TY  - JOUR
T1  - Ütopyanın Kırılgan Yüzü: Blochçu Perspektifle Üç Sinemasal Anlatının Karşılaştırmalı Analizi
TT  - The Fragile Face of Utopia: A Comparative Analysis of Three Cinematic Narratives from a Blochian Perspective
AU  - Suveren, Yaşar
PY  - 2025
DA  - October
Y2  - 2025
DO  - 10.31122/sinefilozofi.1750401
JF  - SineFilozofi
PB  - Serdar ÖZTÜRK
WT  - DergiPark
SN  - 2547-9458
SP  - 73
EP  - 91
IS  - 2025 10. Yıl Özel Sayısı
LA  - tr
AB  - Bu çalışma, Ernst Bloch’un “somut ütopya” teorisi bağlamında The Beach (2000), Fight Club (1999) ve Captain Fantastic (2016) filmlerini karşılaştırmalı olarak analiz etmektedir. Geç kapitalist kültürel bağlamda sinemasal ütopya temsillerinin dönüştürücü bir praksis potansiyeli taşıyıp taşımadığını sorgulayan çalışma, Bloch’un ‘henüz-olmayan’, ‘henüz-bilincine-varılmamış’ ve ‘praksis’ kavramlarından hareketle, ütopya tahayyüllerinin hem distopik sapmalara dönüşme eğilimini hem de sınıfsal-tarihsel sınırlarla çatışmasını inceliyor. The Beach, bireysel anlam arayışının zamanla gerçeklikten kopuk bir kaçış fantazisine dönüştüğünü; Fight Club, kapitalizm karşıtı öfkenin nasıl otoriter bir şiddet sarmalına evrildiğini; Captain Fantastic ise alternatif eğitim yöntemleriyle inşa edilen ütopik bir yaşamın hem imkanlarını hem de sınıfsal ayrıcalıklar nedeniyle karşılaştığı sınırları gözler önüne sermektedir. Çalışma, çağdaş sinemada ütopya fikrinin iki karşıt eğilim arasındaki gerilimini incelemektedir: bir yanda yalnızca nostaljik bir arzu nesnesine dönüşen ütopya temsilleri, diğer yanda tarihsel ve toplumsal dönüşümü hedefleyen somut bir praksis olarak ütopya. Bu ikili yapı çerçevesinde, sinemanın söz konusu gerilimi nasıl görünür kıldığını eleştirel bir bakışla ortaya koymaktadır.
KW  - Somut Ütopya
KW  - Ernst Bloch
KW  - Sinema
KW  - Praksis
KW  - Distopya
N2  - This study offers a comparative analysis of the films The Beach (2000), Fight Club (1999), and Captain Fantastic (2016) within the context of Ernst Bloch’s “concrete utopia” theory. Questioning whether cinematic representations of utopia in the late capitalist cultural context possess transformative praxis potential, the study draws on Bloch’s concepts of the ‘not-yet’, the ‘not-yet-conscious’, and ‘praxis’ to examine how utopian imaginaries tend to both shift toward dystopian deviations and come into conflict with class-based and historical boundaries. The Beach demonstrates how the search for individual meaning gradually transforms into an escapist fantasy disconnected from reality; Fight Club reveals how anti-capitalist anger evolves into an authoritarian spiral of violence, and Captain Fantastic highlights both the possibilities and the limitations arising from class privileges of a utopian life constructed through alternative educational methods. This study explores the tension of the utopian idea in contemporary cinema between two opposing tendencies: on the one hand, utopian representations that become merely objects of nostalgic longing, and on the other, utopia as a concrete praxis aimed at historical and social transformation. Within this dual framework, this study offers a critical perspective on how cinema makes this tension visible.
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UR  - https://doi.org/10.31122/sinefilozofi.1750401
L1  - https://dergipark.org.tr/tr/download/article-file/5088875
ER  -