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Voice and the human system, the canary in the coal mine: examining the benefits of holistic performance practice

Year 2022, Volume: 3 Issue: 2, 57 - 69, 30.06.2022

Abstract

Through the voice pedagogy of practitioners such as Kristin Linklater, Patsy Rodenburg, and Catherine Fitzmaurice, the role of voice as a barometer for the health of the human system emerges. In working on voice with people from varied cultural and linguistic origins, the undeniable truth of Kristen Linklater’s assertion that to free the voice is to free the person, becomes subjectively apparent. As a third-culture person, I’m curious about the impact of people’s cultural/environmental context on their ability not only to perform well, but also to experience the joy of performance. Each person has common and unique challenges. I’ve discovered that the most direct way for me to help business professionals and artists to excel in presenting, performing and sharing their message, is to start with the voice itself and work outwards from there. Shine a light on the voice and you discover what has been blocked and oppressed. Unlock your voice and you unlock your full potential to achieve your highest goals. Voice is not only physical, voice is agency, integrity, confidence and empowerment. This article attempts to concretely address subjectively perceived truths which give rise to such hyperbole: an examination of the ‘how’ and the ‘what’ and even, the ‘why’. Firstly, by defining holistic and highlighting the importance of the holistic and somatic (the study of how our bodies, thoughts and actions interact) in interdisciplinary performance training, concluding with a phenomenological framing of voice as the canary in the coal mine. It will be noted that significant research in the field of psychology identifies particular vocal habits as expressions of trauma, reflective of certain psychological mindsets, or otherwise signifying dis-ease within the human system. The observable connection between the autonomic and sympathetic nervous systems, and the physiological and psychological underpinnings of the voice, will be explored.

References

  • Bachman, M. PT, DPT, PHRC San Francisco. (November 4, 2020). Considerations of Musculoskeletal Harm Reduction During Labor and Birth, In Pelvic Pain, Pregnancy, Pregnancy and Postpartum Pelvic Health; https://pelvicpainrehab.com/pregnancy-and-postpartum-pelvic-health/12144/considerations-of-musculoskeletal-harm-reduction-during-labor-and-birth/
  • Berry, C. (1987). The Actor and His Text. London: Harrap
  • Carnicke, S. (2009). Stanislavsky in Focus: An Acting Master for the 21st Century (2nd ed.). Abingdon: Routledge
  • Ellis, S. (January 2010). The Body in the Voice. American Theatre Magazine: Pillars of Voice Work, Education, Interviews. https://www.americantheatre.org/2010/01/01/the-body-in-the-voice/
  • Forsberg, M. PT, MS. (Dec 1, 2018) The Mysterious Connection Between Your Pelvis and Your Jaw. https://www.alignpt.com/mysterious-connection-pelvis-jaw/
  • Harrison, S. (2021). https://www.sjharrisoncoach.com
  • Hofmeyr, Z. (2016). Exploring some of Cicely Berry’s voice and language exercises for a directing concept of Athol Fugard’s Sorrows and Rejoicings. MA Thesis. Stellenbosch University. South Africa
  • Kar, T. (2021). The use of analogy, imagination and metaphors as an instructional tool in voice training: a case study. Journal for the Interdisciplinary Art and Education, 2(1), 9-31.
  • Levine, P.A. Ph.D., Maté, G. MD, Foreword, In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness; (2010) Berkeley, CA USA: North Atlantic Books
  • Linklater, K. (2006) Freeing the Natural Voice (Revised & Expanded Edition). London: Nick Hern Books
  • Linklater, K. (1992). Freeing Shakespeare’s Voice. New York: Theater Communications Group
  • Mellian, K. (2015). Breath, Impulse and the Authentic Voice: An Actor’s Journey Through Fitzmaurice Voicework ®. MFA Thesis. California State University. Los Angeles.
  • Merlin, B. (2001) Beyond Stanislavsky. New York: Routledge
  • Merlin, B. (2007) The Complete Stanislavsky Toolkit. Hollywood: Drama Publishers: Quite Specific Media Group, Ltd,
  • Monta, E., Van Lanker Sidtis, D. (2018). Can Childhood Trauma Impact the Adult Voice Through the Brain. Journal of Interdisciplinary aryl Voice Studies 3 (1), 45-59
  • Newlove, J. (1993) Laban for Actors and Dancers. London: Nick Hern Books Oxford Languages Online, (2022). UK: Oxford University Press
  • Pacella, S. DPT, PHRC Lexington. (November 8, 2018.).The Ankle Bone is Connected to the Pelvic Floor Muscle Function, In Pelvic Floor Dysfunction; https://pelvicpainrehab.com/pelvic-floor-dysfunction/6173/the-ankle-bone-is-connected-to-the-pelvic-floor-muscle-function/
  • Patwardhan, B., Mutalik, G. & Tillu, G. (2015). Integrative Approaches for Health: Biomedical Research, Ayurveda and Yoga. USA: Academic Press, Elsevier Inc.
  • Rodenburg, P. (2015). The Right to Speak: Working with the Voice (2nd ed.). UK: Bloomsbury Publishing Plc
  • Schechner, R. (2001). Rasaesthetics. TDR/The Drama Review. 45: 3 (171), 27–50 Spector, N. (Nov. 28, 2017, Updated Jan. 9, 2018). Smiling Can Trick Your Brain into Happiness - and Boost Your Health. https://www.nbcnews.com/better/health/smiling-can-trick-your-brain-happiness-boost-your-health-ncna822591
  • Stanislavsky, K. translated by Magarshack, D. (1973). On the Art of Stage. London: Faber & Faber Wales Online. (April 1, 2009, Updated March 29, 2013). Research Claims Botox Makes People Happier. https://www.walesonline.co.uk/news/wales-news/research-claims-botox-makes-people-2109187
Year 2022, Volume: 3 Issue: 2, 57 - 69, 30.06.2022

