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"A Dog's Revenge" Comparative Viability of an Early Modern Verbal, Pictorial, and Dramatic Proverb

Year 2024, Issue: 17, 45 - 58, 28.06.2024
https://doi.org/10.38060/kare.1461888

Abstract

This article presents a comparative study of three media modalities by which the proverb “a dog’s revenge” is presented in the sixteenth and seventeenth century Latin, German, and English contexts. A proverb can be briefly defined as a short pithy saying in general use. However, when one moves beyond a linguistic interpretation to an analysis of the material, these concise sayings that many people know and use assume an instability similar to aphorisms, sententia, maxims, dicta, or other short forms. By comparing the materials of the short proverbial saying “A dog’s revenge” in Erasmus’ Adages (1532), Mathius Holzwart’s emblem book Emblematum Tyrocinia (1581), and William Shakespeare’s seventeenth century drama, Cymbeline (1611), this article emphasizes the viability of the proverb beyond speech acts. Whether oral, graphic, pictorial, dramatic, or some other medium, focus on a proverb’s materiality shows that the life of a proverb is woven into its citationality in various media and materials, not just speech. Unpacking the tension between the signified meaning of proverbial speech and its material form also reveals the potential inviability, or death of the proverb through alternate uses, forgetfulness, or disuse.

Ethical Statement

I report no conflict of interest or ethics issues with this article.

References

  • Austin, John. How to Do Things With Words. Cambridge, MA: Harvard University Press, 1962.
  • Bath, Michael. Speaking Pictures: English Emblem Books and Renaissance Culture. New York: Longman, 1994.
  • Black, Max. Models and Metaphors: Studies in Language and Philosophy. Ithaca: Cornell University Press, 1962.
  • Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. New York: Routledge, 1993.
  • Cave, Terence. The Cornucopian Text: Problems of Writing in the French Renaissance. Cambridge: Cambridge University Press, 1979.
  • ———. Thinking with Literature: Towards a Cognitive Criticism. Oxford: Oxford University Press, 2016.
  • Daly, Peter. Literature in the Light of the Emblem: Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. Toronto: University of Toronto Press, 1998.
  • Derrida, Jacque. “Limited, Inc.” Evanston: Northwestern University Press, 1988.
  • Draaisma, Douwe. “Metaphors of Memory: A History of Ideas about the Mind.” Cambridge: Cambridge University Press, 2000.
  • Erasmus. Collected Works of Erasmus. Translated by R.A.B. Mynors. Vol. 32. 84 vols. Toronto: University of Toronto Press, 1989.
  • ———. Collected Works of Erasmus. Translated by Margaret Mann Phillips. Vol. 31. 84 vols. Toronto: University of Toronto Press, 1989.
  • Foucault, Michel. The Archeology of Knowledge. Translated by Sheridan Smith. New York: Routledge, 2002.
  • Freeman, Rosemary. English Emblem Books. London: Chatto & Windus, 1967.
  • Frye, Northrop. A Natural Perspective: The Development of Shakespearean Comedy and Romance. New York: Columbia University Press, 1965.
  • Gallagher, Catherine and Stephen Greenblatt. Practicing New Historicism. Chicago: University of Chicago Press, 2000.
  • Holzwart, Mathius. Emblematum Tyrocinia. Strassburg: Fischart, 1581.
  • Huhtamo, Erkki. “Dismantling the Fairy Engine: Media Archaeology as Topos Study” in Media Archaeology: Approaches, Applications, and Implications, Edited by Jussi Parikka and Erkki Huhtamo, 27–47. Berkeley: University of California Press, 2011.
  • Johnson, Samuel. Notes to Shakespeare. Vol. 3. Los Angeles: University of California, 1958.
  • Kirsch, Arthur C. “Cymbeline and Coterie Dramaturgy,” English Literary History 34, (1967): 285–306.
  • Knight, Wilson. The Crown of Life. Oxford: Oxford University Press, 1947.
  • Knowles, Elizabeth. “Proverb” in The Oxford Dictionary of Phrase and Fable$ The Oxford Dictionary of Phrase and Fable. Oxford: Oxford University Press, 2006.
  • Lakoff, George and Johnson Mark. Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York, NY: Basic Books, 2010.
  • Landwehr, John. German Emblem Books: 1531-1888. Leiden: Dekker & Gumber, 1972.
  • Litovkina, Anna T. Women Through Anti-Proverbs. New York: Palgrave Macmillan, 2019.
  • Morson, Gary Saul. “The Aphorism: Fragments from the Breakdown of Reason,” New Literary History 34, no. 3 (2003): 409–29.
  • Morson, Gary Saul. The Long and Short of It: From Aphorism to Novel. Stanford, Calif: Stanford University Press, 2012.
  • Mowat, Barbara. The Dramaturgy of Shakespeare’s Romances. Athens: University of Georgia Press, 1976.
  • Parikka, Jussi. What Is Media Archaeology? Cambridge: Polity Press, 2012.
  • Praz, Mario. Studies in Seventeenth-Century Imagery. 2nd ed. Roma: Edizioni De Storia E Letteratura, 1938.
  • Richards, I.A. “The Philosophy of Rhetoric.” Oxford: Oxford University Press, 1936.
  • Russell, Daniel. Emblematic Structures in Renaissance French Culture. Toronto: University of Toronto Press, 1995.
  • Schöne, Albrecht. Emblematik Und Drama Im Zeitalter Des Barock. München: Beck, 1968.
  • Shakespeare, William. Cymbeline. Edited by Barbara Mowat and Paul Werstine. Washington D. C.: Folger Shakespeare Library, 2020.
  • Simonds, Peggy. Myth, Emblem and Music in Shakespeare’s Cymbeline: An Iconographic Reconstruction. Delaware: University of Delaware Press, 1992.
  • “Vita” in Oxford English Dictionary. Oxford: Oxford University Press, 2011.

