<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.4 20241031//EN"
        "https://jats.nlm.nih.gov/publishing/1.4/JATS-journalpublishing1-4.dtd">
<article         dtd-version="1.4">
            <front>

                <journal-meta>
                                                                <journal-id>yedi</journal-id>
            <journal-title-group>
                                                                                    <journal-title>Yedi</journal-title>
            </journal-title-group>
                            <issn pub-type="ppub">1307-9840</issn>
                                        <issn pub-type="epub">2687-5357</issn>
                                                                                            <publisher>
                    <publisher-name>Dokuz Eylul University</publisher-name>
                </publisher>
                    </journal-meta>
                <article-meta>
                                        <article-id pub-id-type="doi">10.17484/yedi.98571</article-id>
                                                                                                                                                                                            <title-group>
                                                                                                                                                            <article-title>Bir Serginin Ardından: Postmodern Mimarlık ve Yansıtmalı Yaklaşımlar</article-title>
                                                                                                    </title-group>
            
                                                    <contrib-group content-type="authors">
                                                                        <contrib contrib-type="author">
                                                                <name>
                                    <surname>Aras</surname>
                                    <given-names>Lerzan</given-names>
                                </name>
                                                            </contrib>
                                                                                </contrib-group>
                        
                                        <pub-date pub-type="pub" iso-8601-date="20150611">
                    <day>06</day>
                    <month>11</month>
                    <year>2015</year>
                </pub-date>
                                                    <issue>14</issue>
                                        <fpage>125</fpage>
                                        <lpage>133</lpage>
                        
                        <history>
                                    <date date-type="received" iso-8601-date="20150807">
                        <day>08</day>
                        <month>07</month>
                        <year>2015</year>
                    </date>
                                            </history>
                                        <permissions>
                    <copyright-statement>Copyright © 2007, Yedi</copyright-statement>
                    <copyright-year>2007</copyright-year>
                    <copyright-holder>Yedi</copyright-holder>
                </permissions>
            
                                                                                                <trans-abstract xml:lang="en">
                            <p>Postmodernism and postmodern architecture concepts, fairly discussed for many years, are now being re-examined with the statements of 21st century theorists indicating that a new turnoff is necessary; and, the discussion is on what might happen with theories after theories beyond Jencks’s postmodern architectural classification. In such a point, the general attitude in the architecture theory, distinctions, and trends should be reviewed. The aim of this study is actually to seek possible answers to the question ‘what is possible beyond postmodern architecture?’ as it appears like a reckoning with the exhibition in 2011 named ‘Postmodernism: style and Subversion 1970-1990’ and so attracting the gaze that postmodernism might be a dead ideology. In this context, the projective practice, proposed by Somol and Whiting contains possible alternative solutions. In this study three cases are discussed which are considered as suitable examples to projective practice</p></trans-abstract>
                                                                                                                                    <abstract><p>Uzun yıllardır üstünde çok konuşulan postmodernizm ve postmodern mimarlık kavramları, 21. yüzyılın kuramcıları tarafındanartık yeni bir yol ayrımına gelindiğinin ifade edilmesi ile tekrar sorgulanmakta, Jencks’in postmodern mimarlıksınıflamaları dışında teori sonrası teorilerin neler olabileceği tartışılmaktadır. Böyle bir noktada mimarlık kuramında genelduruşun nasıl olduğunu ayrımların, eğilimlerin nasıl şekillendiğini gözden geçirmek gerekmektedir. Bu çalışmanın amacı,2011 yılında açılan, Postmodernizm: Stil ve Yıkım 1970-1990 (Postmodernism: Style and Subversion 1970 – 1990) adlısergi ile birlikte kendi kendine hesaplaşma gibi de görünebilen ve postmodernizmin artık ölü bir ideoloji olabileceği yönündebakışları üstüne çeken postmodern mimarlığın ötesi nedir? sorusuna olası cevaplar aramaktır. Bu bağlamda Somolve Whiting’in yansıtmalı yaklaşımlar (projective practice) önermesi yukarıda sorulan soruya cevap olabilecek alternatifolasılıkları içermektedir. Bu çalışmada yansıtmalı yaklaşımlar önermesine uygun olduğu düşünülen 3 örnek tartışılacaktır.Anahtar Sözcükler: Postmodern Mimarlık, Teori Sonrası Teoriler, Eleştiri Sonrası, Pragmatizm, Yansıtmalı Yaklaşımlar.</p></abstract>
                                                            
