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Adapting Ambiguous America; or, per-Forming a More Perfect Union in the Plays of Caridad Svich and Suzan-Lori Parks

Year 2009, Issue: 29, 99 - 112, 01.04.2009

Abstract

From the inception of the United States, race has been a supremely defining characteristic for both the inhabitants of the colonies, and for the face of the nation itself. Those who were white, male, and Western European wrote: “We the People, in order to form a more perfect union . . .” while those who were indigenous were “Americanized” or simply annihilated, and while those who were black were imported and exported along with the sugar and the tobacco. In these supposedly “post-race” days, the United States continues to grapple with the “race line” as Dr. Du Bois called it—as evidenced through the focus on race in the 2008 Presidential Election. In as late as October, political pundits were claiming that President-elect Obama’s mixed racial heritage would ultimately provide him with a second place finish on November 4th, indicating that a vast number of the people of the United States would be unable, even in this 21st century world, to look beyond “race” as it has been traditionally drawn and invented. Through Alch

References

  • Als, Hilton. “The Show-Woman: Suzan-Lori Parks’ Idea for the Largest Theater Collaboration Ever.” New Yorker 30 Oct. 2006: 74-81. Web. 18 Sept. 2008.
  • Banks, Daniel. “Unperforming “race” Strategies for Reimagining Identity.” A Boal Companion:Dialogues on Theatre and Cultural Politics. Ed. Jan Cohen-Cruz and Mady Schutzman. New York: Routledge, 2006. 185-198.
  • Bernard, Louise. “The Musicality of Language: Redefining History in Suzan-Lori Parks’s The Death of the Last Black Man in the Whole Entire World.” African American Review 31.4 (1997): 687-698.
  • Drukman, Steven. “Doo-A-Diddly-Dit-Dit: An Interview with Suzan-Lori Parks and Liz Diamond.” A Sourcebook of African-American Performance: Plays, People, Movements. Ed. Annemarie Bean. New York: Routledge, 1999. 284-306.
  • Elam, Jr., Harry J. “Of Angels and Transcendence: An Analysis of Fences by August Wilson and Roosters by Milcha Sanchez-Scott.” Staging Difference: Cultural Pluralism in American Theatre and Drama. Ed. Marc Maufort. New York: Peter Lang, 1995. 287-300.
  • García-Romero, Anne. “A Conversation with Caridad Svich by Anne García Romero.” Dramatist 3.3 (2001). Web. 28 Oct. 2006.
  • Johung, Jennifer. “Figuring the ‘Spells’/Spelling the Figures: Suzan-Lori Parks’s ‘Scene of Love (?)’” Theatre Journal 58 (2006): 39-52.
  • Manzor, Lillian. “Caridad Svich.” Oxford Encylopedia of Latinos and Latinas in the United States. Ed. Suzanne Oboler and Deena J. González. 1 vol. New York: Oxford UP, 2005.
  • Parks, Suzan-Lori. The America Play. The America Play and Other Works. Ed. Suzan-Lori Parks. New York: TCG, 1995. 57-199.
  • ——. “From Elements of Style.” The America Play and Other Works. Ed. Suzan-Lori Parks. New York: TCG, 1995. 6-18.
  • ——. Possession. The America Play and Other Works. Ed. Suzan-Lori Parks. New York: TCG, 1995. 3-5.
  • Stoudt, Charlotte Rev. of “‘The America Play:’ American dream as a Missing Prize at Boston Court.” Los Angeles Times 20 Oct. 2006. Web. 28 Oct.2006.
  • Svich, Caridad. Alchemy of Desire/Dead Man’s Blues. Out of the Fringe: Contemporary Latina/ Latino Theatre and Performance. Ed. Caridad Svich and María Teresa Marrero. TCG: New York, 2000. 393-450.
  • ——. “Out of the Fringe: In Defense of Beauty.” Out of the Fringe: Contemporary Latina/Latino Theatre and Performance. Ed. Caridad Svich and María Teresa Marrero. TCG: New York, 2000. ix-xvi.
  • ——. “The Writer Speaks.” Out of the Fringe: Contemporary Latina/Latino Theatre and Performance. Ed. Caridad Svich and María Teresa Marrero. TCG: New York, 2000. 394-395.
  • Taylor, Diane. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke UP: London, 2003.
Year 2009, Issue: 29, 99 - 112, 01.04.2009

