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            <front>

                <journal-meta>
                                                                <journal-id>motif academy</journal-id>
            <journal-title-group>
                                                                                    <journal-title>Motif Akademi Halkbilimi Dergisi</journal-title>
            </journal-title-group>
                            <issn pub-type="ppub">1308-4445</issn>
                                        <issn pub-type="epub">2822-5538</issn>
                                                                                            <publisher>
                    <publisher-name>Motif Yayıncılık</publisher-name>
                </publisher>
                    </journal-meta>
                <article-meta>
                                        <article-id pub-id-type="doi">10.12981/mahder.1602253</article-id>
                                                                <article-categories>
                                            <subj-group  xml:lang="en">
                                                            <subject>Arts and Cultural Policy</subject>
                                                            <subject>Visual Arts (Other)</subject>
                                                            <subject>Music Cognition</subject>
                                                            <subject>Musicology and Ethnomusicology</subject>
                                                    </subj-group>
                                            <subj-group  xml:lang="tr">
                                                            <subject>Sanat ve Kültür Politikası</subject>
                                                            <subject>Görsel Sanatlar (Diğer)</subject>
                                                            <subject>Müzik Algısı</subject>
                                                            <subject>Müzikoloji ve Etnomüzikoloji</subject>
                                                    </subj-group>
                                    </article-categories>
                                                                                                                                                        <title-group>
                                                                                                                        <trans-title-group xml:lang="en">
                                    <trans-title>FROM FEMINISM TO FEMVERTISING: THE PHENOMENON OF FEMİNİST MEMORY İN GRAPHİC DESİGN AND MUSİC</trans-title>
                                </trans-title-group>
                                                                                                                                                                                                <article-title>FEMİNİZMDEN FEMVERTISING’E: GRAFİK TASARIM VE MÜZİKTE FEMİNİST BELLEK OLGUSU</article-title>
                                                                                                    </title-group>
            
                                                    <contrib-group content-type="authors">
                                                                        <contrib contrib-type="author">
                                                                    <contrib-id contrib-id-type="orcid">
                                        https://orcid.org/0000-0002-9505-0347</contrib-id>
                                                                <name>
                                    <surname>Demir</surname>
                                    <given-names>Hülya</given-names>
                                </name>
                                                                    <aff>ONDOKUZ MAYIS ÜNİVERSİTESİ</aff>
                                                            </contrib>
                                                    <contrib contrib-type="author">
                                                                    <contrib-id contrib-id-type="orcid">
                                        https://orcid.org/0000-0003-3063-7830</contrib-id>
                                                                <name>
                                    <surname>Açıksöz</surname>
                                    <given-names>Fülya</given-names>
                                </name>
                                                                    <aff>ONDOKUZ MAYIS UNIVERSITY</aff>
                                                            </contrib>
                                                                                </contrib-group>
                        
                                        <pub-date pub-type="pub" iso-8601-date="20250928">
                    <day>09</day>
                    <month>28</month>
                    <year>2025</year>
                </pub-date>
                                        <volume>18</volume>
                                        <issue>51</issue>
                                        <fpage>1810</fpage>
                                        <lpage>1831</lpage>
                        
                        <history>
                                    <date date-type="received" iso-8601-date="20241216">
                        <day>12</day>
                        <month>16</month>
                        <year>2024</year>
                    </date>
                                                    <date date-type="accepted" iso-8601-date="20250916">
                        <day>09</day>
                        <month>16</month>
                        <year>2025</year>
                    </date>
                            </history>
                                        <permissions>
                    <copyright-statement>Copyright © 2008, Motif Academy Journal of Folklore</copyright-statement>
                    <copyright-year>2008</copyright-year>
                    <copyright-holder>Motif Academy Journal of Folklore</copyright-holder>
                </permissions>
            