Abstract

References

  • Bachman, M. PT, DPT, PHRC San Francisco. (November 4, 2020). Considerations of Musculoskeletal Harm Reduction During Labor and Birth, In Pelvic Pain, Pregnancy, Pregnancy and Postpartum Pelvic Health; https://pelvicpainrehab.com/pregnancy-and-postpartum-pelvic-health/12144/considerations-of-musculoskeletal-harm-reduction-during-labor-and-birth/
  • Berry, C. (1987). The Actor and His Text. London: Harrap
  • Carnicke, S. (2009). Stanislavsky in Focus: An Acting Master for the 21st Century (2nd ed.). Abingdon: Routledge
  • Ellis, S. (January 2010). The Body in the Voice. American Theatre Magazine: Pillars of Voice Work, Education, Interviews. https://www.americantheatre.org/2010/01/01/the-body-in-the-voice/
  • Forsberg, M. PT, MS. (Dec 1, 2018) The Mysterious Connection Between Your Pelvis and Your Jaw. https://www.alignpt.com/mysterious-connection-pelvis-jaw/
  • Harrison, S. (2021). https://www.sjharrisoncoach.com
  • Hofmeyr, Z. (2016). Exploring some of Cicely Berry’s voice and language exercises for a directing concept of Athol Fugard’s Sorrows and Rejoicings. MA Thesis. Stellenbosch University. South Africa
  • Kar, T. (2021). The use of analogy, imagination and metaphors as an instructional tool in voice training: a case study. Journal for the Interdisciplinary Art and Education, 2(1), 9-31.
  • Levine, P.A. Ph.D., Maté, G. MD, Foreword, In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness; (2010) Berkeley, CA USA: North Atlantic Books
  • Linklater, K. (2006) Freeing the Natural Voice (Revised & Expanded Edition). London: Nick Hern Books
  • Linklater, K. (1992). Freeing Shakespeare’s Voice. New York: Theater Communications Group
  • Mellian, K. (2015). Breath, Impulse and the Authentic Voice: An Actor’s Journey Through Fitzmaurice Voicework ®. MFA Thesis. California State University. Los Angeles.
  • Merlin, B. (2001) Beyond Stanislavsky. New York: Routledge
  • Merlin, B. (2007) The Complete Stanislavsky Toolkit. Hollywood: Drama Publishers: Quite Specific Media Group, Ltd,
  • Monta, E., Van Lanker Sidtis, D. (2018). Can Childhood Trauma Impact the Adult Voice Through the Brain. Journal of Interdisciplinary aryl Voice Studies 3 (1), 45-59
  • Newlove, J. (1993) Laban for Actors and Dancers. London: Nick Hern Books Oxford Languages Online, (2022). UK: Oxford University Press
  • Pacella, S. DPT, PHRC Lexington. (November 8, 2018.).The Ankle Bone is Connected to the Pelvic Floor Muscle Function, In Pelvic Floor Dysfunction; https://pelvicpainrehab.com/pelvic-floor-dysfunction/6173/the-ankle-bone-is-connected-to-the-pelvic-floor-muscle-function/
  • Patwardhan, B., Mutalik, G. & Tillu, G. (2015). Integrative Approaches for Health: Biomedical Research, Ayurveda and Yoga. USA: Academic Press, Elsevier Inc.
  • Rodenburg, P. (2015). The Right to Speak: Working with the Voice (2nd ed.). UK: Bloomsbury Publishing Plc
  • Schechner, R. (2001). Rasaesthetics. TDR/The Drama Review. 45: 3 (171), 27–50 Spector, N. (Nov. 28, 2017, Updated Jan. 9, 2018). Smiling Can Trick Your Brain into Happiness - and Boost Your Health. https://www.nbcnews.com/better/health/smiling-can-trick-your-brain-happiness-boost-your-health-ncna822591
  • Stanislavsky, K. translated by Magarshack, D. (1973). On the Art of Stage. London: Faber & Faber Wales Online. (April 1, 2009, Updated March 29, 2013). Research Claims Botox Makes People Happier. https://www.walesonline.co.uk/news/wales-news/research-claims-botox-makes-people-2109187
There are 21 citations in total.

Details

Primary Language English
Journal Section Vocal Training
Authors

Susan Jane Harrison 0000-0002-6720-1048

Early Pub Date June 30, 2022
Publication Date June 30, 2022
Published in Issue Year 2022 Volume: 3 Issue: 2

Cite

APA Harrison, S. J. (2022). Voice and the human system, the canary in the coal mine: examining the benefits of holistic performance practice. Journal for the Interdisciplinary Art and Education, 3(2), 57-69.

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