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ASSESSMENT OF ARTISTS’ SOCIOECONOMIC AND WORKING CONDITIONS: THE EMPIRICAL CASE OF LITHUANIA

Year 2022, Volume: 4 Issue: 2, 61 - 78, 30.09.2022
https://doi.org/10.46959/jeess.1089402

Abstract

The main aim of this research is to explore existing methodologies for artists’ labour force and create artists’ socio-economic and creative conditions an assessment model. Artists have a dual aims in their creative working process: 1) income, and 2) artistic self-expression. The valuation of their conditions takes into consideration both sides: the factors related to income and the satisfaction for creative process and its result. The problem addressed in the study: tangible and intangible artists' criteria used for assessments creativity conditions.
The proposed model includes objective factors (working time, income, etc.) and subjective factors (salary covering essential needs, self-satisfaction). Other intangible indicators taken into account: the impact on the common culture, social values, and the possibility to receive awards, to represent the country in the international market. The empirical model consists of 59 separate indicators, grouped into eight categories. The deviation of each indicator from the general evaluation allows identifying the strongest and the weakest components of artists’ conditions.

Project Number

This article was funded by the European Social Fund under the No 09.3.3-LMT-K-712

Thanks

This article was funded by the European Social Fund under the No 09.3.3-LMT-K-712 “Development of Competences of Scientists, other Researchers and Students through Practical Research Activities” measure. The research was partially funded by Lithuanian council of culture.

References

  • Bille, T. (2020). Artist's labour markets. In T. N. Ruth Towse, Handbook of Cultural Economics, 3rd edition. Rotterdam: Elgar.
  • Baldin, A., & Bille, T. (2018). A latent class analysis of visual artists' working and living conditions. ACEI. Melbourn: ACEI.
  • Banhamou, F. (2011). Artist's labour markets. In R. Towse, A Handbook of Cultural Economics (pp. 69-74). Edward Elgar Publishing.
  • Caves, R. (2000). Creative Industries: Contracts Between Art and Commerce. Harvard University Press.
  • Hesmondhalgh, D. (2013). The Cultural Industries (3rd. ed). London: Sage Publications.
  • Frey, B. S., Pommerehne W.W. (1989). Muses and Markets: Explorations in the Economics of the Arts. Blackwell, Oxford.
  • Menger, P. (2006). Artistic labour markets: contingent work, excess supply and occupational risk management. In G. V.A., & T. D., Handbook of Economics of Art and Culture. Volume I (pp. 765-811). Elsevier.
  • Throsby, D. Z. (2010). Do you really expect to be paid? An economical study of professional artists in Australia. Australia Council for Arts.
  • Throsby, D. (2010). Economic analysis of artists' behaviour: some current issues. Revue d'economie politiquw, 47-56.
  • Steiner, L., & Schneider, L. (2013). The happy artist: an empirical application. Journal of cultural economics, 225-246.
  • Rosen, S. (1981). The Economics of Superstars. The American Economic Review, 845-858.
  • Throsby, D. (2001). Defining the artistic workforce: The Australian experience. Poetics, 255-271.
  • Viešosios politikos ir vadybos institutas (Public Policy and Management institute) (2013). Jaunųjų menininkų socialinė ir kūrybinė padėtis Lietuvoje. Kultūros tyrimai. Viešosios politikos ir vadybos institutas.
  • Throsby, D., Zwar, J., Longden, Th. (2015). Book Authors and their Changing Circumstances: Survey Method and Results. Macquarie University.
  • The Arts Council of Northen Ireland. (2010). The Living and Working Conditions of Artists in the Republic of Ireland and Northern Ireland. The Arts Council of Northen Ireland.
  • The Swedish Arts Grants Commitee. (2016). A study of artist's working environment. Stockholm: The Swedish Arts Grants Commitee.
  • The Swedish Arts Grants Committee. (2018). Artists in Sweden: Demographics, Earnings and Social Status. Stockholm: The Swedish Arts Grants Committee.
  • Holden, J. (2015). The Ecology of Culture. A Report commissioned by the Arts and Humanities Research Council's Cultural Value Project. Whiltshire: Polaris House.
Year 2022, Volume: 4 Issue: 2, 61 - 78, 30.09.2022
https://doi.org/10.46959/jeess.1089402