                                                                                                <trans-abstract xml:lang="en">
                            <p>Feminism, as a longstanding social movement aiming to achieve gender equality, has created profound impacts across creative fields such as art, design, and advertising. In this context, Femvertising refers to a communication approach that seeks to convey feminist values to the public through visual and auditory strategies. This study examines the influence of graphic design and music on collective memory within the historical trajectory from feminist movements to the formation of feminist memory. Throughout feminist history, visual and auditory elements have played a significant role in transforming gender perceptions and have been evaluated within both aesthetic and strategic dimensions. To this end, a qualitative research method was adopted, and four advertising campaigns were analyzed in terms of their visual and auditory components through document analysis. The selected examples focus on campaigns produced after 2000, shaped by second-wave feminism in Western Europe and North America. Visual components such as typography, color, and composition in graphic design, along with rhythm, lyrics, harmony, instrumentation and atmosphere in music, emerge as effective tools in enhancing the visibility of feminist ideologies within social memory. The findings reveal that femvertising campaigns not only offer aesthetic expressions but also reinforce political discourse supporting gender equality and generate pedagogical awareness regarding the representation of women. On the other hand, the commodification of feminist values through advertising strategies and the reproduction of gender roles via superficial representations in the analyzed campaigns invite critical perspectives on femvertising. In this framework, the combined use of graphic design and music enables the emotional and cultural reconstruction of feminist memory, and the narratives emerging at the intersection of these two disciplines provide a theoretical foundation for future interdisciplinary studies.</p></trans-abstract>
                                                                                                                                    <abstract><p>Feminizm, toplumsal cinsiyet eşitliğini hedefleyen köklü bir toplumsal hareket olarak, sanat, tasarım ve reklamcılık gibi yaratıcı alanlarda derin etkiler yaratmıştır. Bu bağlamda kadın odaklı reklamcılık olarak tanımlanan femvertising, feminist değerlerin görsel ve işitsel stratejilerle topluma iletilmesini amaçlayan bir iletişim yaklaşımıdır. Bu çalışma, feminist hareketlerden feminist belleğin oluşumuna uzanan süreçte grafik tasarım ve müziğin kolektif hafıza üzerindeki etkisini incelemektedir. Feminist tarih boyunca görsel ve işitsel unsurların toplumsal cinsiyet algılarının dönüşümündeki rolü, estetik ve stratejik boyutlarıyla değerlendirilmiştir. Bu amaçla, nitel araştırma yöntemi benimsenmiş; doküman analizi tekniğiyle seçilen dört reklam kampanyası görsel ve işitsel bileşenleri bakımından incelenmiştir. Araştırmada, özellikle Batı Avrupa ve Kuzey Amerika’da ikinci dalga feminizmin etkisiyle ortaya çıkan ve 2000 sonrası dönemde üretilmiş olan dört reklam kampanyası örneği üzerinden feminist bellek temsilleri analiz edilmiştir. Grafik tasarımda kullanılan tipografi, renk ve kompozisyon gibi görsel öğeler ile müziğin ritim, söz, armonik yapı, enstrümantasyon ve atmosfer gibi işitsel bileşenleri, feminist ideolojilerin toplumsal bellekte görünürlük kazanmasında etkili birer araç olarak öne çıkmaktadır. Araştırma bulguları, femvertising kampanyalarının estetik bir ifade biçimi sunduğunu, toplumsal cinsiyet eşitliğini destekleyen politik söylemleri güçlendirdiğini ve kadınların temsiline dair pedagojik bir farkındalık yarattığını ortaya koymuştur. Diğer bir açıdan, feminist değerlerin reklam stratejileri aracılığıyla metalaştırılması ve incelenen kampanyalarda toplumsal cinsiyet rollerinin yüzeysel temsillerle yeniden üretilmesi, femvertising&#039;e yönelik eleştirel yaklaşımları da gündeme getirmektedir. Bu çerçevede, grafik tasarım ve müziğin birlikte kullanımı, feminist belleğin hem duygusal hem de kültürel boyutlarda yeniden inşasını mümkün kılmakta; bu iki disiplinin kesişiminde gelişen anlatılar, gelecekte yapılacak disiplinler arası çalışmalara kuramsal bir zemin sunmaktadır.</p></abstract>
                                                            
            
                                                                                        <kwd-group>
                                                    <kwd>Feminizm</kwd>
                                                    <kwd>  Femvertising</kwd>
                                                    <kwd>  Grafik Tasarım</kwd>
                                                    <kwd>  Müzik</kwd>
                                                    <kwd>  Toplumsal Cinsiyet</kwd>
                                            </kwd-group>
                            
                                                <kwd-group xml:lang="en">
                                                    <kwd>Feminism</kwd>
                                                    <kwd>  Femvertising</kwd>
                                                    <kwd>  Graphic Design</kwd>
                                                    <kwd>  Music</kwd>
                                                    <kwd>  Gender</kwd>
                                            </kwd-group>
                                                                                                                                        </article-meta>
    </front>
    <back>
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