<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.4 20241031//EN"
        "https://jats.nlm.nih.gov/publishing/1.4/JATS-journalpublishing1-4.dtd">
<article  article-type="research-article"        dtd-version="1.4">
            <front>

                <journal-meta>
                                    <journal-id></journal-id>
            <journal-title-group>
                                                                                    <journal-title>Galatasaray Üniversitesi İletişim Dergisi</journal-title>
            </journal-title-group>
                            <issn pub-type="ppub">1305-2411</issn>
                                        <issn pub-type="epub">2548-124X</issn>
                                                                                            <publisher>
                    <publisher-name>Galatasaray University</publisher-name>
                </publisher>
                    </journal-meta>
                <article-meta>
                                        <article-id pub-id-type="doi">10.16878/gsuilet.715831</article-id>
                                                                                                                                                                                            <title-group>
                                                                                                                        <article-title>Şarkılar Seni Söyler: Gündelik Yaşamda Müzikal Nostalji</article-title>
                                                                                                                                                                                                <trans-title-group xml:lang="fr">
                                    <trans-title>Les chansons vous chantent : nostalgie musicale dans la vie quotidienne</trans-title>
                                </trans-title-group>
                                                                                                                                                                                                <trans-title-group xml:lang="en">
                                    <trans-title>The Song Sings You: Musical Nostalgia in Everyday Life</trans-title>
                                </trans-title-group>
                                                                                                    </title-group>
            
                                                    <contrib-group content-type="authors">
                                                                        <contrib contrib-type="author">
                                                                    <contrib-id contrib-id-type="orcid">
                                        https://orcid.org/0000-0003-3987-8825</contrib-id>
                                                                <name>
                                    <surname>Özdemir</surname>
                                    <given-names>Murad</given-names>
                                </name>
                                                                    <aff>GALATASARAY ÜNİVERSİTESİ</aff>
                                                            </contrib>
                                                                                </contrib-group>
                        
                                        <pub-date pub-type="pub" iso-8601-date="20200627">
                    <day>06</day>
                    <month>27</month>
                    <year>2020</year>
                </pub-date>
                                                    <issue>32</issue>
                                        <fpage>7</fpage>
                                        <lpage>31</lpage>
                        
                        <history>
                                    <date date-type="received" iso-8601-date="20200407">
                        <day>04</day>
                        <month>07</month>
                        <year>2020</year>
                    </date>
                                                    <date date-type="accepted" iso-8601-date="20200617">
                        <day>06</day>
                        <month>17</month>
                        <year>2020</year>
                    </date>
                            </history>
                                        <permissions>
                    <copyright-statement>Copyright © 2004, Galatasaray University Journal of Communication</copyright-statement>
                    <copyright-year>2004</copyright-year>
                    <copyright-holder>Galatasaray University Journal of Communication</copyright-holder>
                </permissions>
            
                                                                                                <abstract><p>Nostalji ve müzik arasındaki etkileşimsel uzam her gün daha fazla araştırmanın yapıldığı bir temas bölgesini oluşturur. Özellikle bireysel boyutta işleyen nostaljiyi ele alan metinlerin çoğunda nostaljinin müzikle olan yakın ilişkisine işaret edilmektedir. Müzik ve nostalji arasında neredeyse doğal görülen bu ilişkiye rağmen, gündelik yaşamda aktörlerin bu ilişkiyi nasıl deneyimledikleri konusunda bilgimiz çok sınırlıdır. Müzik deneyimi gibi, karmaşık bir duygu olarak tanımlanan nostalji deneyimi de asıl olarak bireylerin duyu dünyalarında gerçekleşir.Müzikal nostalji, bu çalışmada gündelik yaşamda müzik aracılığı ile deneyimlenen özel bir nostalji biçimini ifade etmek için kullanılmaktadır. Bu kavramsallaştırmadan hareketle, genç yetişkinlerin kimlik oluşturma süreçlerinde müzikal nostaljinin nasıl bir kaynak oluşturduğunun incelenmesi amaçlanmıştır. Bu bağlamda, etnografik bir keşif çalışması yürütülmüş ve aktörlerin müzikal nostaljiyi uzamsal bir taktik olarak kullandıkları sonucuna varılmıştır.</p></abstract>
