@article{article_1406545, title={INTERPRETING COLLINGWOOD’S ARTISTIC APPROACH THROUGH THE DESIGN PHILOSOPHIES OF ARATA ISOZAKI, JAMES CORNER AND KARIM RASHID}, journal={Livenarch+ Journal}, volume={1}, pages={72–98}, year={2024}, author={Kurt, Kübra and Aydıntan, Erkan and İnci, Aslı}, keywords={Sanat, sanatın ilkeleri, mimarlık, tasarım, tasarım disiplinleri}, abstract={This study posits a hypothesis that the essence of art can be understood through the perspectives of influential figures in architecture, planning, and design. Beginning with an analysis of Collingwood’s "The Principles of Art," the paper extrapolates characteristics of the art phenomenon. Emphasizing the interdisciplinary nature of art, the study then focuses on architectural, interior design, landscape architecture, urban planning, and industrial product design. Noteworthy figures such as Arata Isozaki, James Corner, and Karim Rashid are selected to represent these disciplines, chosen for their potential depth and philosophical contributions in their works. Following the identification of the sample, discourse analysis and document analysis methods are employed to reveal the design philosophies of these figures. Subsequently, individual concept maps representing the design perspectives of each figure are created. Finally, identified art principles and concepts are paired, and their relationships are elucidated and discussed in light of the literature. In the context of art principles, an examination of concepts determined by designers reveals significant overlaps with art, particularly in terms of possessing a unique thought process, being a creative and process-oriented experience, and relying on imagination. The study concludes that design approaches in different disciplines draw from various dimensions of art, contributing to significant richness within the design discourse. This study posits a hypothesis that the essence of art can be understood through the perspectives of influential figures in architecture, planning, and design. Beginning with an analysis of Collingwood’s "The Principles of Art," the paper extrapolates characteristics of the art phenomenon. Emphasizing the interdisciplinary nature of art, the study then focuses on architectural, interior design, landscape architecture, urban planning, and industrial product design. Noteworthy figures such as Arata Isozaki, James Corner, and Karim Rashid are selected to represent these disciplines, chosen for their potential depth and philosophical contributions in their works. Following the identification of the sample, discourse analysis and document analysis methods are employed to reveal the design philosophies of these figures. Subsequently, individual concept maps representing the design perspectives of each figure are created. Finally, identified art principles and concepts are paired, and their relationships are elucidated and discussed in light of the literature. In the context of art principles, an examination of concepts determined by designers reveals significant overlaps with art, particularly in terms of possessing a unique thought process, being a creative and process-oriented experience, and relying on imagination. The study concludes that design approaches in different disciplines draw from various dimensions of art, contributing to significant richness within the design discourse.}, number={1}, publisher={Karadeniz Teknik Üniversitesi}