AKRA Kültür Sanat ve Edebiyat Dergisi

Öz

This study called “The modal and lyrics analysis messy modal part of the work named Rast Kâr-ı Nâtık (Fihrist-i Makâmat) belonging to Ahmed Avni Konuk”.has been arqued out, the points about Kâr-ı Nâtık, Hamparsum, Küpe kavramı, The Prosody and its relation with Classic Turkish Music have been enlightened properly from the general to the particular, the description of the modal and methods which Ahmed Avni Konuk used in the work named “Rast Kâr-ı Nâtık” beside the  method’s part of the conducted study takes part. In this division and this parallel; there has been some datas such as the model of the research, the system and its sample, the datas being collected and their analyses. The modal and lyrics messy modal part of Rast Kâr-ı Nâtık, the work of Ahmed Avni Konuk, which forms the sample of the study under the heading of the findings and interpretation have been analized; at the end and fourth part, a certain number of inferences regarding to the analyses conducted and by reason of all these, some proposals belonging to us individually take part. “Descriptive” method has been used in the research. In accordance with the descriptive method, Survey model has been utilized. By these techniques used for the issue of the research, all datas gained have been analized and interpretended. In this research, as known, how productive Kâr-ı Nâtıks are about instructiveness has emerged and given that the demand for the works which have a huge formation like this has decreased so far, every study conducted on these or similar Kâr-ı Nâtıks has been predicted to help bring to light the composed works which are subject to decline in these or similar forms. Still, this study has been considered to contribute this type of new works to occur from the point of both artificial works’ continuity and the instructiveness of our music.