                                                                                                                                    <trans-abstract xml:lang="fr">
                            <p>La musique et la nostalgie résident dans une maison commune. Cette zone de contact présente de riches opportunités de recherche pour les chercheurs. Un grand nombre d’études soulignent les fortes relations entre musique et nostalgie. Cependant, malgré cette relation solide, nous avons une connaissance limitée de la façon dont la musique et la nostalgie sont vécues dans la vie quotidienne. L’expérience de la nostalgie, ainsi que l’expérience musicale, se déroule principalement dans les mondes sensoriels des individus.Dans cette étude, le terme « nostalgie musicale » est utilisé pour exprimer une expérience spécifique, c’est-à-dire la nostalgie à travers la musique telle qu’elle est vécue au quotidien. Sur la base de cette conceptualisation, cette étude vise à observer le rôle de la nostalgie musicale dans le processus de formation identitaire des jeunes adultes.</p></trans-abstract>
                                                                                                                                    <trans-abstract xml:lang="en">
                            <p>Music and nostalgia dwell in a common home. The contact zone between music and nostalgia offers rich research opportunities for researchers. However, despite the great number of studies examining the strong relations between music and nostalgia, we have a limited knowledge on how musical nostalgia is being experienced in everyday life. The experience of nostalgia, as well as the musical experience, primarily takes place in the individuals’ sensorium.In this study, the term “musical nostalgia” is used to express nostalgia through music, as it is experienced in everyday life. Based on this conceptualization, this study aims to observe the role of musical nostalgia in the process of identity formation of young adults.</p></trans-abstract>
                                                            
            
                                                            <kwd-group>
                                                    <kwd>Müzik</kwd>
                                                    <kwd>  Nostalji</kwd>
                                                    <kwd>  Duyusal İletişim</kwd>
                                            </kwd-group>
                                                                                    
                                                                            <kwd-group xml:lang="fr">
                                                    <kwd>Musique</kwd>
                                                    <kwd>  nostalgie</kwd>
                                                    <kwd>  communication sensorielle</kwd>
                                            </kwd-group>
                                                                <kwd-group xml:lang="en">
                                                    <kwd>Music</kwd>
                                                    <kwd>  nostalgia</kwd>
                                                    <kwd>  sensory communication</kwd>
                                            </kwd-group>
                                                                                                            </article-meta>
    </front>
    <back>
                            <ref-list>
                                    <ref id="ref1">
                        <label>1</label>
                        <mixed-citation publication-type="journal">Attali, J. (2005). Gürültüden müziğe. (G. G. Türkmen, Çev.). İstanbul: Ayrıntı Yayınları.</mixed-citation>
                    </ref>
                                    <ref id="ref2">
                        <label>2</label>
                        <mixed-citation publication-type="journal">Barrett, F. S., Grimm, K. J., Robins, R. W., Wildschut, T., Sedikides, C. ve Janata, P. (2010). Music-evoked nostalgia: Affect, memory, and personality. Emotion, 10(3), 390-403. doi:10.1037/a0019006</mixed-citation>
                    </ref>
                                    <ref id="ref3">
                        <label>3</label>
                        <mixed-citation publication-type="journal">Batcho, K. I. (1998). Personal Nostalgia, World View, Memory, and Emotionality, 22</mixed-citation>
                    </ref>
                                    <ref id="ref4">
                        <label>4</label>
                        <mixed-citation publication-type="journal">Bennett, A. (2002). Researching youth culture and popular music: A methodological critique. British Journal of Sociology, 53(3), 451-466. doi:10.1080/0007131022000000590</mixed-citation>
                    </ref>
                                    <ref id="ref5">
                        <label>5</label>
                        <mixed-citation publication-type="journal">Blacking, J. (1973) How Musical is Man? Seattle and London: University of Washington Press.</mixed-citation>
