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High-Tech Mimarlığın Geleceğinin Fütüristik Sinema Üzerinden Araştırılması

Year 2022, Volume: 7 Issue: 2, 773 - 789, 31.08.2022
https://doi.org/10.26835/my.1038260

Abstract

Gelişen dünya ve teknolojik yeniliklerden mimarlıkta büyük oranda etkilenmiş ve yeni bir akım olarak karşımıza çıkmıştır. Çoğu mimari akımda olduğu gibi high-tech mimarlıkta da geçmişle olan bağdan kaçınılmaya çalışılmıştır. Bu akımın etkisiyle oluşturulan yapılarda en genel yapı malzemesi olarak çelik, cam ve beton görülmektedir. High-tech mimarlıkta kullanılan malzemeler, akım geliştikçe bu durumdan etkilenerek gelişimlerini sürdürmüşlerdir. Bazen strüktürün dış cepheye yansımasıyla bazen de mekânlarda görünen strüktürle high-tech mimarlıkta saydamlık ön planda olmuştur. Gün geçtikçe high-tech yapıların tanımlanmasında değişimler gözlenmiştir. Bu çalışma ile high-tech mimarlığın geçmişi 18. yy’dan itibaren incelenerek tanımda yaşanan değişimler ortaya konmuştur. 21. yy fütüristik sineması üzerinden high-tech mimarinin geleceği araştırılmıştır.

References

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Researching The Future Of High-Tech Architecture Through Futuristic Cinema

Year 2022, Volume: 7 Issue: 2, 773 - 789, 31.08.2022
https://doi.org/10.26835/my.1038260

Abstract

High-tech architecture is a postmodern architectural movement that began in the 1960s and continues today. It has been heavily influenced by the changing world and technological innovations in architecture and has become a new trend. Like most architectural movements, high-tech architecture has tried to avoid associations with the past. Steel, glass and concrete are seen as the most common building materials in the structures that have been created under the effect of this trend. As the movement evolved, the materials used in high-tech architecture have also been devolved under its influence. Transparency has come to the forefront in high-tech architecture, sometimes by explosion of the structure to the ecterior and sometimes by making it visible in interior. Hence, the definition of high-tech structure has changed day by day. This paper intends to study the history of high-tech architecture since the 18th century and to reveal the changes in definition. The future of high-tech architecture was examined through futuristic cinema of the 21st century.

References

  • Akarsu, H. T., Erdoğan, N. (2020), Sinemada Mimarlık, Yem Yayın, 182-185.
  • Barthes, R. (2012), The Eiffel Tower, AA Files, (64), 112-131.
  • Cramer, C., Grant, K., (2004), The Art of The Russian Avant-Garde, 1 Temmuz 2021 tarihinde https://www.khanacademy.org/humanities/art-1010/cubism-earlyabstraction/russian-avant-garde/a/tatlins-tower adresinden alındı.
  • Crook, L. (2019). Centre Pompidou is High-Tech Architecture’s Inside-Out Landmark, 1 Temmuz 2021 tarihinde https://www.dezeen.com/2019/11/05/centre-pompidou-piano-rogers-high-techarchitecture/ adresinden alındı.
  • Duyul, G. (2017), New Babylon: Discrepancies of Utopia and Possibility of Situationist Architectures, Doctoral dissertation, Middle East Technical University.
  • Hasol, D. (2000), Mimarlıkta Ütopya, Yapı Dergisi, 228, 62-69.
  • López-César, I. (2019), World Expos and Architectonic Structures, An Intimate Relationship, Bureau International des Expositions (BIE), Paris.
  • Matrix, S. E. (2005), Architectures of Transparency and Technologies of Surveillance: Spielberg’s Tech Noir Cybercity in Minority Report, OASE, 66, 74-89.
  • Mrkonjic, K. (2007), Environmental Aspects of use of Aluminium for Prefabricated Lightweight Houses: Dymaxion House Case Study, Journal of Green Building, 2(4), 130-136.
  • Pintos, P. (2019), 30 St Mary Axe Tower / Foster + Partners, 1 Temmuz 2021 tarihinde https://www.archdaily.com/928285/30-st-mary-axe-tower-foster-pluspartners adresinden alındı.
  • Sadler, S., (2005), Archigram: Architecture Without Architecture, MIT Press, Cambridge, MA.
  • Wilkinson, P. (2017), Walking City, Phantom Architecture, New York.
  • Yüksel, Ü. D. (2012), Antikçağdan Günümüze Kent Ütopyaları, İdealkent, 3(5), 8-37.
  • URL – 1. https://structurae.net/en/structures/iron-bridge 01.07.21.
  • URL – 2. https://artblobs.com/en/2014/07/history-of-modern-art-impressionismpainting-light/ 01.07.21.
  • URL – 3. https://bibursa.com/360-derece-eyfel-kulesi/ 01.07.21.
  • URL – 4. https://www.archdaily.com/401528/ad-classics-the-dymaxion-housebuckminster-fuller 01.07.21.
  • URL – 5. https://www.fosterandpartners.com/projects/reliance-controls/01.07.21.
  • URL – 6. https://www.researchgate.net/figure/Figure-3-3-The-contemporarycity-of-Le-Corbusier-adapted-from-NYU-2009_fig18_319987475. 01.07.21.
  • URL – 7. https://www.frac-centre.fr/_en/art-and-architecture-collection/schulzefielitz-eckhard/raumstadt-317.html?authID=172&ensembleID=573. 01.07.21.
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  • URL – 15. https://www.arkitektuel.com/lloyds-of-london-binasi/ 01.07.21.
  • URL – 16. https://mydecorative.com/londons-magnificent-30-st-mary-axe/01.07.21.
  • URL – 17. https://www.khanacademy.org/humanities/art-1010/cubism-earlyabstraction/russian-avant-garde/a/tatlins-tower 01.07.21.
There are 30 citations in total.

Details

Primary Language Turkish
Subjects Architecture
Journal Section Makaleler
Authors

Beyza Nur Kayaalp 0000-0002-5907-8991

Hilal Tuğba Örmecioğlu 0000-0002-0662-4178

Publication Date August 31, 2022
Published in Issue Year 2022 Volume: 7 Issue: 2

Cite

APA Kayaalp, B. N., & Örmecioğlu, H. T. (2022). High-Tech Mimarlığın Geleceğinin Fütüristik Sinema Üzerinden Araştırılması. Mimarlık Ve Yaşam, 7(2), 773-789. https://doi.org/10.26835/my.1038260