Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 2564-6834 Bursa Uludağ University 10.21550/sosbilder.298171 Creative Arts and Writing Sanat ve Edebiyat A RECONCILIATION of CONFLICTS: JOHN LYLY’S ENDYMION, THE MAN IN THE MOON John Lyly’nin Endymion, Ay’daki Adam Adlı Oyununda Çatışmaların Uzlaştırılması Vural Kübra HACETTEPE ÜNİVERSİTESİ 01 31 2017 18 32 1 14 03 15 2017 10 16 2016 Copyright © 1999, Uludağ University Faculty of Arts and Sciences Journal of Social Sciences 1999 Uludağ University Faculty of Arts and Sciences Journal of Social Sciences

The use of opposing elementsconstitutes the main grid of dramatic works, and the consolidation ofantithetical forces in an array of conflicts creates unison of multipleperspectives in such works. Renaissance drama, succeeding the medieval period,predominantly hinges on the clash of antagonistic components in thatdichotomies are dissolved in the end. John Lyly’s Endymion, The Man in the Moonis one of the Renaissance plays in which the playwright establishes his wholework on different binary elements. This paper sets out to pinpoint threeconflicting elements in terms of the use of mythology and history, thepresentation of female stance and different types of love in Lyly’s play. 

Zıtunsurların kullanımı tiyatro eserlerinin esas yapısını oluşturur ve karşıtgüçlerin çeşitli çatışmalar içerisinde bir araya getirilmesi bu türçalışmalarda farklı bakış açılarının birlikteliğini sağlar. Ortaçağ döneminitakiben, Rönesans tiyatrosu, çoğunlukla, ikiliklerin sonunda çözüldüğü zıtöğelerin çarpışması üzerine kuruludur. John Lyly’in Endymion, The Man in theMoon [Endymion, Ay’daki Adam] adlı eseri, yazarın tüm oyununu farklı zıtunsurlar üzerine kurduğu Rönesans oyunlarından biridir. Bu çalışma, mitoloji vetarih kullanımı, kadın duruşunun sergilenişi ve farklı aşk türleri bağlamındaLyly’nin oyunundaki üç çatışmalı unsuru irdelemeyi amaçlar.

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