                    </ref>
                                    <ref id="ref6">
                        <label>6</label>
                        <mixed-citation publication-type="journal">Born, G. (2011). Music and the materialization of identities. Journal of Material Culture, 16(4), 376-388. doi:10.1177/1359183511424196</mixed-citation>
                    </ref>
                                    <ref id="ref7">
                        <label>7</label>
                        <mixed-citation publication-type="journal">Boym, S. (2009). Nostaljinin Geleceği. İstanbul: Metis</mixed-citation>
                    </ref>
                                    <ref id="ref8">
                        <label>8</label>
                        <mixed-citation publication-type="journal">Bull, M. (2000). Sounding Out the City: Personal Stereos and the Management of Everyday Life. Oxford: Berg.</mixed-citation>
                    </ref>
                                    <ref id="ref9">
                        <label>9</label>
                        <mixed-citation publication-type="journal">Bull, M. (2009) The Auditory Nostalgia of iPod Culture. içinde, Sound Souvenirs: Audio Technologies. Memory and Cultural Practices. Amsterdam: Amsterdam University Press, s. 83–93.</mixed-citation>
                    </ref>
                                    <ref id="ref10">
                        <label>10</label>
                        <mixed-citation publication-type="journal">Cheung, W.-Y., Wildschut, T., Sedikides, C., Hepper, E. G., Arndt, J. ve Vingerhoets, A. J. J. M. (2013). Back to the Future: Nostalgia Increases Optimism. Personality and Social Psychology Bulletin, 39(11), 1484-1496. doi:10.1177/0146167213499187</mixed-citation>
                    </ref>
                                    <ref id="ref11">
                        <label>11</label>
                        <mixed-citation publication-type="journal">Cicchelli, V. (2001). Les jeunes adultes comme objet théorique. Recherches et Prévisions, 65(1), 5-18. doi:10.3406/caf.2001.961</mixed-citation>
                    </ref>
                                    <ref id="ref12">
                        <label>12</label>
                        <mixed-citation publication-type="journal">Chou, H.-Y. ve Lien, N.-H. (2014). Old Songs Never Die: Advertising Effects of Evoking Nostalgia With Popular Songs. Journal of Current Issues &amp; Research in Advertising, 35(1), 29-49. doi:10.1080/10641734.2014.866845</mixed-citation>
                    </ref>
                                    <ref id="ref13">
                        <label>13</label>
                        <mixed-citation publication-type="journal">Davis, F. (1977). Nostalgia, Identity and the Current Nostalgia Wave. The Journal of Popular Culture, 11(2), 414-424. doi:10.1111/j.0022-3840.1977.00414.x</mixed-citation>
                    </ref>
                                    <ref id="ref14">
                        <label>14</label>
                        <mixed-citation publication-type="journal">De Certeau, M. (2008). Gündelik hayatın keşfi I: Eylem, uygulama, üretim sanatları (çev. L. Arslan Özcan).Ankara: Dost Kitabevi.</mixed-citation>
                    </ref>
                                    <ref id="ref15">
                        <label>15</label>
                        <mixed-citation publication-type="journal">DeNora, T. (1999). Music as a technology of the self. Poetics, 27(1), 31-56. doi:10.1016/S0304-422X(99)00017-0</mixed-citation>
                    </ref>
                                    <ref id="ref16">
                        <label>16</label>
                        <mixed-citation publication-type="journal">DeNora, T. (2000). Music in Everyday Life. Cambridge: Cambridge University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref17">
                        <label>17</label>
                        <mixed-citation publication-type="journal">Feld, S. (1984). Communication, Music, and Speech about Music. Yearbook for Traditional Music, 16, 1. doi:10.2307/768199</mixed-citation>
                    </ref>
                                    <ref id="ref18">
                        <label>18</label>
                        <mixed-citation publication-type="journal">Feld, S. (2015). Acoustemology. D. Novak and M. Shakeeny (Der.), içinde, Keywords in Sound. Durham/ Duke University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref19">
                        <label>19</label>
                        <mixed-citation publication-type="journal">Finnegan, R. (2003). Music, Experience and the Anthropology of Emotion. M. Clayton, T. Herbert and R. Middleton (Der.), içinde, The Cultural Study of Music: A Critical Introduction (s. 181–192). New York: Routledge</mixed-citation>
                    </ref>
                                    <ref id="ref20">
                        <label>20</label>
                        <mixed-citation publication-type="journal">Frith, S. (1981) Sound Effects: Youth, Leisure, and the Politics of Rock’n’Roll, New York: Pantheon Books.</mixed-citation>
                    </ref>
                                    <ref id="ref21">
                        <label>21</label>
                        <mixed-citation publication-type="journal">Frith, J. ve Ahern, K. F. (2015). Make a sound garden grow: Exploring the new media potential of social soundscaping. Convergence: The International Journal of Research into New Media Technologies, 21(4), 496-508.</mixed-citation>
