TY  - JOUR
T1  - Unplugging the Cyborg: The Female Cyborg Experience in James Tiptree Jr.’s The Girl Who Was Plugged In
TT  - Siborgu Deşifre Etmek: James Tiptree Jr’ın Uzaktan Kumandali Kız’ında Kadın Siborg Deneyimi
AU  - Şen, Selis Yıldız
AU  - Akaltun Akan, Evren
PY  - 2024
DA  - July
Y2  - 2024
JF  - ASSOS İnsan ve Toplum Bilimlerinde Araştırmalar Dergisi
JO  - ASSOS
PB  - Çanakkale Onsekiz Mart Üniversitesi
WT  - DergiPark
SN  - 3023-638X
SP  - 26
EP  - 39
VL  - 1
IS  - 2
LA  - en
AB  - The concept of freedom is integral to cyberpunk literature and is prominently explored through the depiction of thecyborg figure, particularly female cyborg figure, as seen in James Tiptree Jr.’s novella, The Girl Who Was Plugged In(1973). Tiptree’s novella explores the intersection of the human and the machine in relation to agency, identity, andindependence through P. Burke, who lives in and experiences sociality through Delphi’s synthetic body. Set indystopian future, the narrative enables a critical investigation of human existence and freedom in the cyberpunk age’sintertwining organic and synthetic realms. As P. Burke navigates her existence in Delphi's body, the tension betweengenuine human desires and the constraints imposed by technological interfaces as well as organKc lKmKtatKons of thebody evokes a certaKn questKon assocKated wKth such KntrKcate and conflKctKng sKtuatKon: Does the transformative cyborg experience liberate or subjugate the individual? Drawing on Deleuze & Guattari’s notion of rhizome and DonnaHaraway’s explorations on how the figure of cyborg challenges the phallocentric Western discourse, this paper aimsto examine freedom and agency within the portrayal of the female cyborg in James Tiptree Jr.’s The Girl Who WasPlugged In and argues that the cyborg experience presents both a deconstruction and reaffirmation of humanistic values in a shifting context.
KW  - female cyborg
KW  - rhizome
KW  - cyberpunk literature
KW  - agency
KW  - freedom
KW  - The Girl Who Was Plugged In
KW  - James
Tiptree Jr.
N2  - Siperpunk edebiyatının ayrılmaz bir parçası olan özgürlük kavramı, özellikle kadın siborg figürü ve temsilleriaracılığıyla öne çıkar ve James Tiptree Jr.’ın kısa romanı Uzaktan Kumandalı Kız (1973) da bu temsilin en dikkatedeğer örneklerinden birini sunar. Tiptree’nin novellası, Delphi isimli sentetik bedende yaşayan ve bu beden aracılığıylatoplumla sosyallik kuran P. Burke isimli karakter üzerinden, eylemlilik, kimlik ve bağımsızlık bağlamında insan ilemakinenin kesişimine dair bir keşfe çıkar. Distopik bir gelecekte geçen bu hikaye, organik ve sentetik âlemlerin iç içegeçtiği siberpunk çağında insan varlığı ve özgürlük hakkında kritik sorgulamalar gerçekleştirmeyi mümkün kılar. P.Burke, Delphi’nin bedeninde varlığını sürdürürken, gerçek insan arzuları ile teknolojik Knterfazların koyduğu kısıtlamalar ve bedenin organik sınırlamaları arasındaki gerilim, bu tür karmaşık ve çelişkili bir durumla ilişkilendirilebKlecek belirli bir soruyu gündeme getirir: Siborg deneyimi bireyi özgürleştirir mi yoksa boyunduruk altına mı alır? Deleuze & Guattari'nin rizom kavramı ve Donna Haraway’in siborg figürünün fallosantrik Batı söylemini nasıl sorguladığı üzerine araştırmalarından hareketle, bu makale, kadın siborg tasvirinde özgürlük ve eylemliliği incelemeyi amaçlamakla birlikte, James Tiptree Jr.’ın, Uzaktan Kumandalı Kız’ındaki siborg deneyiminin, değişen bağlamlar içerisinde, hümanistik değerleri hem yapıbozuma uğrattığı hem de tasdik ettiğini iddia etmektedir.
CR  - Cavallaro, D. (2000). Cyberpunk and cyberculture. Bloomsbury Publishing.
CR  - Deleuze, G., & Guattari, F. L. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, Trans.). Minneapolis, MN: University of Minnesota Press.
CR  - Ferrández-Sanmiguel, M. (2018). Appropriated bodies: Trauma, biopower and the posthuman in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “The Girl Who Was Plugged In”. Atlantis. 40. 27-44. 10.28914/Atlantis-2018-40.2.02.
CR  - Haraway, D. (1991). “A cyborg manifesto: Science, technology, and socialist-feminism in the late twentieth century,” In Simians, cyborgs, and women: the reinvention of nature (1st ed. pp. 149-181). New York: Routledge.
CR  - Harper, M. C. (1995). Incurably alien other: A case for feminist cyborg writers. Science Fiction Studies, 22(3), 399–420. http://www.jstor.org/stable/4240459
CR  - Hicks, H. J. (1996). “Whatever it is that she’s since become”: Writing bodies of text and bodies of women in James Tiptree, Jr.’s “The Girl Who Was Plugged in” and William Gibson’s “The Winter Market.” Contemporary Literature, 37(1), 62–93. https://doi.org/10.2307/1208751
CR  - Hollinger, V. (1999). (Re)reading queerly: Science fiction, feminism, and the defamiliarization of gender. Science Fiction Studies, 26(1), 23–40. http://www.jstor.org/stable/4240749
CR  - Laughlin, C. (2008). The evolution of cyborg consciousness. Anthropology of Consciousness. 8. 144 - 159. 10.1525/ac.1997.8.4.144.
CR  - Rhee, J. (2019). Finance speculation, indeterminacy, and unforeclosed futures in James Tiptree, Jr.’s “The Girl Who Was Plugged In.” Science Fiction Studies, 46(3), 449–469. https://doi.org/10.5621/sciefictstud.46.3.0449
CR  - Stevenson, M. C. (2007). Trying to plug in: Posthuman cyborgs and the search for connection. Science Fiction Studies, 87–105. http://www.jstor.org/stable/4241495
CR  - Tiptree Jr., J. (1989). The girl who was plugged in. Waseda University.  https://www.f.waseda.jp/sidoli/Tiptree_Girl_Plugged_In.pdf
UR  - http://dergipark.org.tr/tr/pub/assos/issue//1423652
L1  - http://dergipark.org.tr/tr/download/article-file/3675755
ER  -