            
                                                                                        <kwd-group>
                                                    <kwd>-</kwd>
                                            </kwd-group>
                            
                                                <kwd-group xml:lang="en">
                                                    <kwd>Postmodern Architecture</kwd>
                                                    <kwd>   Theory After Theory</kwd>
                                                    <kwd>   Post-critical</kwd>
                                                    <kwd>   Pragmatism</kwd>
                                                    <kwd>   Projective Practice</kwd>
                                            </kwd-group>
                                                                                                                                        </article-meta>
    </front>
    <back>
                            <ref-list>
                                    <ref id="ref1">
                        <label>1</label>
                        <mixed-citation publication-type="journal">Adamson G., Pavitt J. ( 2011). Style and Subversion,1970 –1990, Victoria and Albert Museum, South Kensington, Londra: V&amp;A Publishing.</mixed-citation>
                    </ref>
                                    <ref id="ref2">
                        <label>2</label>
                        <mixed-citation publication-type="journal">Baird, George (2004). “Criticality and its Discontents”. Harvard Design Magazine (21): 1-6.</mixed-citation>
                    </ref>
                                    <ref id="ref3">
                        <label>3</label>
                        <mixed-citation publication-type="journal">Davies, Christie (2011). “Exhibition Notes”, The New Criterion (12): 54-56.</mixed-citation>
                    </ref>
                                    <ref id="ref4">
                        <label>4</label>
                        <mixed-citation publication-type="journal">Groat, Linda (1992). “Rescuing Architecture from Cul-de-Sac”. Journal of Architectural Education 45(3): 138-146.</mixed-citation>
                    </ref>
                                    <ref id="ref5">
                        <label>5</label>
                        <mixed-citation publication-type="journal">Jameson, Fredric (1991). “Postmodernism and Consumer Society”, Anti-Aesthetic, ed. Hal Foster, Washington: Bay Press.</mixed-citation>
                    </ref>
                                    <ref id="ref6">
                        <label>6</label>
                        <mixed-citation publication-type="journal">Jarzombek, Mark (2002). “Last Words: Critical or Post-Critical?” Architectural Theory Review 7(1): 49-152.</mixed-citation>
                    </ref>
                                    <ref id="ref7">
                        <label>7</label>
                        <mixed-citation publication-type="journal">Mallgrave F., Goodman D. (2011). An Introduction to Architectural Theory, 1968 to the Present, UK, Wiley-Blackwell.</mixed-citation>
                    </ref>
                                    <ref id="ref8">
                        <label>8</label>
                        <mixed-citation publication-type="journal">Martin, Reinhold (2005). “Critical of What”. Harvard Design Magazine (22): 1-6.</mixed-citation>
                    </ref>
                                    <ref id="ref9">
                        <label>9</label>
                        <mixed-citation publication-type="journal">Menking, William (2012). “Postmodernism: Style and Subversion 1970–1990”, Journal of Architectural Education 66(1): 25-27.</mixed-citation>
                    </ref>
                                    <ref id="ref10">
                        <label>10</label>
                        <mixed-citation publication-type="journal">Schrijver, Lara ( 2009). “Whatever happened to Projective Architecture? Rethinking the Expertise of the Architect”, Footprint, Agency in Architecture: Reframing Criticality in Theory and Practice, Spring, 123-127.</mixed-citation>