“Bir Köpeğin İntikamı”

Year 2024, Issue: 17, 45 - 58, 28.06.2024
https://doi.org/10.38060/kare.1461888

Abstract

Bu makale, "bir köpeğin intikamı" atasözünün on altıncı ve on yedinci yüzyıl Latin, Alman ve İngiliz bağlamlarında sunulduğu üç medya yönteminin karşılaştırmalı bir çalışmasını sunmaktadır. Atasözü kısaca genel kullanımda olan kısa ve özlü sözler olarak tanımlanabilir. Ancak, dilbilimsel bir analizin ötesine geçip somut analize inildiğinde, pek çok insanın bildiği ve kullandığı bu özlü sözler aforizma, hüküm, özdeyiş, vecize ya da diğer kısa formlara benzer bir istikrarsızlığa bürünür. Bu makale, Erasmus'un Adages (1532), Mathius Holzwart'ın Emblematum Tyrocinia (1581) adlı amblem kitabı ve William Shakespeare'in on yedinci yüzyıl draması Cymbeline 'deki (1611) "Bir köpeğin intikamı" adlı kısa atasözünün unsurlarını karşılaştırarak, bu atasözünün söz eylemlerinin ötesindeki yaşayabilirliğini vurgulamaktadır. İster sözlü, ister grafik, resimsel, dramatik ya da başka bir mecra olsun, bir atasözünün somutluğuna odaklanmak, bir atasözünün yaşamının sadece konuşmada değil, çeşitli medya ve materyallerde atıfta bulunulmasıyla örüldüğünü gösterir. Atasözü ifadesinin gösterilen anlamı ile somut biçimi arasındaki gerilimi incelemek, atasözünün alternatif kullanımlar, unutulma veya kullanılmama yoluyla potansiyel yaşayamazlığını veya ölümünü de ortaya çıkarır.

