Sosyal Bilimler Metinleri 1308-4453 1308-4895 Tekirdag Namik Kemal University 10.56337/sbm.1799459 Painting Resim Sanatta Kültürel Transfer ve Dönüşüm: 19. Yüzyıl Amerikan Resminde Japon Estetiği Cultural Transfer and Transformation in Art: Japanese Aesthetıcs in 19th Century American Painting https://orcid.org/0000-0001-5102-8183 Çetin Ufuk TEKİRDAĞ NAMIK KEMAL ÜNİVERSİTESİ 04 30 2026 2026 1 43 50 10 08 2025 03 31 2026 Copyright © 2008, Papers on Social Science 2008 Papers on Social Science

Bu çalışma, 19. yüzyılın son çeyreğinde Amerikan resminde belirginleşen Japon estetiği etkilerini kültürel aktarım ve görsel dönüşüm bağlamında incelemektedir. Araştırmanın odağında Amerikalı ressam Robert Frederick Blum’un Japonya deneyimi sonrasında ürettiği eserler ve özellikle Ameya adlı yapıtı yer almaktadır. 19. yüzyılın ikinci yarısında Batı sanatında etkili olan Japonizm, Japon görsel kültürüne ait kompozisyon anlayışı, gündelik yaşam temaları ve estetik özelliklerin Batılı sanatçılar tarafından yeniden yorumlanmasına olanak tanımıştır. Blum’un sanatsal üretimi, Japon gündelik yaşamına ilişkin gözlemleri Batılı bir temsil diliyle aktarırken, Japon sanatına özgü biçimsel yaklaşımları da bünyesinde barındırır. “Ameya” adlı eser, asimetrik kompozisyon kurgusu, yüzeyde yoğunlaşan ayrıntı anlayışı ve doğaya yönelen estetik anlayışıyla Japon görsel geleneğine referans verirken, figür düzeni ve anlatı yapısıyla Amerikan izleyicisinin algısına hitap eden bir görsel anlatım üretir. Bu makale, söz konusu eseri görsel çözümleme ve kültürlerarası etkileşim perspektifleri doğrultusunda değerlendirerek Blum’un sanatında Japon estetiğinin nasıl yeniden yorumlandığını ortaya koymayı amaçlamaktadır. Böylece çalışma, Japonizm’in Amerikan resmindeki yansımalarına ışık tutarken Blum’un üretimini kültürel dolaşım ve sanatsal melezleşme bağlamında yeniden düşünmeyi önermektedir.

This study examines the influence of Japanese aesthetics, which became prominent in American painting in the last quarter of the 19th century, within the context of cultural transmission and visual transformation. The focus of the research is on the works of American painter Robert Frederick Blum, particularly his work titled "Ameya," produced after his experience in Japan. Japonism, which was influential in Western art in the second half of the 19th century, allowed Western artists to reinterpret the compositional understanding, everyday life themes, and aesthetic sensibilities of Japanese visual culture Blum's artistic production conveys observations of Japanese daily life through a Western representational language while also incorporating formal approaches specific to Japanese art. "Ameya," with its asymmetrical composition, emphasis on detail on the surface, and aesthetic sensitivity towards nature, references the Japanese visual tradition; while its figure arrangement and narrative structure produce a visual narrative that appeals to the perception of the American viewer.This article aims to reveal how Japanese aesthetics were reinterpreted in Blum's art by evaluating the work from the perspectives of visual analysis and intercultural interaction. Thus, this study sheds light on the reflections of Japonism in American painting, while proposing a rethinking of Blum's work within the context of cultural circulation and artistic hybridization.

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