Year 2018, Volume , Issue 40, Pages 23 - 32 2018-12-24

Anthony Neilson’un Deneyimsel Tiyatrosu ve Disosya Harikalar Dünyası
The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia

Ahmet Gökhan Biçer [1]

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Deneyimsel tiyatro, izleyicilere sahnede temsil edilen olayı deneyimlemelerine, onların, güvenlik ve şiddet gibi çatışan olaylarla ilgili kendi anlamlandırma ve yorumlama süreçlerini oluşturmalarına olanak tanıyarak dramatik tiyatronun sınırlarını aşmaktadır. 1990’lı yıllar İngiliz tiyatrosunun bu türdeki önemli temsilcilerinden Anthony Neilson, kaçınılmaz olarak günlük yaşam deneyimlerinden kaynaklanan şiddet olgusunu bütün çıplaklığıyla ve keskin biçimde betimleyişi yönünden önemli eleştiriler almıştır. Neilson, en önemli oyunlarından The Wonderful World of Dissocia ile (2004), bireyin içsel ve dışsal gerçekliği arasındaki bağıntıyı incelerken, akılsal durumu deneyimsel bir teatrallikle resmeder. Bu yolla yazar, deneyimsel tiyatronun kavramsal çerçevesini yeni bir boyuta taşır. Bu çalışma, Neilson’un deneyimsel tiyatro pratiğine olan katkısını şiddet olgusu ve kimlik politikası bağlamında incelemektedir.

Experiential theatre goes beyond the boundaries of dramatic theatre by allowing the audience to experience the event performed on stage and create their own meaning and interpretation of conflicting phenomena, such as security and violence. As one of the important representatives of this type of English theatre in the 1990s, the playwright Anthony Neilson, has attracted substantial critical attention for his trenchant portrayal of violence in all its bareness that inevitably comes out within the practices of daily life. With one of his most important plays to date, The Wonderful World of Dissocia (2004), Neilson portrays experiential theatricality of states of mind while exploring the connection between the internal and external reality of a self. By doing so, Neilson pushes the framework of experiential theatre to a new extreme. This paper scrutinizes his contribution to the practice of experiential theatre within the context of violence and identity politics.

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Primary Language en
Subjects Social
Journal Section Articles
Authors

Author: Ahmet Gökhan Biçer

Bibtex @research article { sefad514492, journal = {Selçuk Üniversitesi Edebiyat Fakültesi Dergisi}, issn = {}, eissn = {2458-908X}, address = {Selcuk University}, year = {2018}, volume = {}, pages = {23 - 32}, doi = {10.21497/sefad.514492}, title = {The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia}, key = {cite}, author = {Biçer, Ahmet Gökhan} }
APA Biçer, A . (2018). The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, (40), 23-32. DOI: 10.21497/sefad.514492
MLA Biçer, A . "The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia". Selçuk Üniversitesi Edebiyat Fakültesi Dergisi (2018): 23-32 <http://dergipark.org.tr/sefad/issue/42599/514492>
Chicago Biçer, A . "The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia". Selçuk Üniversitesi Edebiyat Fakültesi Dergisi (2018): 23-32
RIS TY - JOUR T1 - The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia AU - Ahmet Gökhan Biçer Y1 - 2018 PY - 2018 N1 - doi: 10.21497/sefad.514492 DO - 10.21497/sefad.514492 T2 - Selçuk Üniversitesi Edebiyat Fakültesi Dergisi JF - Journal JO - JOR SP - 23 EP - 32 VL - IS - 40 SN - -2458-908X M3 - doi: 10.21497/sefad.514492 UR - https://doi.org/10.21497/sefad.514492 Y2 - 2018 ER -
EndNote %0 Selçuk University Journal of Faculty of Letters The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia %A Ahmet Gökhan Biçer %T The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia %D 2018 %J Selçuk Üniversitesi Edebiyat Fakültesi Dergisi %P -2458-908X %V %N 40 %R doi: 10.21497/sefad.514492 %U 10.21497/sefad.514492
ISNAD Biçer, Ahmet Gökhan . "The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia". Selçuk Üniversitesi Edebiyat Fakültesi Dergisi / 40 (December 2018): 23-32. https://doi.org/10.21497/sefad.514492