Çin’de Müzik ve Ritüel

Year 2017, Volume: 37 Issue: 2, 195 - 209, 15.12.2017

François Picard

Abstract

Çin’de
müzikle toplum arasındaki ilişki bizzat Çinliler tarafından, daha doğrusu
Çin’in bir takım yazılı kaynaklarında zaten betimlenmiştir. Dolayısıyla biz
doğrudan bu kültürdeki müzik icrasına, özellikle de ses, müzik ve ritüel
arasındaki ilişkiye bakmanın daha verimli olduğunu düşünüyoruz. Çin’deki üç
din, Konfüçyanizm, Daoizm ve Budizm müzik ile ritüel, müzik aletleri ile ritüellerde
kullanılan gereçler arasındaki ayrım da dâhil olmak üzere ortak yönlere
sahiptir ve rekabet içindedir. Diğer yandan müziğin bu farklı dünyaların
birinden diğerine yani ruhani olandan seyirlik olana geçebildiği kabul edilir.

Keywords

Müzik, Din, Toplum, Çin, Ritüel, Konfüçyanizm, Daoizm, Budizm

Music and Ritual in China

Abstract

The relations between music and society in China are already described by the Chinese themselves. Or

better say: by some of the Chinese written sources. It is probably better to look at the practices, and

especially to the relation between sound, music, and ritual. The three religions, Confucianism, Daoism,

and Buddhism, compete and share characteristics, including the differentiation between music and ritual,

musical instruments and ritual instruments. But the music is recognized as being able to move from one

world to another, from spirituality to entertainment.

Keywords

Music, Religion, Society, China, Ritual, Confucianism, Daoism, Buddhism

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