Abstract

References

  • Als, Hilton. “The Show-Woman: Suzan-Lori Parks’ Idea for the Largest Theater Collaboration Ever.” New Yorker 30 Oct. 2006: 74-81. Web. 18 Sept. 2008.
  • Banks, Daniel. “Unperforming “race” Strategies for Reimagining Identity.” A Boal Companion:Dialogues on Theatre and Cultural Politics. Ed. Jan Cohen-Cruz and Mady Schutzman. New York: Routledge, 2006. 185-198.
  • Bernard, Louise. “The Musicality of Language: Redefining History in Suzan-Lori Parks’s The Death of the Last Black Man in the Whole Entire World.” African American Review 31.4 (1997): 687-698.
  • Drukman, Steven. “Doo-A-Diddly-Dit-Dit: An Interview with Suzan-Lori Parks and Liz Diamond.” A Sourcebook of African-American Performance: Plays, People, Movements. Ed. Annemarie Bean. New York: Routledge, 1999. 284-306.
  • Elam, Jr., Harry J. “Of Angels and Transcendence: An Analysis of Fences by August Wilson and Roosters by Milcha Sanchez-Scott.” Staging Difference: Cultural Pluralism in American Theatre and Drama. Ed. Marc Maufort. New York: Peter Lang, 1995. 287-300.
  • García-Romero, Anne. “A Conversation with Caridad Svich by Anne García Romero.” Dramatist 3.3 (2001). Web. 28 Oct. 2006.
  • Johung, Jennifer. “Figuring the ‘Spells’/Spelling the Figures: Suzan-Lori Parks’s ‘Scene of Love (?)’” Theatre Journal 58 (2006): 39-52.
  • Manzor, Lillian. “Caridad Svich.” Oxford Encylopedia of Latinos and Latinas in the United States. Ed. Suzanne Oboler and Deena J. González. 1 vol. New York: Oxford UP, 2005.
  • Parks, Suzan-Lori. The America Play. The America Play and Other Works. Ed. Suzan-Lori Parks. New York: TCG, 1995. 57-199.
  • ——. “From Elements of Style.” The America Play and Other Works. Ed. Suzan-Lori Parks. New York: TCG, 1995. 6-18.
  • ——. Possession. The America Play and Other Works. Ed. Suzan-Lori Parks. New York: TCG, 1995. 3-5.
  • Stoudt, Charlotte Rev. of “‘The America Play:’ American dream as a Missing Prize at Boston Court.” Los Angeles Times 20 Oct. 2006. Web. 28 Oct.2006.
  • Svich, Caridad. Alchemy of Desire/Dead Man’s Blues. Out of the Fringe: Contemporary Latina/ Latino Theatre and Performance. Ed. Caridad Svich and María Teresa Marrero. TCG: New York, 2000. 393-450.
  • ——. “Out of the Fringe: In Defense of Beauty.” Out of the Fringe: Contemporary Latina/Latino Theatre and Performance. Ed. Caridad Svich and María Teresa Marrero. TCG: New York, 2000. ix-xvi.
  • ——. “The Writer Speaks.” Out of the Fringe: Contemporary Latina/Latino Theatre and Performance. Ed. Caridad Svich and María Teresa Marrero. TCG: New York, 2000. 394-395.
  • Taylor, Diane. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke UP: London, 2003.
There are 16 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Jodi Vanderhorn-gibson This is me

Publication Date April 1, 2009
Published in Issue Year 2009 Issue: 29

Cite

MLA Vanderhorn-gibson, Jodi. “Adapting Ambiguous America; Or, Per-Forming a More Perfect Union in the Plays of Caridad Svich and Suzan-Lori Parks”. Journal of American Studies of Turkey, no. 29, 2009, pp. 99-112.

JAST - Journal of American Studies of Turkey