Abstract
Stages and the architectural structures in which they are located are the determining elements of the aesthetic experience. Teatro di San Cassiano, the first commercial opera house open to the public, transformed the opera, the life of the artists served in its creation, and the aesthetic perception of the audience.
In the research based on the literature survey; The process that the opera went through until it got its own "house" and the environment that supported the production of opera houses and thus opera were examined, and the results were associated with today's art centers.
As a result, the Teatro di San Cassiano and similar structures are indispensable for understanding the art of the period in which they were built.
References
- Atkın P. (2021). Teatro di San Cassiano. Erişim: 30.08.2021, // https://www.youtube.com/watch?v=vi1jFsn38TA&list=PLZnq5FwJKiTqULKQLy37oEh_lWTGhgyvL&index=58
- Atkın, P., Patuzzi, S. (2019). The Reconstruction/Reimagining of The Original Teatro di San Cassiano of 1637. Erişim: 09.11.2021. // https://www.teatrosancassiano.it/uploads/news/tsc_research_status_201903.pdf,
- Bayer, B. (2015). Opera Binaları Tarihsel Gelişimi ve 21. Yüzyıl Opera Binaları. (Yayınlanmamış Yüksek Lisans Tezi). Mimar Sinan Güzel Sanatlar Üniversitesi, İstanbul.
- Bianconi, L. (1987). Music in the Seventeenth Century. Cambridge University Press.
- Brown, H. M. (2001). Opera, II. Origins. The New Grove Dictionary of Music and Musicians, New York: Grove.
- Johnson, E. J. (2002). The Short, Lascivious Lives of Two Venetian Theaters 1580-85. Renaissance Quarterly, Vol. 55, No. 3, 936-948.
- Kotnik, V. (2013). The Adaptability of Opera: When Different Social Agents Come to Common Ground. International Review of the Aesthetics and Sociology of Music , Vol. 44, No. 2, 303-342.
- Leopold, S., Zedlacher, I. (1996). The Orchestra in Early Opera. The Musical Quarterly, Vol. 80, No. 2, s. 265-268.
- Lewis, A. (Ed.), Fortune, N. (Ed.). (1975). The New Oxford History of Music, Volum V, Opera and Church Music. New York, Toronto: Oxford University Press.
- Muir, E. (2016). Why Venice? Venetian Society and the Success of Early Opera. The Journal of Interdisciplinary History, Vol. 36, No. 3, 331-353.
- O’grady, D. (1991). The Last Troubadours: Poetic Drama in Italian Opera, 1597–1887. New York: Routledge.
- Pirrotta, N., (1954), Temperaments and Tendencies in the Florentine Camerata. (Fortune, Çev.), The Musical Quarterly, Vol. 40, No. 2, 169-189.
- Patuzzi, S. (2021a). Teatro San Cassiano, Our History. Erişim: 08.11.2021 // https://www.teatrosancassiano.it/en/teatro-san-cassiano
- Patuzzi, S. (2021b). Operas Performed At The Teatro San Cassiano. Erişim: 08.11.2021 // https://www.teatrosancassiano.it/uploads/Operas%20performed%20at%20the%20Teatro%20San%20Cassiano%20-%20Copy.pdf
- Rosand, E. (2001). Opera, III. Early Opera, 1600-90. The New Grove Dictionary of Music and Musicians. New York: Grove.
- Rosselli, J. (1989). From Princely Service to the Open Market: Singers of Italian Opera and Their Patrons, 1600-1850. Cambridge Opera Journal , Vol. 1, No. 1, 1-32.
- Weaver, R. L. (1964). The Orchestra in Early Italian Opera. Journal of the American Musicological Society, Vol. 17, No. 1, s. 83-89.
- Worsthorne, S. T. (1949). Some Early Venetian Opera Productions. Music & Letters , Vol. 30, No. 2 s. 146-151.
Abstract
Sahneler ve içinde bulundukları mimari yapılar, estetik deneyimin belirleyici unsurlarındandır. Halka açık ilk ticari opera evi olan Teatro di San Cassiano da hem operayı, hem yaratımında görev alan sanatçıların yaşamını hem de izleyicisinin estetik algısını dönüştürmüştür.