                    </ref>
                                    <ref id="ref22">
                        <label>22</label>
                        <mixed-citation publication-type="journal">Geertz, C. (1973). “Thick Description: Toward an Interpretive Theory of Culture”, The Interpretation of Cultures içinde, New York: Basic Books</mixed-citation>
                    </ref>
                                    <ref id="ref23">
                        <label>23</label>
                        <mixed-citation publication-type="journal">Gill, D. (2017). Melancholic modalities: Affect, Islam, and Turkish classical musicians. New York, NY: Oxford University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref24">
                        <label>24</label>
                        <mixed-citation publication-type="journal">Gouk, P. (2000). Music, Melancholy and Medical Spirits in Early Modern Thought. Peregrine Horden (Der.), içinde, Music as Medicine: The History of Music Therapy since Antiquity (s. 173-194). Guilford: Ashgate Publishing.</mixed-citation>
                    </ref>
                                    <ref id="ref25">
                        <label>25</label>
                        <mixed-citation publication-type="journal">Hennion, A. (2001) Music Lovers. Taste as Performance. Theory, Culture, Society, 18 (5), s.1-22</mixed-citation>
                    </ref>
                                    <ref id="ref26">
                        <label>26</label>
                        <mixed-citation publication-type="journal">Hennion, A. (2003). Music and mediation: Toward a new sociology of music, M. Clayton, T. Herbert, R. Middleton (Der.) içinde, The cultural study of music: A critical introduction (s. 249–260). London: Routledge.</mixed-citation>
                    </ref>
                                    <ref id="ref27">
                        <label>27</label>
                        <mixed-citation publication-type="journal">Hennion, A. (2007). La Passion musicale: Une sociologie de la médiation. Paris: Editions Métailié.</mixed-citation>
                    </ref>
                                    <ref id="ref28">
                        <label>28</label>
                        <mixed-citation publication-type="journal">Homeros. (1992) Odysseia, (çev. Azra Erhat - A. Kadir), Can Yayınları, İstanbul</mixed-citation>
                    </ref>
                                    <ref id="ref29">
                        <label>29</label>
                        <mixed-citation publication-type="journal">Hymes, D. (1964), “Introduction: Toward Ethnographies of Communication.” American Anthropologist, 66(6), s.1-34.</mixed-citation>
                    </ref>
                                    <ref id="ref30">
                        <label>30</label>
                        <mixed-citation publication-type="journal">Jäncke, L. (2008). Music, memory and emotion. Journal of Biology, 7(6), 21. doi:10.1186/jbiol82</mixed-citation>
                    </ref>
                                    <ref id="ref31">
                        <label>31</label>
                        <mixed-citation publication-type="journal">Merriam, A. P. (1964). The Anthropology of Music. Evanston, Ill.: Northwestern University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref32">
                        <label>32</label>
                        <mixed-citation publication-type="journal">Nagy, G. (1999). The best of the Achaeans: concepts of the hero in Archaic Greek poetry. Johns Hopkins University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref33">
                        <label>33</label>
                        <mixed-citation publication-type="journal">Nattiez, J. (1990). Music and discourse: Toward a semiology of music (C. Abbate, Trans.). Princeton, NJ: Princeton University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref34">
                        <label>34</label>
                        <mixed-citation publication-type="journal">Nowak, R. (2016). Music Listening Activities in the Digital Age: An Act of Cultural Participation through Adequate Music. Leonardo Music Journal, 26(26), 20-23.</mixed-citation>
                    </ref>
                                    <ref id="ref35">
                        <label>35</label>
                        <mixed-citation publication-type="journal">Pistrick, E. (2015). Performing nostalgia: Migration culture and creativity in South Albania. SOAS musicology series. Farnham, Surrey, England ; Burlington, VT: Ashgate.</mixed-citation>
                    </ref>
                                    <ref id="ref36">
                        <label>36</label>
                        <mixed-citation publication-type="journal">Rouch, J. ve Feld, S. (2003) Cine-Ethnography (Visible Evidence) University of Minnesota Press</mixed-citation>
                    </ref>
                                    <ref id="ref37">
                        <label>37</label>
                        <mixed-citation publication-type="journal">Schafer, R. M. (1994). The Soundscape: Our Sonic Environment and the Tuning of the World. Destiny Books</mixed-citation>
                    </ref>
                                    <ref id="ref38">
                        <label>38</label>
