Year 2010,
Volume: 29 Issue: 29, 67 - 79, 01.09.2010
Abstract
Keywords
References
- Alfreds, Mike. “A Shared Experience: The Actor as Storyteller”, Theatre Papers. Ed.: Peter Hulton, Devon: The Department of Theatre, Dartington College of Arts, 1979.
- Fo, Dario. The Tricks of the Trade. Trans.: Joe Farrell, Ed.: Stuart Hood, London: Methuen Drama, 199 [1987].
- Karaboğa, Kerem. Oyunculuk Sanatında Yöntem ve Paradoks. İstan- bul: Boğaziçi Üniversitesi Yayınevi, 2005.
- Konijn, Elly. “The Actor’s Emotions Reconsidered: A Psychological Task- Based Perspective,” Acting (Re)Considered: A Theoretical and Prac- tical Guide. London and New York: Routledge, 2002.
- Lehman, Hans-Thies. Postdramatic Theatre. Trans.: Karen Jürs-Munby, London and New York: Routledge, 2006 [1999].
- Marx, Karl; Engels, Friedrich. Alman İdeolojisi. Çev.: Sevim Belli, Anka- ra: Sol Yayınları, 1999, Dördüncü basım.
- Passow, Wilfred. “Whom do They Love?”, Tijdschrift voor Theaterwe- tenschap, 1992.
- Quinn, Michael. “Celebrity and the Semiotics of Acting”, New Theatre Quarterly. 1990.
- Rozik, Eli. “Acting: The Quintessence of Theatricality”, Substance. 31, 3: 110-124, 2002.
- Sarıkartal, Çetin; Aktaş, Şehsuvar; Selen, Ayşe. “Perdenin Arkasındaki Kim? Karagöz Oynatma Korkusu ve İsteksizliği Üzerine Bir Deneme”, Toplumsal Tarih. 181, Ocak 2009.
- States, Bert O. “The Actor’s Presence: Three Phenomenal Modes”, Ac- ting (Re)Considered: A Theoretical and Practical Guide. London and New York: Routledge, 2002 [1983].
Year 2010,
Volume: 29 Issue: 29, 67 - 79, 01.09.2010
Abstract
References
- Alfreds, Mike. “A Shared Experience: The Actor as Storyteller”, Theatre Papers. Ed.: Peter Hulton, Devon: The Department of Theatre, Dartington College of Arts, 1979.
- Fo, Dario. The Tricks of the Trade. Trans.: Joe Farrell, Ed.: Stuart Hood, London: Methuen Drama, 199 [1987].
- Karaboğa, Kerem. Oyunculuk Sanatında Yöntem ve Paradoks. İstan- bul: Boğaziçi Üniversitesi Yayınevi, 2005.
- Konijn, Elly. “The Actor’s Emotions Reconsidered: A Psychological Task- Based Perspective,” Acting (Re)Considered: A Theoretical and Prac- tical Guide. London and New York: Routledge, 2002.
- Lehman, Hans-Thies. Postdramatic Theatre. Trans.: Karen Jürs-Munby, London and New York: Routledge, 2006 [1999].
- Marx, Karl; Engels, Friedrich. Alman İdeolojisi. Çev.: Sevim Belli, Anka- ra: Sol Yayınları, 1999, Dördüncü basım.
- Passow, Wilfred. “Whom do They Love?”, Tijdschrift voor Theaterwe- tenschap, 1992.
- Quinn, Michael. “Celebrity and the Semiotics of Acting”, New Theatre Quarterly. 1990.
- Rozik, Eli. “Acting: The Quintessence of Theatricality”, Substance. 31, 3: 110-124, 2002.
- Sarıkartal, Çetin; Aktaş, Şehsuvar; Selen, Ayşe. “Perdenin Arkasındaki Kim? Karagöz Oynatma Korkusu ve İsteksizliği Üzerine Bir Deneme”, Toplumsal Tarih. 181, Ocak 2009.
- States, Bert O. “The Actor’s Presence: Three Phenomenal Modes”, Ac- ting (Re)Considered: A Theoretical and Practical Guide. London and New York: Routledge, 2002 [1983].
There are 11 citations in total.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Articles |
| Authors | |
| Publication Date | September 1, 2010 |
| Published in Issue | Year 2010 Volume: 29 Issue: 29 |