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HUMOR AND CRITICISM IN EUROPEAN ART

Year 2016, Volume: 11 Issue: 2, 98 - 115, 30.04.2016

Abstract

This article focused on the works of Bosh, Brughel, Archimboldo, Gillray, Grandville, Schön and Kubin, lived during and after the Renaissance, whose works contain humor and criticism. Although these artists lived in from different cultures and societies, their common tendencies were humor and criticism in their works. Due to the conditions of the period where these artists lived in, their artistic technic and style were different from each other, which effected humor and criticism in the works too. Analyzes and comments in this article are expected to provide information regarding the humor and criticism of today’s Europe. This research will indicate solid information regarding humor and tradition of criticism in Europe through comparisons and comments on the works of the artists. It is believed that, this research is considered to be useful for academicians, students, artists and readers who interested in humour and criticism in Europe.

References

  • • Richardson, C.M., (2007). Locating Renaissance Art. London: Yale University Press.
  • • Charles, V., (2007. Renaissance Art. New York: Parkstone Press International.
  • • Gibson, W.S., (1973). Hieronymus Bosch. London: Thames and Hudson.
  • • Gibson, W.S., (1993). Brueghel. London: Thames and Hudson.
  • • Passeron, R., (1996). Encyclopaedia of Surrealism. (Translated from French to Turkish by Sezer Tansug. Istanbul: Remzi kitabevi,
  • • Gluck, G., (1970). Pieter Brueghel The Elder. Translated from the Germany by Eveline Byam Shaw. London: The Commodore Press.
  • • O’Prey, M., (1987). Afterimage 13. London: Visual Studies Workshop Press.
  • • Kriegeskorte, W., (1992). Giuesppe Arcimboldo. Berlin: Taschen.
  • • Kaufmann, Thomas D., (2009). Archimboldo: Visual Joke, Natural History, and Still-Life Painting. Chicago: The University of Chicago Press.
  • • Bartrum, G., (1995). German Renaissance Prints 1490-1550. London: British Museum Publications Ltd.
  • • Hillier, B., (1970). Cartoon and Caricatures. London: Studio Vista Limited.
  • • Lucie-Smith, E., (1975). The Waking Dreams. London: Thames and Hudson.
  • • Robbins, D., and Shultz, J., (1971). Caricature and Its Role in Graphic Satire. Rhode Island: Museum of Art Publication.
  • • Farwell, B., (1989). The Charged image: French Lithography Caricature 1816-1848. Santa Barbara: Santa Barbara Museum of Art.
  • • Robinson, V.M., (1991). Humor and the Health Professions. New Jersey: Slack Incorporated.

HUMOR AND CRITICISM IN EUROPEAN ART

Year 2016, Volume: 11 Issue: 2, 98 - 115, 30.04.2016

Abstract

Bu makale, Avrupa Rönesans sanatı dönemi ve sonrasında yaşamış Bosch, Brueghel, Archimboldo, Gillray, Grandville, Schön ve Kubin gibi önemli sanatçıların çalışmalarında görülen mizah ve eleştiri üzerine kurgulanmıştır. Bahsedilen sanatçılar farklı toplum ve kültürde yaşamış olmasına rağmen, çalışmalarında ortak eğilim mizah ve eleştiriydi. Sanatçıların bulundukları dönemin şartları gereği çalışmalarındaki farklı teknik ve stiller, doğal olarak mizah ve eleştiriyi de etkilemiştir. Bu araştırmada yapılan analizler ve yorumların, günümüz Avrupa mizahı ve eleştiri kültürü hakkında bilgi vereceği düşünülmektedir. Yukarıda bahsedilen karşılaştırmalar ve buna bağlı olarak oluşturulacak fikirsel çıkarımlar, Avrupa da mizah ve eleştiri geleneğinin durumu hakkında somut veriler oluşturacaktır. Bu araştırmanın, Avrupa sanatında mizah ve eleştiri üzerinde araştırma yapacak akademisyen, sanatçı, öğrenci ve okuyucular için yararlı olacağı düşünülmektedir

References

  • • Richardson, C.M., (2007). Locating Renaissance Art. London: Yale University Press.
  • • Charles, V., (2007. Renaissance Art. New York: Parkstone Press International.
  • • Gibson, W.S., (1973). Hieronymus Bosch. London: Thames and Hudson.
  • • Gibson, W.S., (1993). Brueghel. London: Thames and Hudson.
  • • Passeron, R., (1996). Encyclopaedia of Surrealism. (Translated from French to Turkish by Sezer Tansug. Istanbul: Remzi kitabevi,
  • • Gluck, G., (1970). Pieter Brueghel The Elder. Translated from the Germany by Eveline Byam Shaw. London: The Commodore Press.
  • • O’Prey, M., (1987). Afterimage 13. London: Visual Studies Workshop Press.
  • • Kriegeskorte, W., (1992). Giuesppe Arcimboldo. Berlin: Taschen.
  • • Kaufmann, Thomas D., (2009). Archimboldo: Visual Joke, Natural History, and Still-Life Painting. Chicago: The University of Chicago Press.
  • • Bartrum, G., (1995). German Renaissance Prints 1490-1550. London: British Museum Publications Ltd.
  • • Hillier, B., (1970). Cartoon and Caricatures. London: Studio Vista Limited.
  • • Lucie-Smith, E., (1975). The Waking Dreams. London: Thames and Hudson.
  • • Robbins, D., and Shultz, J., (1971). Caricature and Its Role in Graphic Satire. Rhode Island: Museum of Art Publication.
  • • Farwell, B., (1989). The Charged image: French Lithography Caricature 1816-1848. Santa Barbara: Santa Barbara Museum of Art.
  • • Robinson, V.M., (1991). Humor and the Health Professions. New Jersey: Slack Incorporated.
There are 15 citations in total.

Details

Primary Language English
Journal Section Picture
Authors

Doğan Arslan

Publication Date April 30, 2016
Published in Issue Year 2016 Volume: 11 Issue: 2

Cite

APA Arslan, D. (2016). HUMOR AND CRITICISM IN EUROPEAN ART. Fine Arts, 11(2), 98-115.
AMA Arslan D. HUMOR AND CRITICISM IN EUROPEAN ART. Fine Arts. April 2016;11(2):98-115.
Chicago Arslan, Doğan. “HUMOR AND CRITICISM IN EUROPEAN ART”. Fine Arts 11, no. 2 (April 2016): 98-115.
EndNote Arslan D (April 1, 2016) HUMOR AND CRITICISM IN EUROPEAN ART. Fine Arts 11 2 98–115.
IEEE D. Arslan, “HUMOR AND CRITICISM IN EUROPEAN ART”, Fine Arts, vol. 11, no. 2, pp. 98–115, 2016.
ISNAD Arslan, Doğan. “HUMOR AND CRITICISM IN EUROPEAN ART”. Fine Arts 11/2 (April 2016), 98-115.
JAMA Arslan D. HUMOR AND CRITICISM IN EUROPEAN ART. Fine Arts. 2016;11:98–115.
MLA Arslan, Doğan. “HUMOR AND CRITICISM IN EUROPEAN ART”. Fine Arts, vol. 11, no. 2, 2016, pp. 98-115.
Vancouver Arslan D. HUMOR AND CRITICISM IN EUROPEAN ART. Fine Arts. 2016;11(2):98-115.