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Year 2005, Issue: 1, 217 - 227, 26.09.2005

Melek Atabey

Abstract

References

  • Bondebjerg, Ib (1996). ‘Public Discourse/Private Fascination: Hbyridization in “'true-life-story” Genres’, Media, Culture and Society, 18:27-45.
  • Bruzzi, Stella (2000). New Documentary: A Critical Introduction, London: Routledge.
  • Carpentier, Nico (2003). ‘The BBC’s Video Nation as a Participatory Media Practice’, International Journal of Cultural Studies, Vol 6(4): 425-447.
  • Corner, John (1995). Television Form and Public Address, London: Edward Arnold.
  • Corner, J. (1999). Critical Ideas in Television Studies, Oxford: Clarendon Pres
  • Corner, J. (2000). ‘Documentary in a Post-Documentary Culture? A Note on Forms and Their Functions’, http://www.lboro.ac.uk/research/changing.media/John%20Corner%20paper .htm
  • Corner, J. (2002). ‘Performing the Real: Documentary Diversions’, Television and New Media, Vol.3(3):255-269.
  • Dovey, J. (2000). Freakshow: First Person Media and Factual Television, London: Pluto.
  • Hampe, B. (1997). Making Documentary Films and Reality Videos, New York: Henry Holt and Company.
  • Kilborn, R. (1994). ‘How Real Can You Get? Recent Developments in “Reality” Television’, European Journal of Communication, 9: 421-39.
  • Kilborn, R. (1996). ‘New Contexts for Documentary Production in Britain’, Media, Culture and Society, 18: 141-150.
  • Kilborn, R. and Izod, J. (1997) An Introduction to Television Documentary, Manchester: Manchester University Press.
  • Knight, G. (1989). ‘The Reality Effects of Tabloid Television News’, in Raboy, M. and Bruck, P. A., (eds.), Communication For and Against Democracy, NewYork: Black Rose Books, 111-131.
  • Nichols, B. (1991). Representing Reality: Issues and Concepts in Documentary, Bloomington: Indiana University Press.
  • Nichols, B. (1994). Blurred Boundaries, Bloomington: Indiana University Press.
  • Petley, J. (1996). ‘Fact plus Fiction Equals Friction’, Media, Culture and Society, 18:11-25.
  • Rosenthall, A. (1996). Writing, Directing, and Producing Documentary Films and Videos, Carbondale and Edwardsville: Southern Illionois University Press.
  • Tracey, M. (1995). ‘Non-Fiction Television’, in Anthony Smith (ed) Television, An International History, Oxford: Oxford University Press.
  • Winston, B. (2000) Lies, Damned Lies and Television, London: British Film Institute.

BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR

Year 2005, Issue: 1, 217 - 227, 26.09.2005

Melek Atabey

Abstract




















Bu makale televizyon ve daha genel
anlamıyla medya sektöründe meydana gelen değişimlerin belgesel film açısından doğurduğu sonuçları irdelemeye çalışmakta
ve son zamanlardaki belgesel türü içinde gözlemlenen melez formların
özelliklerini ve bunlar üzerine yapılan tartışmaları değerlendirmektedir.
Televizyonun ekonomik ve program yapısı ile ilgili öncelikleri, belgesel yapımcılarını
daha çok izleyici kitlesini çekebilecek ve izleyiciyi eğlendirecek yeni arayışlara yönlendirmektedir. Bunun sonucunda da,
bilgi ağırlıklı formlarla kurmacayı bir araya getiren yeni belgesel formlar
ortaya çıkmıştır.

