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MACHINE FOR THE EMANCIPATION OF CREATIVITY: ART PROJECT IN THE NEIGHBOURHOOD OF ESTRADA MILITAR DO ALTO DA DAMAIA

Year 2015, Volume: 1 Issue: 2, 81 - 88, 31.08.2015
https://doi.org/10.18769/ijasos.99977

Abstract

This paper addresses the concept of machine for the emancipation of creativity and its operation as part of a social art project developed in a slum from the city of Amadora, Portugal. The first part explores some fundamental concepts that inform the research, such as the notions of machine, emancipation and creativity. The following part is a detailed description of the artistic project and the analysis of its results.

Keywords: Social Art, Machine, Emancipation, Creativity, Participation, Multimedia.

References

  • Burford, A. (1972). Craftsmen in Greek and Roman Society. Cornell University Press.
  • Coleman, R. (1988). The Art of Work: An Epitaph to Skill. Pluto Press.
  • Da Silva, A. (2009). Citações e pensamentos de Agostinho da Silva. Casa das Letras.
  • De Duve, T. (1988). Joseph Beuys, or the Last of the Proletarians. October, v.45. The MIT Press.
  • Gomes, J. do C. (2010). Beuys, Homem-Arena. Cada Homem Um Artista. 7 Nós.
  • Ingold, T. (2001). “Beyond Art and Technology: The Anthropology of Skill”. Anthropological Perspectives on Technology. Ed. by M. B. Schiffer. UNM Press, pp. 17-31.
  • Online etymology dictionary [WWW Document], n.d. URL http://www.etymonline.com/index.php?term=design (accessed 1.10.14).
  • Rancière, J. (2002). “O mestre ignorante: cinco lições sobre a emancipação intellectual”. Autêntica.
  • Vengeon, F. (2009). “Defesa de uma Antropologia Filosófica da Máquina. Remate de Males”, v.29, n.1: Tecnologia das Letras. Ed. by F. A. Durão e M. Siscar. Unicamp.
Year 2015, Volume: 1 Issue: 2, 81 - 88, 31.08.2015
https://doi.org/10.18769/ijasos.99977

Abstract

References

  • Burford, A. (1972). Craftsmen in Greek and Roman Society. Cornell University Press.
  • Coleman, R. (1988). The Art of Work: An Epitaph to Skill. Pluto Press.
  • Da Silva, A. (2009). Citações e pensamentos de Agostinho da Silva. Casa das Letras.
  • De Duve, T. (1988). Joseph Beuys, or the Last of the Proletarians. October, v.45. The MIT Press.
  • Gomes, J. do C. (2010). Beuys, Homem-Arena. Cada Homem Um Artista. 7 Nós.
  • Ingold, T. (2001). “Beyond Art and Technology: The Anthropology of Skill”. Anthropological Perspectives on Technology. Ed. by M. B. Schiffer. UNM Press, pp. 17-31.
  • Online etymology dictionary [WWW Document], n.d. URL http://www.etymonline.com/index.php?term=design (accessed 1.10.14).
  • Rancière, J. (2002). “O mestre ignorante: cinco lições sobre a emancipação intellectual”. Autêntica.
  • Vengeon, F. (2009). “Defesa de uma Antropologia Filosófica da Máquina. Remate de Males”, v.29, n.1: Tecnologia das Letras. Ed. by F. A. Durão e M. Siscar. Unicamp.
There are 9 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

António Pinto

Publication Date August 31, 2015
Submission Date August 30, 2015
Published in Issue Year 2015Volume: 1 Issue: 2

Cite

EndNote Pinto A (August 1, 2015) MACHINE FOR THE EMANCIPATION OF CREATIVITY: ART PROJECT IN THE NEIGHBOURHOOD OF ESTRADA MILITAR DO ALTO DA DAMAIA. IJASOS- International E-journal of Advances in Social Sciences 1 2 81–88.

Contact: ijasosjournal@hotmail.com

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