                    </ref>
                                    <ref id="ref11">
                        <label>11</label>
                        <mixed-citation publication-type="journal">Somol R., Whiting S. (2002). “Notes Around The Doppler Effect and Other Moods of Modernism”, Perspecta, The Yale Architectural Journal, (33): 72-77.</mixed-citation>
                    </ref>
                                    <ref id="ref12">
                        <label>12</label>
                        <mixed-citation publication-type="journal">Sykes, Krista. (2010). “Introduction”. Constructing A New Agenda, Architectural Theory 1993-2009, ed. Krista Sykes, New York, Princeton Architectural Press, s:14-30. Internet Kaynakları</mixed-citation>
                    </ref>
                                    <ref id="ref13">
                        <label>13</label>
                        <mixed-citation publication-type="journal">Barrie, Andrew (2014). “Cardboard Cathedral by Shigeru Ban in Christchurch, New Zealand”.http://www.architectural- review.com/buildings/cardboard-cathedral-by- shigeru-ban-in-christchurch-new-zealand/8654513. article# (30.12.2014).</mixed-citation>
                    </ref>
                                    <ref id="ref14">
                        <label>14</label>
                        <mixed-citation publication-type="journal">Fischer, Ole (2007). “Atmospheres – Architectural Spaces between Critical Reading and Immersive Presence”. http://www.field-journal.org/uploads/file/ 2007_ Volume_ 1/o%20 fischer.pdf (25.12.2014).</mixed-citation>
                    </ref>
                                    <ref id="ref15">
                        <label>15</label>
                        <mixed-citation publication-type="journal">Roth, Martin (2014). “Postmodernism: Style and Subversion 1970-1990 at the V&amp;A”, http://www.dezeen. com/2011/09/26/postmodernism-style-and- subversion-1970-1990-at-the-va/ (26/11/2014).</mixed-citation>
                    </ref>
                                    <ref id="ref16">
                        <label>16</label>
                        <mixed-citation publication-type="journal">Sooke, Alastair ( 2011). “Postmodernism: Style and Subversion: 1970-1990, V&amp;A, review”. http://www.telegraph. co.uk/culture/art/art-reviews/8790569/ Postmodernism-style-and-subversion-1970-1990- VandA-review.html( 26/11/2014).</mixed-citation>
                    </ref>
                                    <ref id="ref17">
                        <label>17</label>
                        <mixed-citation publication-type="journal">Schrijver, Lara (2014). “Architecture, Projective, Critical or Craft?” Projective or Critical Practice, 353-367. http:// isites.harvard.edu/fs/docs/icb.topic1465373. files/29%20SEP%2014/Schrijver%20Architecture_ Projective_Critical_Craft.pdf (25.12.2014). Görsel Kaynaklar</mixed-citation>
                    </ref>
                                    <ref id="ref18">
                        <label>18</label>
                        <mixed-citation publication-type="journal">Resim  ‘Postmodernism: Style and Subversion 1970 – 1990’ Adlı Serginin Girişi, www.apracticeforeverydaylife. com/victoria-and-albert-museum/postmodernism- style-and-subversion-1970-1990-exhibition- graphics/ (30.12.2014)</mixed-citation>
                    </ref>
                                    <ref id="ref19">
                        <label>19</label>
                        <mixed-citation publication-type="journal">Resim  Yokohama Terminal Binası, (Rohaly, 2014:32).</mixed-citation>
                    </ref>
                                    <ref id="ref20">
                        <label>20</label>
                        <mixed-citation publication-type="journal">Resim  Karton Katedral, (Barrie, 2014).</mixed-citation>
                    </ref>
                                    <ref id="ref21">
                        <label>21</label>
                        <mixed-citation publication-type="journal">Resim  Bulanık Bina, ( Fischer, 2007).</mixed-citation>
                    </ref>
                            </ref-list>
                    </back>
    </article>