Literatür taramasına dayanan araştırmada; operanın kendi “evi”ne kavuşuncaya kadar geçirdiği süreç ve opera evlerini, dolayısıyla operanın üretimini destekleyen ortam incelenmiş, sonuçlar günümüz sanat merkezleriyle ilişkilendirilmiştir.
Sonuç olarak, Teatro di San Cassiano ve benzeri yapılar, inşa edildikleri dönemin sanatının anlaşılması için vazgeçilmezdir.
Keywords
References
- Atkın P. (2021). Teatro di San Cassiano. Erişim: 30.08.2021, // https://www.youtube.com/watch?v=vi1jFsn38TA&list=PLZnq5FwJKiTqULKQLy37oEh_lWTGhgyvL&index=58
- Atkın, P., Patuzzi, S. (2019). The Reconstruction/Reimagining of The Original Teatro di San Cassiano of 1637. Erişim: 09.11.2021. // https://www.teatrosancassiano.it/uploads/news/tsc_research_status_201903.pdf,
- Bayer, B. (2015). Opera Binaları Tarihsel Gelişimi ve 21. Yüzyıl Opera Binaları. (Yayınlanmamış Yüksek Lisans Tezi). Mimar Sinan Güzel Sanatlar Üniversitesi, İstanbul.
- Bianconi, L. (1987). Music in the Seventeenth Century. Cambridge University Press.
- Brown, H. M. (2001). Opera, II. Origins. The New Grove Dictionary of Music and Musicians, New York: Grove.
- Johnson, E. J. (2002). The Short, Lascivious Lives of Two Venetian Theaters 1580-85. Renaissance Quarterly, Vol. 55, No. 3, 936-948.
- Kotnik, V. (2013). The Adaptability of Opera: When Different Social Agents Come to Common Ground. International Review of the Aesthetics and Sociology of Music , Vol. 44, No. 2, 303-342.
- Leopold, S., Zedlacher, I. (1996). The Orchestra in Early Opera. The Musical Quarterly, Vol. 80, No. 2, s. 265-268.
- Lewis, A. (Ed.), Fortune, N. (Ed.). (1975). The New Oxford History of Music, Volum V, Opera and Church Music. New York, Toronto: Oxford University Press.
- Muir, E. (2016). Why Venice? Venetian Society and the Success of Early Opera. The Journal of Interdisciplinary History, Vol. 36, No. 3, 331-353.
- O’grady, D. (1991). The Last Troubadours: Poetic Drama in Italian Opera, 1597–1887. New York: Routledge.
- Pirrotta, N., (1954), Temperaments and Tendencies in the Florentine Camerata. (Fortune, Çev.), The Musical Quarterly, Vol. 40, No. 2, 169-189.
- Patuzzi, S. (2021a). Teatro San Cassiano, Our History. Erişim: 08.11.2021 // https://www.teatrosancassiano.it/en/teatro-san-cassiano
- Patuzzi, S. (2021b). Operas Performed At The Teatro San Cassiano. Erişim: 08.11.2021 // https://www.teatrosancassiano.it/uploads/Operas%20performed%20at%20the%20Teatro%20San%20Cassiano%20-%20Copy.pdf
- Rosand, E. (2001). Opera, III. Early Opera, 1600-90. The New Grove Dictionary of Music and Musicians. New York: Grove.
- Rosselli, J. (1989). From Princely Service to the Open Market: Singers of Italian Opera and Their Patrons, 1600-1850. Cambridge Opera Journal , Vol. 1, No. 1, 1-32.
- Weaver, R. L. (1964). The Orchestra in Early Italian Opera. Journal of the American Musicological Society, Vol. 17, No. 1, s. 83-89.
- Worsthorne, S. T. (1949). Some Early Venetian Opera Productions. Music & Letters , Vol. 30, No. 2 s. 146-151.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Articles |
| Authors | |
| Publication Date | January 31, 2022 |
| Published in Issue | Year 2022 Volume: 8 Issue: 14 |