Keywords

belgesel film melez formlar yeni belgesel

References

  • Bondebjerg, Ib (1996). ‘Public Discourse/Private Fascination: Hbyridization in “'true-life-story” Genres’, Media, Culture and Society, 18:27-45.
  • Bruzzi, Stella (2000). New Documentary: A Critical Introduction, London: Routledge.
  • Carpentier, Nico (2003). ‘The BBC’s Video Nation as a Participatory Media Practice’, International Journal of Cultural Studies, Vol 6(4): 425-447.
  • Corner, John (1995). Television Form and Public Address, London: Edward Arnold.
  • Corner, J. (1999). Critical Ideas in Television Studies, Oxford: Clarendon Pres
  • Corner, J. (2000). ‘Documentary in a Post-Documentary Culture? A Note on Forms and Their Functions’, http://www.lboro.ac.uk/research/changing.media/John%20Corner%20paper .htm
  • Corner, J. (2002). ‘Performing the Real: Documentary Diversions’, Television and New Media, Vol.3(3):255-269.
  • Dovey, J. (2000). Freakshow: First Person Media and Factual Television, London: Pluto.
  • Hampe, B. (1997). Making Documentary Films and Reality Videos, New York: Henry Holt and Company.
  • Kilborn, R. (1994). ‘How Real Can You Get? Recent Developments in “Reality” Television’, European Journal of Communication, 9: 421-39.
  • Kilborn, R. (1996). ‘New Contexts for Documentary Production in Britain’, Media, Culture and Society, 18: 141-150.
  • Kilborn, R. and Izod, J. (1997) An Introduction to Television Documentary, Manchester: Manchester University Press.
  • Knight, G. (1989). ‘The Reality Effects of Tabloid Television News’, in Raboy, M. and Bruck, P. A., (eds.), Communication For and Against Democracy, NewYork: Black Rose Books, 111-131.
  • Nichols, B. (1991). Representing Reality: Issues and Concepts in Documentary, Bloomington: Indiana University Press.
  • Nichols, B. (1994). Blurred Boundaries, Bloomington: Indiana University Press.
  • Petley, J. (1996). ‘Fact plus Fiction Equals Friction’, Media, Culture and Society, 18:11-25.
  • Rosenthall, A. (1996). Writing, Directing, and Producing Documentary Films and Videos, Carbondale and Edwardsville: Southern Illionois University Press.
  • Tracey, M. (1995). ‘Non-Fiction Television’, in Anthony Smith (ed) Television, An International History, Oxford: Oxford University Press.
  • Winston, B. (2000) Lies, Damned Lies and Television, London: British Film Institute.
There are 19 citations in total.

Details

Subjects Communication and Media Studies
Journal Section Articles
Authors

Melek Atabey This is me

Publication Date September 26, 2005
Submission Date May 1, 2005
Published in Issue Year 2005 Issue: 1

Cite

APA Atabey, M. (2005). BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR. Ege Üniversitesi İletişim Fakültesi Yeni Düşünceler Hakemli E-Dergisi(1), 217-227.
AMA Atabey M. BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR. Yeni Düşünceler Dergisi. September 2005;(1):217-227.
Chicago Atabey, Melek. “BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR”. Ege Üniversitesi İletişim Fakültesi Yeni Düşünceler Hakemli E-Dergisi, no. 1 (September 2005): 217-27.
EndNote Atabey M (September 1, 2005) BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR. Ege Üniversitesi İletişim Fakültesi Yeni Düşünceler Hakemli E-Dergisi 1 217–227.
IEEE M. Atabey, “BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR”, Yeni Düşünceler Dergisi, no. 1, pp. 217–227, September 2005.
ISNAD Atabey, Melek. “BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR”. Ege Üniversitesi İletişim Fakültesi Yeni Düşünceler Hakemli E-Dergisi 1 (September 2005), 217-227.
JAMA Atabey M. BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR. Yeni Düşünceler Dergisi. 2005;:217–227.
MLA Atabey, Melek. “BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR”. Ege Üniversitesi İletişim Fakültesi Yeni Düşünceler Hakemli E-Dergisi, no. 1, 2005, pp. 217-2.
Vancouver Atabey M. BELGESEL FİLM YAPIMINDA YENİ YÖNELİMLER VE MELEZ FORMLAR. Yeni Düşünceler Dergisi. 2005(1):217-2.
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