TY - JOUR T1 - The emphasis of patriotism and independence through a political and religious lens: A new historical reading of the selected national anthems AU - Topcu, Nihal PY - 2023 DA - October DO - 10.29000/rumelide.1379362 JF - RumeliDE Dil ve Edebiyat Araştırmaları Dergisi JO - RumeliDE PB - Yakup YILMAZ WT - DergiPark SN - 2148-7782 SP - 1357 EP - 1363 IS - Ö13 LA - en AB - This paper fundamentally delves into how patriotism and independence are emphasised in the selected national anthems through a political and religious lens in the light of the New Historicism. In this regard, four national anthems from the Western and Eastern countries acknowledged to have assumed the role of the coloniser or colonised in recorded history are selected for the analysis in this study: The United Kingdom’s God Save the Queen, France’s The Song of Marseille, Chad’s The Song of Chad, and Nigeria’s Arise, O Compatriots. This paper, therefore, addresses how national anthems share a significant political as well as religious role to influence and even shape their history by activating their societies’ love for their own countries and hunger for independence. Accordingly, the Introduction of this paper gives a general outline of the perspectives towards the national anthems and the New Historicism. This study, furthermore, provides the reflections of these perspectives on the British, French, Chadian, and Nigerian national anthems by displaying the dynamic interplay between the national anthems and the history itself thanks to the application of the New Historicism. In Conclusion, this paper reveals not only the similarities but also the differences of the selected national anthems with respect to their emphasis of patriotism and independence through a political and religious lens, alongside the New Historicist approach. KW - National Anthems KW - Patriotism KW - Independence KW - Politics KW - Religion CR - Bertens, H. (2002). Literary theory: The basics. Routledge. CR - Cerulo K. A. (1989). Sociopolitical control and the structure of national symbols: An empirical analysis of national anthems. Social Forces, 68(1), 76-99. https://doi.org/10.2307/2579221 CR - Cerulo K. A. (1993). Symbols and the world system: National anthems and flags. Sociological Forum, 8(2), 243-71. https://www.jstor.org/stable/684637 CR - Chad 2015 Country Review. (2015). In Chad Country Review (pp. 1–257). CR - Greenblatt, S. (1989). Towards a Poetics of Culture. In H. A. Veeser (Ed.), The new historicism (pp. 1-14). Routledge. CR - Hang, X. (Ed.). (2003). Encyclopaedia of national anthems. Scarecrow Press. CR - Marshall, A. (2015). Republic or death!: Travels in search of national anthems. Random House. CR - Onditi, F. (2018). African national anthems: Their value system and normative ‘potential’. African Study Monographs, (56), 3-20. https://doi.org/10.14989/230171 CR - Tyson, L. (2006). Critical theory today: A user-friendly guide. Routledge. CR - Veenstra, J. R. (1995). The new historicism of Stephen Greenblatt: On poetics of culture and the interpretation of Shakespeare. History and Theory, 34(3), 174-198. http://www.jstor.org/stable/2505620 CR - Weaver, E. K. (1961). What Nigerian independence means. Phylon (1960-), 22(2), 2nd Qtr. 146-159. https://doi.org/10.2307/273451 UR - https://doi.org/10.29000/rumelide.1379362 L1 - https://dergipark.org.tr/tr/download/article-file/3488861 ER -