TY  - JOUR
T1  - The Nexus between Performance, Aesthetics and Philosophical Motifs in Indigenous Festivals
TT  - The Nexus between Performance, Aesthetics and Philosophical Motifs in Indigenous Festivals
AU  - Omosule, Segun
PY  - 2023
DA  - May
DO  - 10.22559/folklor.2406
JF  - Folklor/Edebiyat
JO  - folk/ed
PB  - Uluslararası Kıbrıs Üniversitesi
WT  - DergiPark
SN  - 1300-7491
SP  - 501
EP  - 516
VL  - 29
IS  - 114
LA  - en
AB  - The idea of expediency that is identified with the two mythical sisters that were abducted during the era of slavery and slave trade may have been constructed to sensitise folks about the need to be prepared at all times and probably informed by their social status, and without the instruments of state to enforce security, they might have been exposed to orgies such as slavery and kidnapping. The same measure may not be attributed to powerful members in view of their ability to provide apparatus for security. This exposure to economic wherewithal, however, does not preclude them from relating with the philosophical tempo of the milieu such as consciousness of the place of time in whatever they do or intend to do. Using aesthetics as a theoretical Using aesthetics as a theoretical springboard, the study concludes that indigenous performances are means of regulating behaviours.
KW  - Indegeneous festivalleri
KW  - Yoruba
KW  - performans
N2  - The idea of expediency that is identified with the two mythical sisters that were abducted during the era of slavery and slave trade may have been constructed to sensitise folks about the need to be prepared at all times and probably informed by their social status, and without the instruments of state to enforce security, they might have been exposed to orgies such as slavery and kidnapping. The same measure may not be attributed to powerful members in view of their ability to provide apparatus for security. This exposure to economic wherewithal, however, does not preclude them from relating with the philosophical tempo of the milieu such as consciousness of the place of time in whatever they do or intend to do. Using aesthetics as a theoretical springboard, the study concludes that indigenous performances are means of regulating behaviours.
UR  - https://doi.org/10.22559/folklor.2406
L1  - https://dergipark.org.tr/tr/download/article-file/3112897
ER  -