Abstract

Project Number

This article was funded by the European Social Fund under the No 09.3.3-LMT-K-712

References

  • Bille, T. (2020). Artist's labour markets. In T. N. Ruth Towse, Handbook of Cultural Economics, 3rd edition. Rotterdam: Elgar.
  • Baldin, A., & Bille, T. (2018). A latent class analysis of visual artists' working and living conditions. ACEI. Melbourn: ACEI.
  • Banhamou, F. (2011). Artist's labour markets. In R. Towse, A Handbook of Cultural Economics (pp. 69-74). Edward Elgar Publishing.
  • Caves, R. (2000). Creative Industries: Contracts Between Art and Commerce. Harvard University Press.
  • Hesmondhalgh, D. (2013). The Cultural Industries (3rd. ed). London: Sage Publications.
  • Frey, B. S., Pommerehne W.W. (1989). Muses and Markets: Explorations in the Economics of the Arts. Blackwell, Oxford.
  • Menger, P. (2006). Artistic labour markets: contingent work, excess supply and occupational risk management. In G. V.A., & T. D., Handbook of Economics of Art and Culture. Volume I (pp. 765-811). Elsevier.
  • Throsby, D. Z. (2010). Do you really expect to be paid? An economical study of professional artists in Australia. Australia Council for Arts.
  • Throsby, D. (2010). Economic analysis of artists' behaviour: some current issues. Revue d'economie politiquw, 47-56.
  • Steiner, L., & Schneider, L. (2013). The happy artist: an empirical application. Journal of cultural economics, 225-246.
  • Rosen, S. (1981). The Economics of Superstars. The American Economic Review, 845-858.
  • Throsby, D. (2001). Defining the artistic workforce: The Australian experience. Poetics, 255-271.
  • Viešosios politikos ir vadybos institutas (Public Policy and Management institute) (2013). Jaunųjų menininkų socialinė ir kūrybinė padėtis Lietuvoje. Kultūros tyrimai. Viešosios politikos ir vadybos institutas.
  • Throsby, D., Zwar, J., Longden, Th. (2015). Book Authors and their Changing Circumstances: Survey Method and Results. Macquarie University.
  • The Arts Council of Northen Ireland. (2010). The Living and Working Conditions of Artists in the Republic of Ireland and Northern Ireland. The Arts Council of Northen Ireland.
  • The Swedish Arts Grants Commitee. (2016). A study of artist's working environment. Stockholm: The Swedish Arts Grants Commitee.
  • The Swedish Arts Grants Committee. (2018). Artists in Sweden: Demographics, Earnings and Social Status. Stockholm: The Swedish Arts Grants Committee.
  • Holden, J. (2015). The Ecology of Culture. A Report commissioned by the Arts and Humanities Research Council's Cultural Value Project. Whiltshire: Polaris House.
There are 18 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Rusne Kregzdaite 0000-0001-7103-9496

Erika Godlevska This is me 0000-0003-3495-1771

Morta Vıdūnaıtė This is me 0000-0002-9080-295X

Project Number This article was funded by the European Social Fund under the No 09.3.3-LMT-K-712
Publication Date September 30, 2022
Published in Issue Year 2022 Volume: 4 Issue: 2

Cite

APA Kregzdaite, R., Godlevska, E., & Vıdūnaıtė, M. (2022). ASSESSMENT OF ARTISTS’ SOCIOECONOMIC AND WORKING CONDITIONS: THE EMPIRICAL CASE OF LITHUANIA. Journal of Empirical Economics and Social Sciences, 4(2), 61-78. https://doi.org/10.46959/jeess.1089402