                        <mixed-citation publication-type="journal">Sedikides, C., Wildschut, T., Routledge, C. ve Arndt, J. (2015). Nostalgia counteracts self-discontinuity and restores self-continuity: Self-discontinuity, nostalgia, continuity. European Journal of Social Psychology, 45(1), 52-61. doi:10.1002/ejsp.2073</mixed-citation>
                    </ref>
                                    <ref id="ref39">
                        <label>39</label>
                        <mixed-citation publication-type="journal">Seeger, A. (1991). Styles of Musical Ethnography. Bruno Nettl ve Philip V. Bohlman (Der.), içinde, Comparative Musicology and Anthropology of Music. Chicago: University of Chicago Press</mixed-citation>
                    </ref>
                                    <ref id="ref40">
                        <label>40</label>
                        <mixed-citation publication-type="journal">Shepherd, J. (1991) Music as Social Text. Polity Press and Basil Blackwell</mixed-citation>
                    </ref>
                                    <ref id="ref41">
                        <label>41</label>
                        <mixed-citation publication-type="journal">Simmel, G. (2009). “Duyuların Sosyolojisi”. George Simmel Bireysellik ve Kültür, çev: Tuncay Birkan, İstanbul: Metis Yayınları. s: 219-231.</mixed-citation>
                    </ref>
                                    <ref id="ref42">
                        <label>42</label>
                        <mixed-citation publication-type="journal">Small, C. (1998). Musicking: The Meanings of Performing and Listening. Middletown: Wesleyan University Press.</mixed-citation>
                    </ref>
                                    <ref id="ref43">
                        <label>43</label>
                        <mixed-citation publication-type="journal">Starobinski, J. ve Kemp, W. S. (1966). The Idea of Nostalgia. Diogenes, 14(54), 81-103. doi:10.1177/039219216601405405</mixed-citation>
                    </ref>
                                    <ref id="ref44">
                        <label>44</label>
                        <mixed-citation publication-type="journal">Starobinski, J. (2007).&quot;Tanrı Katında Ruh: Akedia Günahı&quot;, (çev. Serap B. Öztürk), Cogito, Yaz, S. 51, s. 224-232</mixed-citation>
                    </ref>
                                    <ref id="ref45">
                        <label>45</label>
                        <mixed-citation publication-type="journal">Stokes M. (2012).Aşk Cumhuriyeti, Türk Popüler Müziğinde Kültürel Mahrem, (Çeviri: Hira Doğrul), İstanbul: Koç Üniversitesi Yayınları</mixed-citation>
                    </ref>
                                    <ref id="ref46">
                        <label>46</label>
                        <mixed-citation publication-type="journal">Stokes, M. (2017). Musical Ethnicity: Affective, Material and Vocal Turns, World of Music, 6(2), 19-34.</mixed-citation>
                    </ref>
                                    <ref id="ref47">
                        <label>47</label>
                        <mixed-citation publication-type="journal">Stravinsky, I. (2011) Müziğin Poetikası. Çev.: Cem Taylan. İstanbul: Pan Yayıncılık</mixed-citation>
                    </ref>
                                    <ref id="ref48">
                        <label>48</label>
                        <mixed-citation publication-type="journal">ter Bogt, T. F. M., Vieno, A., Doornwaard, S. M., Pastore, M. ve van den Eijnden, R. J. J. M. (2017). “You’re not alone”: Music as a source of consolation among adolescents and young adults. Psychology of Music, 45(2), 155-171. doi:10.1177/0305735616650029</mixed-citation>
                    </ref>
                                    <ref id="ref49">
                        <label>49</label>
                        <mixed-citation publication-type="journal">Titon, J. T. (1984). Worlds of Music: An Introduction to the Music of the World&#039;s Peoples. New York Schirmer.</mixed-citation>
                    </ref>
                                    <ref id="ref50">
                        <label>50</label>
                        <mixed-citation publication-type="journal">Turino, T. (2008). Music as social life: The politics of participation. Chicago: University of Chicago Press.</mixed-citation>
                    </ref>
                                    <ref id="ref51">
                        <label>51</label>
                        <mixed-citation publication-type="journal">Turner, B. S. (1987) “A Note on Nostalgia”, Theory, Culture &amp; Society 4 : 147-156.</mixed-citation>
                    </ref>
                                    <ref id="ref52">
                        <label>52</label>
                        <mixed-citation publication-type="journal">Wildschut, T., Sedikides, C., Arndt, J. ve Routledge, C. (2006). Nostalgia: Content, triggers, functions. Journal of Personality and Social Psychology, 91(5), 975-993. doi:10.1037/0022-3514.91.5.975</mixed-citation>
                    </ref>
                                    <ref id="ref53">
                        <label>53</label>
                        <mixed-citation publication-type="journal">Vess, M., Arndt, J., Routledge, C., Sedikides, C. ve Wildschut, T. (2012). Nostalgia as a Resource for the Self. Self and Identity, 11(3), 273-284. doi:10.1080/15298868.2010.521452</mixed-citation>
                    </ref>
                            </ref-list>
                    </back>
    </article>
