TY - JOUR T1 - Reclaiming Agency through Fashion: Postcolonial Identities and Colonial Legacies in V.S. Naipaul's A Bend in the River TT - Reclaiming Agency through Fashion: Postcolonial Identities and Colonial Legacies in V.S. Naipaul's A Bend in the River AU - Güvendi Yalçın, Elif PY - 2023 DA - December Y2 - 2023 DO - 10.29110/soylemdergi.1362064 JF - Söylem Filoloji Dergisi JO - Söylem PB - Yusuf ÇETİN WT - DergiPark SN - 2548-0502 SP - 727 EP - 745 VL - 8 IS - 3 LA - en AB - Fashion has been an important part of human cultures since the dawn of civilization. It covers a wide range of practices related to clothing, style, personal ornaments to domains like furniture, interior design, and food preferences. Therefore, it is deeply influenced by cultural, social, economic, and political factors. Fashion is a powerful tool for representing identity, especially in cultures impacted by colonialism and imperialism. It is through fashion choices that individuals express their cultural identity, challenge norms imposed by others, and resist the erasure of their heritage. It becomes a tool for empowerment and self-representation, allowing marginal communities to reclaim agency over their own narratives. While colonialism may have ended, the legacy of colonialism has left lasting impacts on economies, social structures, and cultural perceptions. The Western nations continue actively participating in imperial activities to protect their wealth and power by exploiting other countries economically. The internalisation of colonial set of values has also influenced the perception of fashion among the people from once colonised countries whose cultural values are deemed as being uncivilized as “superior”, “civilized” and “rational” coloniser’s western fashion trends permeate the local market. Fashion is used as a means of signifying power, class, and status with European modes of dress being seen as a symbol of sophistication and modernity. Drawing upon the broader theorerical framework of postcolonialism, this paper critically analyses V.S. Naipaul’s seminal work A Bend in the River to demonstrate how fashion choices creates identities to continue colonial legacies. KW - Fashion KW - Post-colonialism KW - Identity KW - Imperialism N2 - Fashion has been an important part of human cultures since the dawn of civilization. It covers a wide range of practices related to clothing, style, personal ornaments to domains like furniture, interior design, and food preferences. Therefore, it is deeply influenced by cultural, social, economic, and political factors. Fashion is a powerful tool for representing identity, especially in cultures impacted by colonialism and imperialism. It is through fashion choices that individuals express their cultural identity, challenge norms imposed by others, and resist the erasure of their heritage. It becomes a tool for empowerment and self-representation, allowing marginal communities to reclaim agency over their own narratives. While colonialism may have ended, the legacy of colonialism has left lasting impacts on economies, social structures, and cultural perceptions. The Western nations continue actively participating in imperial activities to protect their wealth and power by exploiting other countries economically. The internalisation of colonial set of values has also influenced the perception of fashion among the people from once colonised countries whose cultural values are deemed as being uncivilized as “superior”, “civilized” and “rational” coloniser’s western fashion trends permeate the local market. Fashion is used as a means of signifying power, class, and status with European modes of dress being seen as a symbol of sophistication and modernity. Drawing upon the broader theorerical framework of postcolonialism, this paper critically analyses V.S. Naipaul’s seminal work A Bend in the River to demonstrate how fashion choices creates identities to continue colonial legacies. CR - Ashcroft, William D., Gareth Griffiths, and Helen Tiffin. (1989). The Empire Writes Back. London: Routledge. CR - Bhabha, Homi K. (2004). The Location of Culture. London and New York: Routledge. CR - Brooks, Andrew. (2015). Clothing Poverty: The Hidden World of Fast Fashion and Second-hand Clothes. London: Zed Books. CR - Chaudhuri, Nirad C. (1976). Culture in the Vanity Bag: Being an Essay on Clothing and Adornment in Passing and Abiding India. Bombay: Jaico Pub. House. CR - Clifford, James. (2013). Returns: Becoming Indigenous in the Twenty-First Century. Cambridge: Harvard University Press. CR - Crane, Diana. (2000). Fashion and its Social Agendas: Class, Gender, and Identity in Clothing. Chicago: University of Chicago Press. UR - https://doi.org/10.29110/soylemdergi.1362064 L1 - https://dergipark.org.tr/tr/download/article-file/3415195 ER -