Çözülen Bir Dünyada Yeni Tiyatro Arayışları

Year 2024, Issue: 39, 92 - 97, 31.12.2024

Rıza Çimen

https://doi.org/10.26650/jtcd.1512060

Abstract

Melike Saba Akım’ın yirminci yüzyıl tiyatrosu bağlamında kaleme aldığı Logostan Kurtulmak: 20. Yüzyıl Dramında Karşı-Anlatı (2022) adlı eseri tiyatroda temsil sorusuna Derrida izleğinde yapısökümcü bir yaklaşımla cevap arıyor. Batılı anlamda tiyatronun metin merkezli karakterini sorgulamaya çeken eserin temel özelliği, sadece tiyatronun metinsel özelliğine yöneltilen başkaldırıyı incelemekten ibaret değil; Akım daha ziyade tiyatronun logosentrik (söylem merkezli) yapısının özellikle yirminci yüzyılda karşılaştığı çözülmeye dikkat çekiyor. Yazar, Jacques Derrida’nın başını çektiği postyapısalcı felsefenin Elinor Fuchs ve Hans-Thies Lehmann gibi tiyatro kuramcıları tarafından benimsenerek dramatik bütünlüğün parçalanışını kuramsal zeminde tartışmaya açıyor. Gertrude Stein, Samuel Beckett ve Richard Foreman gibi tiyatrocuların eserlerine odaklanan yazar, incelediği vaka örnekleri üzerinden tiyatroda dil, temsil ve anlatı gibi kavramların geçirdiği dönüşümleri ele alıyor.

Keywords

Melike Saba Akım, Logostan Kurtulmak, Temsil, Derrida

In Search of a New Theatre in a Dissolving World

Abstract

Melike Saba Akım’s LogostanKurtulmak: 20. Yüzyıl DramındaKarşı-Anlatı (Doing Away with Logos: Counter-Narrative in 20th Century Drama) searches for an answer to the question of representation in theatre by employing the deconstructive approach of Derrida. The main focus of the work, which puts the text-centred character of Western theatre under scrutiny, is not only to examine the reaction against the textual character of theatre; rather, Akım draws attention to the dissolution of the logocentric (discourse-centred) frame of theatre, especially in the twentieth century. The author explores the disintegration of dramatic unity on the theoretical grounds of Derridean poststructuralist philosophy which was later adopted by theatre theoristssuch as Elinor Fuchs and Hans-Thies Lehmann. Focusing on the works of theatre practitioners such as Gertrude Stein, Samuel Beckett and Richard Foreman, the author examines the transformations of several concepts such as language, representation and narrative in theatre through case studies.

Keywords

Melike Saba Akım, Doing away with Logos, Representation, Derrida

References

• Akım, Melike Saba. Logostan Kurtulmak: 20. Yüzyıl Dramında Karşı-Anlatı. İstanbul: Habitus, 2022. google scholar
• Akım, Melike Saba. Logostan Kurtulmak: 20. Yüzyıl Dramında Karşı-Anlatı. İstanbul: Habitus, 2022. google scholar
• Arons, Wendy and Theresa J. May (editors), Readings in Performance and Ecology. Basingstoke: Palgrave Macmillan, 2012. google scholar
• Arons, Wendy and Theresa J. May (editors), Readings in Performance and Ecology. Basingstoke: Palgrave Macmillan, 2012. google scholar
• Carlson, Marvin. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present. expanded edition. Ithaca and London: Cornell University Press, 1993. google scholar
• Carlson, Marvin. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present. expanded edition. Ithaca and London: Cornell University Press, 1993. google scholar
• Chaudhuri, Una. The Stage Lives of Animals: Zooesis and Performance. New York and London: Routledge, 2017. google scholar
• Chaudhuri, Una. The Stage Lives of Animals: Zooesis and Performance. New York and London: Routledge, 2017. google scholar
• Chen, Chang. “Revisiting the Absurd: Posthuman Affects in Samuel Beckett’s Theatre”. New Theatre Quarterly 37:4, 2021. google scholar
• Chen, Chang. “Revisiting the Absurd: Posthuman Affects in Samuel Beckett’s Theatre”. New Theatre Quarterly 37:4, 2021. google scholar
• Dennis, Amanda. “Introduction: Samuel Beckett and the Nonhuman”. Samuel Beckett Today /Aujourd’Hui 32, 2020. google scholar
• Dennis, Amanda. “Introduction: Samuel Beckett and the Nonhuman”. Samuel Beckett Today /Aujourd’Hui 32, 2020. google scholar
• Eckersall, Peter, Helena Grehan and Edward Scheer. New Media Dramaturgy: Performance, Media and New Materialism. London: Palgrave Macmillan, 2017. google scholar
• Eckersall, Peter, Helena Grehan and Edward Scheer. New Media Dramaturgy: Performance, Media and New Materialism. London: Palgrave Macmillan, 2017. google scholar
• Lavery, Carl and Clare Finburgh (editors). Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. London: Bloomsbury, 2015. google scholar
• Lavery, Carl and Clare Finburgh (editors). Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. London: Bloomsbury, 2015. google scholar
• McMullan, Anna. “History in Tatters: Bodies and Things in Samuel Beckett’s Theatre. Etudes britanniques contemporaines 35, 2008. google scholar
• McMullan, Anna. “History in Tatters: Bodies and Things in Samuel Beckett’s Theatre. Etudes britanniques contemporaines 35, 2008. google scholar
• Schweitzer, Marlis and Joanne Zerdy (editors). Performing Objects and Theatrical Things. Basingstoke: Palgrave Macmillan, 2014. google scholar
• Schweitzer, Marlis and Joanne Zerdy (editors). Performing Objects and Theatrical Things. Basingstoke: Palgrave Macmillan, 2014. google scholar
• Woynarski, Lisa. Ecodramaturgies: Theatre, Performance and Climate Change. Cham: Palgrave Macmillan, 2020. google scholar
• Woynarski, Lisa. Ecodramaturgies: Theatre, Performance and Climate Change. Cham: Palgrave Macmillan, 2020. google scholar