@article{article_1618923, title={The Representation of Motherhood in Netflix Series: The Case of the Maid and Who Were We Running From}, journal={Kadın/Woman 2000}, volume={26}, pages={359–386}, year={2025}, DOI={10.33831/jws.v26i1.530}, author={Onay Coker, Duygu}, keywords={Annelik, Kurum ve Feminist Deneyim Olarak Annelik, Netflix, Hizmetçi, Biz Kimden Kaçıyorduk Anne?}, abstract={This study, arguing that motherhood/mothering is a political act, analyzes two Netflix productions centered on the theme. To analyze the representation of mothering/motherhood, it applies Fiona Joy Green’s (2020) three central concepts within feminist mothering: oppose the institution of motherhood, view mothering as an empowered and political act, and practice matroreform. The method of this study is Feminist Close Reading, which allows for a comparative analysis of whose narratives will be prioritized, amplifying the voices of marginalized perspectives across various traditions. The research focusing on Netflix delivering duplicate content to a large audience across different countries demonstrates that these productions do not romanticize motherhood, impose outdated gender roles, or define women solely through their familial roles. Instead, they reveal that the mothers in these narratives resist societal norms, representing women characters striving to fulfill their authentic identities and stay true to themselves.}, number={1}, publisher={Doğu Akdeniz Üniversitesi}