References

  • Austin, John. How to Do Things With Words. Cambridge, MA: Harvard University Press, 1962.
  • Bath, Michael. Speaking Pictures: English Emblem Books and Renaissance Culture. New York: Longman, 1994.
  • Black, Max. Models and Metaphors: Studies in Language and Philosophy. Ithaca: Cornell University Press, 1962.
  • Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. New York: Routledge, 1993.
  • Cave, Terence. The Cornucopian Text: Problems of Writing in the French Renaissance. Cambridge: Cambridge University Press, 1979.
  • ———. Thinking with Literature: Towards a Cognitive Criticism. Oxford: Oxford University Press, 2016.
  • Daly, Peter. Literature in the Light of the Emblem: Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. Toronto: University of Toronto Press, 1998.
  • Derrida, Jacque. “Limited, Inc.” Evanston: Northwestern University Press, 1988.
  • Draaisma, Douwe. “Metaphors of Memory: A History of Ideas about the Mind.” Cambridge: Cambridge University Press, 2000.
  • Erasmus. Collected Works of Erasmus. Translated by R.A.B. Mynors. Vol. 32. 84 vols. Toronto: University of Toronto Press, 1989.
  • ———. Collected Works of Erasmus. Translated by Margaret Mann Phillips. Vol. 31. 84 vols. Toronto: University of Toronto Press, 1989.
  • Foucault, Michel. The Archeology of Knowledge. Translated by Sheridan Smith. New York: Routledge, 2002.
  • Freeman, Rosemary. English Emblem Books. London: Chatto & Windus, 1967.
  • Frye, Northrop. A Natural Perspective: The Development of Shakespearean Comedy and Romance. New York: Columbia University Press, 1965.
  • Gallagher, Catherine and Stephen Greenblatt. Practicing New Historicism. Chicago: University of Chicago Press, 2000.
  • Holzwart, Mathius. Emblematum Tyrocinia. Strassburg: Fischart, 1581.
  • Huhtamo, Erkki. “Dismantling the Fairy Engine: Media Archaeology as Topos Study” in Media Archaeology: Approaches, Applications, and Implications, Edited by Jussi Parikka and Erkki Huhtamo, 27–47. Berkeley: University of California Press, 2011.
  • Johnson, Samuel. Notes to Shakespeare. Vol. 3. Los Angeles: University of California, 1958.
  • Kirsch, Arthur C. “Cymbeline and Coterie Dramaturgy,” English Literary History 34, (1967): 285–306.
  • Knight, Wilson. The Crown of Life. Oxford: Oxford University Press, 1947.
  • Knowles, Elizabeth. “Proverb” in The Oxford Dictionary of Phrase and Fable$ The Oxford Dictionary of Phrase and Fable. Oxford: Oxford University Press, 2006.
  • Lakoff, George and Johnson Mark. Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York, NY: Basic Books, 2010.
  • Landwehr, John. German Emblem Books: 1531-1888. Leiden: Dekker & Gumber, 1972.
  • Litovkina, Anna T. Women Through Anti-Proverbs. New York: Palgrave Macmillan, 2019.
  • Morson, Gary Saul. “The Aphorism: Fragments from the Breakdown of Reason,” New Literary History 34, no. 3 (2003): 409–29.
  • Morson, Gary Saul. The Long and Short of It: From Aphorism to Novel. Stanford, Calif: Stanford University Press, 2012.
  • Mowat, Barbara. The Dramaturgy of Shakespeare’s Romances. Athens: University of Georgia Press, 1976.
  • Parikka, Jussi. What Is Media Archaeology? Cambridge: Polity Press, 2012.
  • Praz, Mario. Studies in Seventeenth-Century Imagery. 2nd ed. Roma: Edizioni De Storia E Letteratura, 1938.
  • Richards, I.A. “The Philosophy of Rhetoric.” Oxford: Oxford University Press, 1936.
  • Russell, Daniel. Emblematic Structures in Renaissance French Culture. Toronto: University of Toronto Press, 1995.
  • Schöne, Albrecht. Emblematik Und Drama Im Zeitalter Des Barock. München: Beck, 1968.
  • Shakespeare, William. Cymbeline. Edited by Barbara Mowat and Paul Werstine. Washington D. C.: Folger Shakespeare Library, 2020.
  • Simonds, Peggy. Myth, Emblem and Music in Shakespeare’s Cymbeline: An Iconographic Reconstruction. Delaware: University of Delaware Press, 1992.
  • “Vita” in Oxford English Dictionary. Oxford: Oxford University Press, 2011.
There are 35 citations in total.

Details

Primary Language English
Subjects Comparative and Transnational Literature
Journal Section Research Article
Authors

Jameson Kısmet Bell 0000-0003-1488-599X

Early Pub Date June 28, 2024
Publication Date June 28, 2024
Submission Date March 30, 2024
Acceptance Date May 10, 2024
Published in Issue Year 2024 Issue: 17

Cite

Chicago Kısmet Bell, Jameson. “‘A Dog’s Revenge’ Comparative Viability of an Early Modern Verbal, Pictorial, and Dramatic Proverb”. KARE, no. 17 (June 2024): 45-58. https://doi.org/10.38060/kare.1461888.

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