. New Literary History 31 (1): 73–89. https://doi.org/10.1353/nlh.2000.0011
- Stendhal. (2002). The Red and the Black. (Gard, Roger, Trans.). Penguin Books.
Öz
The referential relation between fictive texts and the extra-textual world have always been a problem in literary theory and philosophy of literature. Some claim that literary fictions refer to the extra-textual work, thus tells us something about the world we inhabit, while others claim that the fictive world is totally autonomous, and consequently it is mute about our world. In this paper I will claim that literary works have a very specific kind of relation with the extratextual work. To achieve this aim I will scrutinize on Wolfgang Iser’s concept of repertoire and his understanding of negative referentiality. With Iser, we will see that literature is not mute about our world, however it talks about the world in a very undirect way; by negating the predominant world systems and thereby forcing the reader to reflect on her very own disposition.
Anahtar Kelimeler
Wolfgang Iser Repertoire Negation Referentiality Fiction Mimesis.
Kaynakça
- Austin, J L. (1962). How to Do Things with Words: The William James Lectures Delivered at Harvard University in 1955. Oxford University Press.
- Danto, A. (2013). What art is. Yale University Press.
- Eco, U. (1989). The Open Work. Harvard University Press.
- Ingarden, R. (1973). The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Literature (G. G. Grabowicz, Trans.). Northwestern University Press.
- ———. (1985). On So-Called Truth in Literature. In Peter J McCormick (Ed.), Selected Papers in Aesthetics (pp. 133–62). The Catholic University of America Press.
- Iser, W. (1980). The Act of Reading: A Theory of Aesthetic Response. The Johns Hopkins University Press.
- ———. (2007). How to Do Theory. Blackwell Publishing.
- Plato. (1997). Republic. G.M.A. Grube (Trans.). C.D.C. Revee (Rev.).In John M. Cooper (Ed.). Complete Works. Hackett Publishing Company.
- Schwab, G. (2000). ‘If Only I Were Not Obliged to Manifest’: Iser’s Aesthetics of Negativity. New Literary History 31 (1): 73–89. https://doi.org/10.1353/nlh.2000.0011
- Stendhal. (2002). The Red and the Black. (Gard, Roger, Trans.). Penguin Books.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Felsefe |
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 29 Aralık 2021 |
| Gönderilme Tarihi | 13 Aralık 2021 |
| Yayımlandığı Sayı | Yıl 2021 Sayı: 20 |
- Makale Dosyaları